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*NOW TAKING PRINT ANTHOLOGY SUBMISSIONS for our new print journal “The Whiskey Mule Diner” named after our online anthology that was inspired by Tom Waits. This journal has now expanded to become a new print journal endeavor that includes poetry, art, writings, photography and more inspired by musicians, artists, writers/poets, movies & actors/actresses see this link for more Introducing a new print journal dedicated to poetry, writings, art & more inspired by music, artists, movies, and writers “The Whiskey Mule Diner”email@example.com (all poetry/writings/essays, art, photography will need to be submitted by June 1st for one of the first 2 issues) please put in Subject the artist you are submitting poetry/etc inspired by. Include bio. No need for cover letter. Only in word doc, pdf or body of e-mail for writing submissions.We do NOT send rejection e-mails if you want to withdraw anything or have any questions on your work please send us an e-mail. We DO send acceptance e-mails however. Also, for editing/curating reasons we will most likely add a considered piece(s) to the website prior to any print publications. We are unable to pay contributors however you will receive a free PDF of the journal. (Even the editors have to pay for a copy for themself) Please consider donating to our PayPal at firstname.lastname@example.org
*WEB SUBMISSIONS ONLY* (Couldpossibly will be used in future print journal anthologies) For editing/curating reasons we will most likely add a considered piece(s) to the website prior to any print publications.
We are open for Poetry Showcases for anyone to send 3-5 poems/prose. If not all pieces are accepted. I will post the 1 or 2 poems but will not be considered a showcase.
We are unable to provide compensation at this time contributors. We have to reach out through the year for donations just to keep the site going. This is for the art of poetry, music, art & other creatives.
Some poetry/art published on this site could periodically be taken down if space is running low. You will be guaranteed at least 6-8 months exposure on our website. No promises after that and don’t take it personal.
Themes we are Looking for Poetry/prose/articles/other styles of writing are for Adhd Awareness, Mental Health, Anxiety, Culture, History, Social Justice, LGBTQ Matters/Pride, Love, Poem series, sonnets, physical health, pandemic themes, Trauma, Retro/pop culture, inspired by music/songwriters, artist, inspired by classic & current writers, frustrations.
OnlineSubmissions could include Poetry, Art, submitted Book Reviews, culture pieces, rants, pre-published poetry from self-published materials, defunct lit mags, pieces from other lit mags/books/blogs with permissions. We prefer 3-5 poems sent unless you are sending for a writing prompt. There could be exceptions to this rule of course. If we take 3-5 or more poems from you will we feature you as a poetry showcase on the website.
We prefer submissions with a bio to help promote your work. Please let us know if something has been previously published, we will make a judgment call on whether able to include. I don’t love the idea of sending rejection letters. If you don’t receive acceptance assume we passed up this time and send something else. If you have simultaneous submissions out there, please keep this in mind. If not accepted at first, Just try again…We will not accept pieces that we deem racist, sexist, homophobic, or have pornographic themes, photos, or any type of nudity in submissions.
Austin Lucas has a new album “Alive in the Hot Zone” which many have in their year-end best of 2020 award nominees.
(Cornelius Chapel Records)
First off Thanks Austin for granting an interview with us at Fevers of the Mind Press for the Fevers of the Mind Poetry Digest: The Poets of 2020.
Austin: Thanks so much for including me
Q: It has been over a year since the last issue. It is weird, it seems like something might have happened to try to jog away from the creativity into a slow depression month after month as this has continued. The year 2020 has been some work, and it has taken nearly a year for me to fully get my creative fuses (mostly out of the anger of this year) to feel like there has to be another edition! There are many voices out there that have been writing through the year, and their voices all need to be heard.
With that, how have you kept your creativity with writing songs & putting out a new album? Was it any different going into the studio and recording the new album in the wake of the pandemic.
