Fevers of the Mind Poetry Blog

*On our blog we will put up content from our Anthologies and books. This content will come and go periodically when space is needed*  

*Currently only accepting submissions to this blog.  If accepted your poetry/posts will be promoted through social media *mainly twitter/facebook* for about 6 months.  Some will be up possibly longer.

 *Will accept previously published work as long as poetry/writing/art has not been in a print copy Anthology or a Non-Self-Published book* If previously published please acknowledge in either the word doc or bio indicating the lit mag, blog, self-published book, etc that the piece was first published in*

*Work must be respectful.  No abuse, no racism, radical views, inclusive is the only way.  No pornographic themes.    Thanks.  

*If accepted I will let you know by e-mail or twitter within 1 month from time e-mail was sent.  I will give you an estimate of when the poem could appear on the blog.  If not accepted I will not be sending e-mails to acknowledge and don’t be discouraged just send another poem.  

*SUBMISSION Themes* (please put in subject line the theme # you are looking to contribute to.  entries go from blog to print anthologies 

Themes include: General submissions, love, anxiety, depression, growing up, hometowns/departures, the pandemic, Black History, inspired by black poets & musicians, Inspired by Leonard Cohen, LQBTQ, Submissions from discontinued/defunct magazines (have to be unknown status for over 6 months), Visual poetry, art, photography, Social Justice, recovery, struggles, survival poetry, trauma, abuse, ptsd, physical health, other mental health, General interviews for promo opportunities, Old Country poetry (influenced by old school country/outlaw country), protest poetry, inspired by Dylan, Ochs, John Lennon, Tom Waits, Bruce Springsteen, Joni Mitchell, Patti Smith, Lou Reed, Jimi Hendrix, inspired by other poets & writers (specify in writing), Poetry about life & country (non U.S.), Feminist poetry, Inspired by Plath, Anne Sexton, Inspired by Instrumental Music (Miles Davis, Phillip Glass, Dirty Three, John Coltrane, Harold Budd, Brian Eno, Cluster, Sigur Ros, Mogwai, Tortoise, Booker T & The MG’s, etc), Beat Poetry, Inspired by Kerouac, Burroughs, T.S. Eliot, Baudelaire, Bukowski (to an extent), Ferlinghetti, Dylan Thomas, Poetry inspired by a dream, Free Verse, Short Stories, Old Hollywood Figures/Scandals Poetry, Poetry inspired by artwork (please include name of piece & artist the inspiration was from), 

Follow me on Twitter @DavidLONan1 and Fevers of the Mind  @feversof  and on Facebook: DavidLONan1

For More go to Amazon and look for the Fevers of the Mind Press Presents the Poets of 2020 Deluxe Edition paperback & kindle  Split editions Volumes 1 & 2 from the Deluxe edition available on paperback (look for post on Fevers of the Mind Press Presents the Poets of 2020 to know who are contributors in each book), Fevers of the Mind Poetry Digest Volumes 1-3 available on paperback and kindle. Also there is a Poetry Only combination book of Volumes 1 & 2:  Avalanches in Poetry: Writings & Art Inspired by Leonard Cohen available on Paperback & Kindle.   My poetry books (David L O’Nan) New Disease Streets (November 2020) The Cartoon Diaries (2019) Taking Pictures in the Dark (February 2021) also available on Amazon.  For my Amazon Author Page (may not have all listed at first)  I have had work published in Icefloe Press, Royal Rose Magazine, Truly U, Dark Marrow an offshoot of Rhythm & Bones Lit, Ghost City,  3 Moon Publishing, Elephants Never, Nymphs Publishing, Heroin-Chic & more. I have edited 5 Anthology editions & have poetry, prose, short stories, photography in Fevers of the Mind Poetry (&Art) Digest/Avalanches in Poetry Writings & Art Inspired by Leonard Cohen.  A Best of the Net Nominee for 2021.

3 poems by Dunstan Carter inspired by Syd Barrett, Iggy Pop & Tom Waits

Another Life, Another Man

Lost in a doppelganger’s daze,


Painting yourself into the corner
Of another empty room,
The fumes nuzzle your sweat,


Confused nursery rhymes sing
Through the bristles as night falls
And bubbles pop on the ceiling,

A back splash of petrified joy
Dancing like sparks through the dark.


Flashbacks scuttle like rats,
Rust creeps into happiness,
Wearing away your ambition
And all the sweet things that glistened
As your reveries unravelled,

The magic garden and the innocence,
The twisted fairy tales and feedback
Melting in the psychotropic lights,
Detuning till your strings became slack,
Freezing as the TV cameras rolled;


And it’s all too much and ‘very noisy’,
Another life, another man.

