A Poetry Showcase from Lindsay Soberano-Wilson inspired by Leonard Cohen, Prince, Portishead

Bio: Lindsay Soberano-Wilson’s debut full-length poetry collection, Hoods of Motherhood (Prolific Pulse Press LLC, May 2023) is a homage to women who had to learn to nurture themselves the way they nurture others. As the editor of Put It To Rest, a mental health magazine, she believes in writing poetry and essays to put personal stories to rest. Her hybrid poetry chapbook, Casa de mi Corazón (2021), explores how her sense of community, Jewish Canadian identity, and home was shaped by travel. Her poems have appeared in Fine Lines Literary Journal, Embrace of Dawn, Poetry 365, Fevers of the Mind, PoetryPause, Quills Erotic Canadian Poetry Magazine, Canadian Woman Studies Journal, Running with Scissors, Fresh Voices and Poetica Magazine. She holds a MA (English) and a BEd from the University of Toronto, and a BA (Creative Writing) from Concordia University. Find her on Medium,Instagram, Twitter, or TikTok. Lindsaysoberano.com

Like A Muse In A Cage inspired by Leonard Cohen (prev. published in Marlene in a Pub)

Like a muse in a cage
like a drunk in a midnight choir
I have tried in my way to be free.

Like a ballerina teetering on a music box
like a skunk stuck in an hour
I have tried in my way to be free.

Like an aloof armadillo in an explosion
like a translucent paper nautilus exposed
I have tried in my way to be free.

But even when my heart spills
like black squid ink upon a page
my essence remains chained.

But you swore on that song
and all you had done wrong
that you would make it up to me.

You said that together we would be free.
But the world’s handprints are still on me.

Like Suzanne inspired by Leonard Cohen (previously published in Marlene in a Pub)

I always wanted to be like Suzanne
feeding men tea and oranges
by the river like a siren
or one of Cohen’s lovers
shacked up in Hydra
like the Paris ex-pats buzzing around
abstract words and images.

But then that would somehow mean
that I would also be in love
with a man who struggled to love
because he struggled to love himself.

But does that matter?

Does it matter
that he didn’t love in their way
in the right way
but in his way
and was it not better than no way.

Is it not
better to have loved and lost
than never to have loved at all?

I still want to be Suzanne
free to love
how and whomever
she wants
because she’s tameless
and irresistible…
because
“you touched her perfect body
with your mind.”

When Purple Rain Is Falling As Dove’s Cry, Let’s Go Crazy In The Sky… inspired by Prince (previously published in Put It To Rest)

When purple rain
is falling, falling,
dropping, fast,
furious, and then
slowly
maybe even a bit
deliriously
from the open sky…

Letting it all out
just you,
the little old world,
and I.

That’s when we find
it’s okay to say
let’s go crazy
despite the tsunami
elevator we ride
up and down
side to side
but that doesn’t mean
we have to slide.

As Prince says:
“I’m not gonna let de-elevator
Bring us down
Oh, no let’s go.”

Blood Orange Heart inspired by Portishead (prev. published in iPoetry)

She’s so tired,
tired of being a temptress
tired of playing,
playing with the slings and arrows
of outrageous fortune

That pierced her pierced soul
draining her heart like the sweet juices
of a blood orange
in a serial killer’s hands

Until there’s nothing
but dried fruit
because her heart
is of no more use
just a fragmented fragment
of what it used to be
as she slips on an orange peel
before locking it in the glory box:

“Leaving it
to the other girls
to play.”


Oh, it didn’t have to be this way, she laments
as she eats the blood orange
by the light of the full moon in full bloom.

Soak Up the Sun inspired by Sheryl Crow (published in iPoetry)

It’s quiet today
but only because it was loud yesterday.

Will it be quiet tomorrow?

Or only until I hear a tune
looming to some familiar doom.

For how long will
the silence endures…

To will the sunshine to come

I’m gonna soak up the sun …

A Fevers of the Mind Quick-9 Interview with Sylvie Simmons *updated*

Q1: When did you start writing and who influenced you the most?

Sylvie: . I had two obsessions, from the moment I came out of the egg it seems, and they were writing and music. When I was little I sang and tapdanced onstage and offstage I played a recorder, I started writing stories pretty much as soon as I started school. I can’t think of one particular person or book that influenced me as a writer because I read so much, all sorts of stuff, starting with fairy tales. My inner-goth preferred Grimm to Hans Christian Anderson. I can be more specific about the first music I heard that really meant something to me: Bessie Smith singing St Louis Blues, my dad’s favourite record. And then while I was still a little kid there came the Beatles. Between Bessie Smith and John Lennon, it’s all I needed.

Q2: Any pivotal moment when you knew you wanted to be a writer?

Sylvie: Again nothing specific. I can’t remember thinking “I want to be a writer”, because I had never met anyone who was a writer by profession, and because I was always writing, all sorts of stuff, for no reason other than that I liked to write. There was a time in my teens when I wanted to be a singer-songwriter because I loved singing and I had a guitar and I guess I looked the part. Most of the songs I wrote were minor-key dirges – about lost love before I’d had any love to lose – and none of the songs were worth remembering without embarrassment. Anyway, stage-fright put paid to that idea. So I became a music journalist. My influences as a music journalist? Hard to say. Probably a mishmash of the largely-male (they were mostly men back then) rock writers in Sounds, N.M.E, and Melody Maker, the three UK music magazines I’d devour every week. When I moved to L.A in 1977 I became  Sounds’ correspondent. Left to my own devices out there I suppose I started to find a style and approach of my own. I hope so. Also, I got over my stage fright and became a singer-songwriter, but that was several decades later.

