How inconsequential are my human words?
It is the worms you should have cared for,
They guard your bones with their spineless might.
In the morning there was a word,
Whose tone tasted full-sorrow.
There is the maggot,
Each crunched leg spells my despair
And the crow laughs in the heart
Of unholy ecstasy.
What are syllables to the speechless black?
The language shaping tongue moves with a liquid grace
But human ears are too used to the deafening strokes of violence
And we, the abandoned majority, know the monotony of our grief
From womb to sepulchre like our first erection,
Do you know glory like a withered rose?
Are the eyeless dogs still panting into their eternal night?
The pale breath knows only the stabbings of loneliness,
And the Impenetrable night inside my laugh hides life.
The abandoned churches shall fall
And the dust of man will fill my children’s lungs
Until their stories shall not outlast one wolf’s howl.
Cut the single cord of violence
Cease and extend the rhythms of the rigid kiss,
Poetry weaves between bodies dark light,
It breaks against the wordless despair of a silence
That sets fire to houses.
I caught my 19 year old hand and laughed at the voiceless night
Worshiping the syllables of my living language,
I drank each perfumed sliver of evening;
And on the brink of loneliness
In a mausoleum full of eyes
I went further inside,
To know another human heart
To create autumn with a single utterance
To reverberate through the cut vein of darkness.
A crow dark as malice cries of the weathered grief,
And the sea of my granddad’s once impregnable years
Whispers back the black origin of words.
Beneath the Waves
Beneath the ocean
Submerged in a cathedral of sorrows,
A boy silent as eternity
Kneels beside pews coated in seaweed.
He prays, transfixed by the candles
Burning through the salt blackness
Delirious he dreams of redemption.
Encircled by moss coated skulls
Of fathers’ past
Observing hollowly his fragile frame
Kneeling at the base of his future years –
Shadowed by the limits of candlelight.
Ten years old and his skin
Already feels uncomfortable,
As if it is slowly not becoming his,
‘If I killed someone I’d go to prison.’
The Devil open eyed,
Holds him firmly by the shoulder.
Frost covers his flesh
‘God keep my soul safe.’
Before the bitter silence reigns
And the dark light pours
Through the stained glass
Not even the boy
Knelt in solitary prayer,
Hearing voices rising in the dark.
A Poetry Showcase from David Hay
David Hay is an English Teacher in the Northwest of England. He has written poetry and prose since the age of 18 when he discovered Virginia Woolf’s The Waves and the poetry of John Keats. These and other artists encouraged him to seek his own poetic voice. He has currently been accepted for publication in Dreich, Abridged, Acumen, The Honest Ulsterman, The Dawntreader, Versification, The Babel Tower Notice Board, The Stone of Madness Press, The Fortnightly Review, Nine Muses Poetry, Green Ink Poetry, Dodging the Rain, The Morning Star as well as The New River Press 2020 Anthology.
The entry was never intended
on being an exit.
You wanted this
don't cry when it's over
if you couldn't be bothered
when it began.
Maintain yourself as a
we can see through
to not be you. See, I'm
with the very concerned,
and I watch you on a wire
by the discontent you couldn't
wait to get sick of or from.
You can wish to your god
it'll all be over,
but you're missing the point
that it's just begun.
When you see the writing on the wall,
what goes through your mind?
There are words that can set you
free if you know their meaning,
or constrict you upon your feelings.
Do you ever settle down,
and take note of your surroundings
It's an unformed habit,
uniform in its uncertainty.
To find something first you must find out
if you deserve to know what most words
are talking about.
It's ok to say no or maybe no,
but they're telling you "I told you so!"
Do you have an answer?
Do you have an agenda that was
In the war of you versus you,
who are you fighting for?
You've seen the writing on the wall,
but how many times can you burn it down?
BOOKS to Read in 2021: Mutants by Norb Aikin
Norb Aikin is the author of Mutants and 100 (Eliezer Tristan Publishing). He is a Mental Health activist originally from Buffalo, NY and now lives in Cortland, NY. His work has appeared in various online publications, including Pink Plastic House and Fevers of the Mind. You can find him on Twitter at @AikinNorb
Enter the ocean in only a crown
-fronds over freckles, forgetting round. Cast
yourself in as its slickness, salt surrounds,
seeps deep in your skin - soul exalting as
submergence sets in. What drowns upon sand
will in seawater rise. Wet Eucharist
you swallow, surprised, resurrection and
vivisection of brain. The loneliest
body, amputated its pain, descends
past depths humans explain, in children's stories
of sunken ships, mermaids, women seal-skinned.