You were the colours of an orchard
As the sun cuts through a storm,
A magnificent Icarus dandy dressed,
A handsome charm all glints and sparkle,
Tumbling words and jumbling laughs;


A fame lopped short and left to walk home,
A mind filled with dust and fading guitars,


A sun flicked off with a switch.

Contorted

Piss wet and wild
In a heavy liquid
Called ‘Kill Yourself’,

Writhing in shiny silver briefs,

He arches his back
And contorts his body,

Sweat and blood shimmering
On his sinewy torso,

Wounds sealed with gaffer tape,

Crazy eyes framed
In smudged raccoon eyeliner,

A robotic wig of foil strips
Refracting the light.

The band heave out
Heavy drones behind him,
A rhythm that taunts,

Amps pipe the din
Of hurled beer bottles
Breaking against guitar strings,

Violence fingers glory
As mayhem daubs its tag

And spit flies;

They can hear this
All the way downtown,

He’s no longer a man,
He’s a chorus.

West Hollywood, Late 1972

His hair’s thick
Like the flap
Of corduroy flares,

The back of
A black llama’s neck,

A horse’s whipped tail
Or an old velvet drape.

His smile is an ache,

A chiselled curl,

The light patch
On a leather couch,

And the warm spot
In an old saloon
Slicing dusty sun.

His voice is an interruption,
A ramble torn wild,

Cogs twisted
And splintered,

Rattling rocks and rust,
Lubricated by
Whisky and rain,

Then fermented

Dunstan Carter is a poet and artist based in Manchester, England. His poetry has appeared in Vita Brevis, Remington Review, Penumbra magazine and Buzzin Bards. He’s currently finishing work on a debut collection of poems.

Twitter: @dunstancarter Instagram: @dunstandoodles

Poetry Showcase from Kushal Poddar

Braids of The Short Dreams

Mamma braids her daughter’s thoughts.
The cuckoo cooing in the back of the brain
sounds shallow and floating between
the weathered Coca-Cola sign and the dog barking.

And the dog barks for hours in this short dream
the way the watchmaker grandpa winds
a long spiral ribbon into a tiny coiled spring.

During the noontime the houses, lanes, half naked
men working on a cancelled project and the trees, all
become the Sun. Mamma has a small and big hand
that screens the eyes of her daughter, and they’re
the Sun; ropes of their entwined hair bounds toward
the hole of the burning maws of awakening.

Flesh of the Republic

Body and flesh float away.
Rivulets. Entire sky
seeks an address, finds
my vein instead.
Where will you lose
the threads that sew a quilt,
patchwork, tales?

Winter comes and goes;
frost never melts;
you know what I mean.
Body and flesh float into
my vein, and I ask them for their permits;
they can inside, but can not permeate;
I won’t let them be the citizens
of this rotten republic.

SERIAL

He records his chitchats

with the cab drivers, not all,

those with the ones

he kills.

There exist avenues

and lanes of cabs taxiing

driverless,

and recordings replayed

over and again in his id,

and then

he finds his son working

for an app-cab using

a forged license.

He records his son, as if

his ears metamorphose themselves

into two answering machines,

defunct.

These annals are better

than any psychiatrist’s,

the father of everything

listening to his killer instinct.

BITCHING ANAMNESIS

Deluge, the bitching mistress on our backs,

bites our earlobes as

I sent your claim – I can

efface life memorized.

I can. Only mine. The process

involves adding more, not less,

the same way you do most of the days,

except those when it rains

in the excuse of this balcony or

when it shines and you stare downwards,

see the hissing serpent of the traffic

looking up at you, out of reach.

I do not rerun the tapes, listen

to the protest pops from the Nam times.

Rain writhes to arrest my mind,

albeit an antiquated man has his disinterests.

I say, “Just forget.”

I Was as Cold as a Razorblade

In the late autumn winter

whimpers in her oxygen tent,

and we nurse this premature child,

see her wither, bloom, sear, brown, exsiccate.

Hence December surprises us

when she arrives for a date

wearing white sleeveless

and drinks from someone else’s chalet.

The potion was red. The poison bears no effect.

We toss our fedoras, shuffle to dance,

tire out and stroll outside,

our feet disappearing inside

the heart of crushed water.

Our hands in the pockets of warmth

seeks for a tinge of Yes

and finds some forlorn gums

we keep for protection’s sake.