Austin: I have found myself baffled by the disconnect from reality among my fellow americans, along with their seemingly limitless capacity to entirely abandon reason. As for inspiration and the process of staying active in song writing, it seems that I was able to have even more time to exercise my capacity for creation with so much time off the road.
Q: I was a huge fan of Immortal Americans & Shallow Inland Sea after hearing your appearances on the comedy podcast Improv4Humans with Matt Besser. Even my 8-year-old daughter became a fan of “Immortal Americans” and I love that song and Shallow Inland Sea) How is Matt Besser and the Improv4Humans experience?
Austin: I love Matt and all the I4H crew so it’s always so cool when I get to collaborate with them and also when I hear that someone discovered me through that medium.
Q: I’ve been listening to the new single “Drive” on repeat listens, and watching the interesting Pandemic feel of the video on Youtube. Where was it filmed?
Austin: Well it was shot in Berlin during the pandemic, so what you were seeing is life as it is currently lived. That video was a phenomenal experience because I was able to cast a bunch of my favorite people who I honestly don’t get to see often enough.
Q: How are you maintaining focus and coming up with new creative endeavors without the touring and the availability of concerts? Tell us a little about the Save the Stage movement also.
Austin: As I mentioned before, I seem to have almost boundless creative energy when so much of my time isn’t spent traveling and feeling worn down by life on the road. Sometimes I get incredibly tired still, due to my intense training and coaching schedule with Muay Thai but even that doesn’t distract me and leave me feeling so depleted as constant travel.
Q: When I heard your interviews regarding your songs in the past, I was excited to learn that you grew up in the Bloomington, Indiana area. I grew up in Western Kentucky and lived in Evansville for nearly 20 years. I’ve spent many nights visiting Bloomington. Always good shows up there. What was it like growing up in the Midwest? What about the Midwest do you love, and what part of it makes you shake your head?
Austin: I don’t know, there are so many things I both love and hate about the Midwest but honestly, I don’t find much more wrong with the Midwest than I do with any other part of the USA. There’s good and bad and the bad things are found in literally every corner of the United States. I do love how direct people are in the Midwest vs. other parts of the US though. We’re polite but we won’t bend over backwards and bullshit you if we think you suck.
Q: I know you have many roots in punk music and for most of your career, you have spun punk ideologies into an Americana/rock-folk carving. So, who were your heroes musically, and inevitably with writing song lyrics that maybe have helped you weave the two musical styles into your niche?
Austin: His Hero Is Gone, Discharge, X, Neil Young, Bob Dylan, The Beatles. Jason Molina is probably my greatest lyrical influence but there’s a lot in my repertoire that’s derived from my upbringing in the Bluegrass and folk lineage.
Q: What is your process when you write a song? How long does it usually take to come up with a full song to your liking, music and all?
Austin: It really depends, I’m a notoriously furious and extensive self editor so it can take anywhere from hours to years for me to write a song. I generally begin with a riff and build words and melody around the first riff that I write and go for there.
Q: I’d like to congratulate you on your nomination in the category for Americana Song of the Year in the upcoming AMA-UK Awards in 2021. How do you handle the recognition that you deserve for your work?
Austin: Thanks so much, I honestly just smile and feel grateful. I’ve been in this songwriting game for a very long time and have yet to receive many accolades. Which means that while I appreciate it all the more as a result, I also have a hard time imagining that it will be a regular occurrence. At the moment I’m just gonna soak it up and be grateful that some folks cared enough to nominate me for an award in the first place.
Q: You’ve worked with many great artists on albums such as Lydia Loveless & John Moreland. Is there a musician out there that you would love to work with, or came close to working with that once (hopefully) someday when COVID is gone that you’d feel like this could be the ultimate collaboration?
Austin: I’d honestly love to work with several artists but the dream for me would be to just sing duets with Dolly and Emmylou or Gillian Welch. My other biggest dreams are to make albums with Baroness and Neurosis and also to make an album with Blitzen Trapper would be an absolute dream.