To mundanity, born; in mystery,
end. Wet lips find gilled girls, some with a tail;
you have to go deep in your fairytale.
Sonnet notes from Kristin:
I just wrote this final Girlarium sonnet in which my main character the Gilda, the gilled girl, makes her way from the oppressive male characters who have defined her to the ocean. She feared the ocean too because it represented the unknown which is often scarier than what we do know. But now that the patriarchy has pushed her so far she knows the safest place for her is to be free. She's always had a mermaid inferiority-complex - there is a sonnet about that I published earlier and felt like she is like them but doesn't have a tale and the fairytale romantic hype. It's only when she gets into the ocean though and eventually finds gilled girls and even mermaids and finally be romantic in the way she desires that she realizes fairytales are real. For her to find this one, she had to go deep.Kristin Garth is a Pushcart, Rhysling nominated sonneteer and a Best of the Net 2020 finalist. Her sonnets have stalked journals like Glass, Yes, Five:2:One, Luna Luna and more. She is the author of a short story collection You Don’t Want This ( Pink Plastic Press) and The Stakes (Really Serious Literature) and many more. She is the founder of Pink Plastic House a tiny journal and co-founder of Performance Anxiety. [Follow her on Twitter: (@lolaandjolie) and her website http://kristingarth.com]Sonnet Poetry: The Blade by Kristin GarthA Fevers of the Mind Quick-9 Interview with Kristin GarthTreealabra by Kristin Garth in Fevers of the Mind Issue 1 (2019)
in madness and sorrow
turn from the depths, child,
and bathe your face in sweet light
let the current be your baptism
instead of your death
emerge clean, shining
know this darkness is not forever
beyond shadow, there is always light
for one does not exist without the other
give the river your sadness
but not your soul
your beauty is needed here
your joy brings joy to others
an ending means a new beginning
but not this kind of end
there is more for you here
than what one man could take away
let another you come forth
make the water your mirror
what do you see,
when you search for yourself there?
Brother night, take me -
Let me feel the coolness
Of your hands on my fevered skin
Sweet darkness -
Drop your midnight veil
The harsh light of the sun
Burns my eyes Sears my lungs Scalds my heart
Pour on me the countless raindrops
That become the flood
Let darkmoon silence
Hum in my ears a mute ritual
Float me womblike in
Comfortable ebony air
My lacquered bones holding
Prickle my stomach
Pierce my skin
I pull them out one by one
Careful not to spill my own blood; watch
The glitter spread on towels
Mind my step
Crushed hearts are sharp when
Only stars light the way
Each shard wet with the broken promise
Of an empty vessel
For Leonard; You Freed Me
Someone else brought your words to me,
but I was mesmerized from the start.
Who was this stranger who seemed to know
all my secrets? Where had you been,
on those endless nights I needed to feel
Where were you when everything I wanted
to say was choking me, and the wellspring
threatened to drown the flame
that burned behind the bushel
of my heart?
No matter. A rare gift, pulled
from a shelf with a quiet hallelujah
and my life was never the same again.
The world needed beauty and dignity
and quiet strength, and so did I.
You gave me hope; showed me
the beauty in my cracks and taught me
how to love my damage.
Poems from Amanda McLeod in Fevers of the Mind Issue 1 (2019) “Inclimental Anger” “Day With Perfect Storm” “Anchor” “You Are My Sun, Except When I Am Storm”
Tonight, wither the leaves of
grief from the thistle of your
loosen the chain of sorrow
fettering your legs from
treading places of desire.
Tonight, shatter the
velvet of forlorn adorning
your body as eldewiss
embellish the face of gardens.
Tonight, embrace the beautiful
you, you've always been spurning
like odious things
Tonight, listen to this balmy song I compose for you,
tonight, let my melody dissolve into a tomb;
Abdulmueed Balogun is a Nigerian poet & a second year student at the University of Ibadan, studying Biomedical Laboratory Science. He is a 2021 HUES Foundation Scholar & edits poetry for The Global Youth Review. He was longlisted for the 2021 Erbacce Prize, finished as a Finalist in the 2021 Wingless Dreamer Book of Black Poetry Contest, and won the 2021 Annual Kreative Diadem Poetry Contest. Find his work in: Decolonial Passage, Watershed Review, The Westchester Review, Short Vine, Subnivean Magazine, Soundings East Magazine, ROOM, Jmww Journal, Night Heron Barks Review, Bowery Gothic, Avalon Literary Review and elsewhere. He loves you deeply and you know it. He tweets from: AbdmueedA