*The title is wordplay on Leonard Cohen’s So Long, Marianne

Milestones

We sit there, oracling,

drinking for ages; we

chat about different drinking-ages

and different countries;

sun sets in liver tinge;

pigment of the stream cooling,

fibers of our thoughts unreeling,

we sit there, eyes on nil.

We sit there, nothing,

and water pegs down our shadows

as if those will be its

Maypoles and wheel – time will swing by.

Raising The Time

The torn dress from

the fundraising dance

taps some memory cells;

half of you desire to

make a mop out of its residue,

but since you cannot wipe

enough memories

your hands force it down

against your thighs.

I suggest –

“Let’s raise the time again.

Time and again.”

A GLACIER FOR THOUGHTS

The eye in the pink sky
denies any foresight.
“We have a glacier melting
in
Himalaya.” Says pop folding his freewill.

This means it will be
the rush-hour of depression
in his ecosystem,
and the day remains naïve native
accepting gifts from our invasions.

A coin decides
whether my sister
will enter in her classroom
and
shoot everyone or waive this.

“Don’t!” I whisper.
“Yes.” Pop says
on a topic irrelevant.

A crow on the ceiling fan
caws a dream
melting as my pop’s coral reef
corrodes away within.

Love Thy Father

You still love your father,
and do the one thing
that destroys him every day

and rebuild him again
as if he is naphtha or plastic.
His quick silver hand quavers with

the weight of your
nocturnal telephone calls-
“Hello! How are you?”

You always say,
“Talking to you dad,
is a remembrance of my mom’s winter.”

The State of Being During An Autumn Day

Autumnal gloaming, chill-filtered,
retains most of the darkness.
I stare at the pecans a hit-and-run
windy incident has crashed into the yard
I can always trespass leaving no evidence.

The rolled newspaper, asleep, on my table
wets its staple. A shiver walks my spine as if
my backbone recovers from a wheelchair
worthy trauma. Ticks, the Casio clock.

All these state the state of being.
Sometimes, since the outbreak, I hallucinate
my being shrugging off my body and staring,
first, at the mass of flesh, and then, at distance
ever vague and ever everything.

Death And Desire

That night you towel wrapped
the thirst of your partner.
You both died. The butterflies
in a painting behind your head
tried to escape, but the flight was cancelled.

The panes paved a shortcut to winter.
You picked up the towel dropped
around the ankles still wearing black
metal anklets you bought for her,
and wrapped her flesh. You both grieved
the death in the family. One craved for
flesh and the otherness in you sought for
the space where darkness garden blue agave.


An October Murder

“Did you see who shot you?”
“It was October. I opened a door
the size of a bullet hole.”
I whisper from a distance a whisper
can cross in its lifetime
to reach you almost dead. You hear,
and it withers. Withering seems
a garden, silent, and I on my bare feet,
grass appeasing one sensation
to swell me up with another.
“It was October. I opened the door.
It was a muzzle and a flash.”


Intimate, Unknown

The way one cleanses his October refrigerator,
without any provocation, without his partner’s hints,
almost as if that moment has been scheduled
or seen in the past, as if his muscle reaction
picks up the bottles and vegetables, packets and tubs,
casseroles and bowls full of forgotten experiments
with vegetables, and the contents of those packets and tubs
and a dram from the bottles’ nozzles, places them on the floor,
dismantles the shelves, sponges them gently and puts all together
I find me in intimacy with you, unknown.
Your hair unlocked by my hands, whisked back by my reflexive fingers
reveals the unknown in the unknown. I disassemble
your chrome and beige dress and unlock the sweat beads.
We could have been talking about the pestilence
or war or patience or the dire dearth of the same.
We could have been pondering over a jigsaw puzzle.
It does not matter. We are intimately unfamiliar.
Famously alone. The quagmire of cold water on the floor,
or our bodily fluids puddled around us evaporate. October.
The mellow songs are served at room temperature.


An Interview with Kushal Poddar

  1. Please describe your latest book, what about your book will intrigue the readers the most, and what is the theme, mood?

Kushal – This Christmas, my book ‘Postmarked – Quarantined’ shall be published by IceFloe Press, Canada. The highlight of the book is the plague, human reaction, my daughter’s birth, and how a person, vulnerable the way I am, may interact with the rules of the universe he must abide.

  1. What frame of mind & ideas lead to you writing your current book?

Kushal – As I said, the book encases my own vulnerability, albeit I always endeavor to scriven in a universal tongue. The idea is – write from personal experience, blend with news, and then read and rewrite the poem from a neutral perspective.