Q: Out of the many, many songs you’ve written. Which do you feel the most complete lyrically let’s say, or just satisfied with the outcome. Do you ever feel like hey, where did these words come to me from? I think lyrically Monroe City Nights resonates with me so well. I can feel the sadness of the Midwest & the vulnerability to adapt and so everything just seems stagnant (in the solitude of okay, I guess this is how my life has to be?)
Austin: To my mind, that song is absolutely one of my crowing masterpieces in a lot of ways. I’m honestly very proud of my body of work overall but my last 2 albums have probably had the most of what I’d consider “me” in them.
Q: Tell me about the new album “Alive in the Hot Zone” released this Fall. What about this album is getting the buzz of Austin Lucas out there in the Americana & Indie scene. What about this album, do you feel is different from your other albums?
Austin: I honestly don’t know, I guess it’s the fact that I managed to write about what everyone was going through in the world right now and actually release it while we were still experiencing it as a global community
Q: Finally, the dumb question. Let’s say some bozo with some weapon comes up to you. Let’s say He’s like I’ve got 2 albums that you have to re-make, and you have to choose one to cover completely (no matter what it does for your career) and hey maybe you can change the dynamic of people’s minds about the albums, Do you cover Milli Vanilli’s “Girl You Know It’s True” album or Debbie Gibson’s “Lost in Your Eyes”?
Austin: I’d personally rather cover Go Go’s “Beauty and the Beat but I think I’d go with the Debbie Gibson album, if those were my only two options.
Q: No really, we’ve seen like full album covers by artists like Beck, the Bird, and the Bee, and ummm…yeah Ryan Adams do such, if you ever went that route with an album what would you consider an awesome honorable album to cover?
Austin: Oh, haha, I guess I already answered that question but let me say two things. 1. Ryan Adams is a creep and 2. I’d also really love to cover the entirety of the Cure “Pornography” or “Darklands” by Jesus and Mary Chain
Q: Thank you, Austin for spending a little bit of your time with Fevers of the Mind, and much success on the new album & good luck with the award nomination.
Austin: Thank you so much for sitting down and asking me these questions.
Bio Courtesy of Austin Lucas.com
Austin Lucas is a punk journeyman, activist and songwriter from Bloomington, Indiana. Consumed by an overdeveloped sense of wanderlust as a young person, Austin spent his formative years in the driver’s seat of various beat-up Ford Econolines. Burning through countless miles and living the world over, he’s made his home everywhere from the American West Coast to the Czech Republic.
As a young person, Austin worshipped a diverse mixture of Classic Rock, Country, Punk, Psychedelic Folk and Mountain Music, and has made a career by successfully fusing these disparate influences into something uniquely his own. Emerging as a prominent and revered talent among his fans and peers, Austin has stood shoulder to shoulder with some of the most recognizable icons of Folk, Punk, Indie, Country and Americana, all the while uplifting the traditions of Roots Music and holding true to the attitude and ethics of political DIY Punk and Indie music as the lifeblood that runs through his veins.
Releasing albums since 2006, Austin Lucas has been a fixture in the worlds of Alternative Country and Folk Punk for nearly two decades, having sang alongside and toured with everyone from Willie Nelson, Jamey Johnson, Ray Price, Brent Cobb, Frank Turner, Chuck Ragan, Dawes, Langhorne Slim, Joe Pug, John Moreland, Lucero and many others. To hear Austin Lucas or see him live is to discover the type of well-kept secret that can only stay that way for so long.
During the Covid-19 pandemic and subsequent lockdown Austin Lucas has sheltered in place in Mainz, Germany. Although growing homesick far away from his home and family in Indiana, he has successfully used this extra time and inspired energy to prove that it’s impossible to keep a good troubadour down, writing and recording songs for his forthcoming album, “Alive In The Hot Zone!”.
The Fevers of the Mind Press has a huge collective of poets, writers, interviews, recommendations & more in the new book https://amzn.to/3sjgWnz (Deluxe edition) *released early 2021*
includes contributions from myself (David L O’Nan), HilLesha O’Nan, Rob Z photography, Ankh Spice, Catrice Greer, the Poetry Question & Chris Margolin, Jenna Faccenda, Ethan Jacob O’Nan, Icefloe Press, Robert Frede Kenter, Moira J Saucer Darren Demarree, Abdulmueed Balogun, Bradley Galimore, Anisha Kaul, Foy Timms, David Ralph Lewis, Paul Brookes, Sidney Mansueto, Lawrence Moore, Karen Mooney, Jenny Mitchell, Makund Gnanadesikan, James Lilley, Richard Waring, Vern Fein, Ediney Santana, Rachael Ikins, Samantha Terrell, Al Matheson, Ceinwed C E Haydon, Will Schmit, Dai Fry, Barney Ashton-Bullock, M.S. Evans, Megha Sood, Jane Rosenberg LaForge, Matthew M C Smith, Lucy Whitehead & Merril Smith as well as an interview with Americana/Indie/Punk musician Austin Lucas ,Troy Jackson, Book Reviews for Hokis, David Hanlon, Susan Richardson & Norb Aikin, Karlo Sevilla, Steve Denehan, A.R. Salandy, Steve Wheeler, Sher Ting, December Lace, Ken Tomaro, Kushal Poddar, Tan Tzy Jiun, Amy Barnes, Jason DeKoff, Raine Geoghegan, Jim Young, Tim Heerdink, Damien Donnelly, Kristin Garth, Mela Blust, Jackie Chou, Rickey Rivers Jr, David Hay, Kari Flickinger, John Ogunlade, Z.D. Dicks, Julie Stevens, Gayle Sheridan, Wil Davis, Samantha Merz, Iona Murphy, Gerald Jatzek, KC Bailey, Samuel Strathman, Mike Whiting, Peter Hague, E Samples, Ann Hultberg, Jane Dougherty, Michael Igoe, Maxine Rose Munro, John Everex, Lacresha Hall, Kelly Marie McDonough, Gabe Louis, Linda M Crate
Deluxe Edition is over 300 pages and includes all of the Poets, writers, interviews, musicians, photography & more.
Hi Clark, thanks for doing this interview. I’ve been a huge podcast listener for about 12 years or so now. It all started with old school wrestling podcasts, Kentucky basketball, then onto Comedy Bang! Bang! and then interview/documentary style shows. I have known you for a few years from Evansville where “Clockwork Nights” began, In and now you reside and do your podcast in Nashville. The podcast are interviews with creatives like yourself. Going in depth with interviews over music, art and more.
Q1: What are the podcasts that you’ve listened to through the years, and what lead to your decision to restart the Clockwork Nights podcast again after a small hiatus?
Clark: The first podcasts I remember hearing about were, This American Life by NPR and one of Kevin Smith’s early podcasts. Since then I’ve listened to various podcasts, ranging from cooking shows to the Michelle Obama podcast on Spotify. I love that a podcast can be about anything. For me, I needed to have intentional conversations again with friends and strangers alike. People I either respect or find inspiring. As we all know, the world has been turned upside down over the last couple of years with added layers of negativity. The podcast allows me to share these inspiring conversations with others.
Q2: Do you have a favorite podcast? Do you pick up tips from other podcasts that have translated to how you run your own show?
Clark: Absolutely. I’m always searching for ways to sonically produce the best sounding podcast. I love that some podcasts have branded themselves with merch and made their shows household names. Maybe I should do a run of Clockwork Nights coffee mugs? Would anyone buy that for Christmas?
My Nashville buddies Clint and Ethan run the number one Metallica fan podcast called Metal Up Your Podcast. With just their podcast they’ve created a great sub culture for fans of metal music. I’ve actually made a few friends through their podcast. It’s funny to think about how a band like Metallica can inspire a podcast and as a result you make friends that you now can’t dream a world without.