  1. How old were you when you first have become serious about your writing, do you feel your work is always adapting
    Kushal – I was fifteen, and although I imitated writing rhymes since I was a six years old child, it was during a summer holyday of my sixteenth year in this world I began to adopt my only identity as a writer.
  2. What authors, poets, musicians have helped shape your work, or who do you find yourself being drawn to the most?
    Kushal – The list may lengthen itself but the salient influence, I must say, oozes from Wilfred Owen, Frank O’Hara, Charles Simic, Franz Wright, Billy Collins, Ted Kooser, Mary Oliver, Graham Greene, Gabriel Garcia Marquez, Borges, Milan Kundera, Hemingway, Raymond Carver, Raymond Chandler, Philip Roth, John le Carré, and Neil Gaiman and the music of Dylan, Simon & Garfunkel, Jethro Tull, Billi Holiday, Louis Armstrong and Nina Simone (as of tryst, and the list drifts).
  3. What other activities do you enjoy doing creatively, or recreationally outside of being a writer, and do you find any of these outside writing activities merge into your mind and often become parts of a poem?
    Kushal – Sketching and painting often clear the cobweb of my mind. I used to take photographs. I often write whisky criticism. These activities add curves to the flesh of my writing (writing includes, poetry, short stories, and now a fragmentary novel).
  4. Tell us a little about your process with writing. Is it more a controlled or a spontaneous/ freewriting style?
    Kushal – Writing is a continuous process. I write in my mind when I am not on paper or computer. I mumble an entire poem or short fiction sometimes to my daughter or to my wife, and then when time permits scribe it down. Is it free-writing? Not actually. The process is curated by years of reading and syllable counting presently made into a reflex.
  5. Are there any other people/environments/hometowns/vacations that have helped influence your writing?
    Kushal – There are all my fellow poets I met online and offline. There are my wife, daughter and a difficult relationship with my parents. There is political news and the news of sports. I deliberately created a fictional hometown for my poems or other kinds of writings. This town consists of elements of East and West, and can be felt as the reader’s own one.
  6. What is the most rewarding part of the writing process, and in turn the most frustrating part of the writing process?
    Kushal – The rewarding part is mental peace attained after writing it down as if I have cleansed a part of my memory, and also whenever a piece is published I receive the thrill of a junkie. The frustrating part is not having enough time to write everything I desire to write.
  7. How has this past year impacted you emotionally, how has it impacted you creatively if it all?
    Kushal – I had many premonitions about this past year. I was living a tale written by Stephen King or Camus. The part that took me by surprise and that made me defenseless was the news of my wife’s pregnancy during this pestilence. I was deeply worried about the safety of my wife and my daughter. I began to write a poetry-journal about the day-to-day emotion that surged inside out.
    Author Page Amazon – amazon.com/author/kushalpoddar_thepoet
    Author Facebook- https://www.facebook.com/KushalTheWriter/
    Twitter- https://twitter.com/Kushalpoe
    An author and a father, Kushal Poddar, edited a magazine – ‘Words Surfacing’, authored seven volumes including ‘The Circus Came To My Island’, ‘A Place For Your Ghost Animals’, ‘Eternity Restoration Project- Selected and New Poems’ and ‘Herding My Thoughts To The Slaughterhouse-A Prequel’.
    Find and follow him at amazon.com/author/
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The Psychological & Physical Effects of a virus and a Lockdown by Andy Hunter

Andrew lives and works in Glasgow, Scotland.  Andrew has a few poems out there published in places like New Ulster, Northwords Now, Envoi, Open Mouse, and so on
A fair bit of Andrew’s work in the last year has addressed the pandemic and lockdown and what life has been like, psychologically and emotionally.  A couple of poems were taken, by International Times and by a Covid Poetry gather run by 2 UK universities. 

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*Submissions Open* Avalanches in Poetry 2 Writings & Art Inspired by Leonard Cohen (on the blog only)

Keep sending work inspired by the poetry, lyrics, & all things Leonard Cohen to be published & featured on the blog. Sent out on Social Media for a few months (Twitter/Facebook/wordpress blog)

Make sure you say “Avalanches in Poetry entry* somewhere in e-mail.

We have already received a few & have already posted a few. Check out some also from the Print Anthology from Avalanches in Poetry 1 in November 2019.

Photo of Canadian singer and songwriter Leonard Cohen posed in 1972.

artwork by Geoffrey Wren