Q3: You’ve lived in Evansville, Indiana, currently in Nashville and if I remember right you’ve also spent time in Germany? How was living out of the states, and how did that help shape your current personality? (myself I went from a small town in Kentucky to a huge city in New Orleans and then to smaller cities in the Midwest. The culture change from small town Kentucky to a culture pot like New Orleans rally helped me in figuring out how to be a more well rounded person at 19 years old at the time)
Yes born and raised in the Evansville area. Lived for a minute in Oklahoma in middle school and moved to Germany when I was 19 years old for about three years.
Clark: Any time I’ve spent outside of my surroundings and comfort I believe has changed me for the better. Germany specifically at the time helped me understand that there’s more to life than American politics and a worldview that exists between democrats and republicans. For example they have around five main political parties. For me, I found myself having the opportunity to compare all that I knew in middle America with a culture that has been around for centuries. Plus… beer dude!
Q4: You really put yourself out there at times showing that you’ve dealt with anxieties through your life and how you’re overcoming that with exercise, eating right & more. Are you finding that it is hard to keep a consistent schedule to keep a healthy lifestyle both mentally and physically? What are the challenges and benefits to maintaining a positive outlook?
Clark: I think everyone’s greatest challenge is to remember to be nice to themselves. Regardless of what routine you follow, it’s all for nothing if you aren’t doing it to better yourself first. So please be kind and nice to yourself! Keeping a consistent schedule definitely helps. Like all habits, it takes time to break the old ones and time to instill the new ones. Be patient and keep your goals in mind. Let your goals motivate you more than keeping a rigid schedule.
Q5: I know you’ve been playing music your whole life, and also do some production work including the podcast. When did you start playing music? What attracted you to wanting to play your first instruments, and when did you join your first band?
Clark: I’ve been attracted to loud noises for as long as I can remember. When I was a baby my mom would know I was awake from naps because I was either pulling things off of my dresser or I’d be pounding my feet against the crib. So naturally, I gravitated towards drums. I got my first snare drum for Christmas when I was seven. I still have it. It’s sitting right next to me.
I joined my first band at the age of 12. I played drums and sang! We were somewhere between The Melvins and whatever 90s pop punk bands… We were raw, out of tune and just explosive.
Q6: How many bands have you played in and do you enjoy the production side of music more and just doing projects with people here and there, or a consistent traveling and performing concerts?
Clark: I’ve lost count… Nine bands? I haven’t toured much ironically. So I’d love to do that more. I do love the production side, but I also love having my head in the middle of all the noise while performing. It’s a toss up!
Q7: What are some of your favorite concert shows you’ve attended (locally and otherwise)?
Clark: Local shows. My favorite shows ended up being in the basement of the Hockey House on 2nd Street or friends houses in Evansville, Indiana. Bigger bands… Motorhead was fun. Making eye contact with Lemmy was both intimidating and enchanting. I’ve burnt myself out on this one, but Turnstile all day for current bands. They put on a really fun show.
Q8: What is one of the strangest happenings that have occurred at one of your jobs?
Clark: Keeping one! I’m a creative through and through. Staying committed to the grind has its challenges.
Q9: What are your goals with Clockwork Nights? Are you wanting to keep it mostly with the Nashville scene and with friends and creatives you know, or hopes to expand it to entertain the possibility of interviewing a wider variety of people?
Clark: To connect with people regardless of who they are and what their background is. The guests are from all over. Previously I had sorta cornered myself to only interviewing musicians from my hometown. Now, I just want to talk to whoever I find inspiring. I think since the relaunch the show has done pretty well at having a variety of guests on. Which will continue!
Q10: Please give us some links, any social media info, patreon info and in general where one can hear “Clockwork Nights” Podcast.