Q3: Who has helped you most with writing and career?

Sylvie: In the beginning it was Sounds magazine in the UK, for making me their correspondent in 1977 and giving me all sorts of brilliant assignments, like going on the road with Black Sabbath, or The Clash, and a weekly column. This led to assignments from other magazines in the US and Europe, which meant I was writing nonstop, and picking things up as I went.

Q4: Where did you grow up and how did that influence you? Have any travels influenced your work?

Sylvie: I was born and raised in inner-city London and I entered my teens when London was the best place in the world to be for someone who loved music. I lived in France for a while, which certainly influenced my writing the Serge Gainsbourg biography: A Fistful of Gitanes.

But work-wise, the USA is where things really took off for me as a writer and also later as a musician.

Q5: What do you consider your most meaningful work creatively to you?

Two things tie for first place: I’m Your Man: The Life of Leonard Cohen – the biography that I wrote with Cohen’s co-operation – was my first big best-seller, with almost 30 translations at last count. The other is my debut album of original songs Sylvie (Light In The Attic Records). When the turquoise vinyl turned up in the post, I admit I cried when I saw it.

Q6: What are your favorite activities to relax?

Sylvie: Playing old LPs on an equally old portable record player. Playing my ukulele, or piano, or my new love, a tenor guitar. Or walking for miles and miles going nowhere in particular, thinking thoughts, maybe stopping for a latte or a beer. Or going to the movies. I still love movies, and it’s just not the same on TV. It’s like watching a concert on Zoom.

Q7: What is a favorite line/ stanza/lyric from your writing?

Sylvie: I’ll leave that for someone else to decide.

Q8: What kind of music inspires you the most? What is a song or songs that always come back to you as an inspiration?

Sylvie: I love to rock out – for years I was the correspondent for Kerrang! – but ever since my dad and St Louis Blues I’ve always been drawn to slow, melancholy music. I can go on endless jags of listening to everything by Leonard Cohen, Nick Drake, Scott Walker, or Joni Mitchell’s Blue. The songs that keep bringing me back again and again are those in which you can hear the humanness of the singer and the honesty of the delivery. For that reason I love listening to music like old Blues or early Beatles, anything where the little mistakes are left in. I truly dislike auto tune and those polished productions that iron out all the human-ness.

Q9: Do you have any recent or upcoming books, music, events, etc that you would like to promote?

Sylvie: I recently got back from playing at the Calgary Folk Festival in Canada, and now I have a few things coming up in San Francisco. I’ll be doing a speaking event at Litquake with fellow veteran rock critics including Ben Fong-Torres and Greil Marcus on October 21st ’22. Also a music event at the Lost Church on November 6th ’22 as part of the S.F Leonard Cohen festival. There’s info on my website. You can find my first two albums on my Bandcamp page. I’ve also added some new music and outtakes. I’m hoping to record a new album next year.

On the writing side, I still write regularly for the UK magazine MOJO. My last book was Face It,  a collaboration with Debbie Harry. But I’m happy to say that there’s now an updated US edition of my Leonard Cohen biography  I’m Your Man: The Life of Leonard Cohen.

If anyone would like to purchase a signed copy  – of the book or my albums,vinyl or cd – they can contact me directly through my website at the link(s) below.

Bonus: Any funny or strange stories you’d like let us know during your creative journey?

Sylvie: Too many to mention. It’s been 45 years of strange and wonderful occurences, and I hope it never stops.

Links:

Website: https://www.sylviesimmons.com/

Contact: https://www.sylviesimmons.com/contact

Bandcamp: https://sylviesimmons.bandcamp.com/album/sylvie

I’m Your Man: The Life of Leonard Cohen on Amazon: https://tinyurl.com/2p98h7vf

Another poem by Clive Gresswell inspired by Leonard Cohen

another glory poem or untitled by Clive Gresswell

another glory poem 
along the glory road
the golden sun is rising
the golden tongue explodes.

& in your rising daydreams
the dreaming of your past
the golden gate of conscience
where golden memories pass

i see your twinkling presence
in the holy time of spirit
i hear your uplifting songs
in the presence of the minute.

& long may you glimpse over
this bejewelled landscape of green
the highlands & the byways
the golden beauties theme.


A Fevers of the Mind Quick-9 Interview with Clive Gresswell  

More Poetry Inspired by Leonard Cohen from R.G. Evans & Clive Gresswell 

Poetry Showcase: Poems DNA by Clive Gresswell
 

Interview with EIC David L O’Nan with Anastasia Abboud on Grains of Sand : About how I write, my weird thoughts and a few of my revised Cohen Avalanches in Poetry Poems.

Click the link below to check it out 🙂

https://www.anastasiaabboud.com/grainsofsand/interview-poet-david-l-onan

Current bio for Fevers of the Mind’s David L O’Nan editor/writing contributor to blog.

Hard Rain Poetry: Forever Dylan Anthology available today!

Available Now: Before I Turn Into Gold Inspired by Leonard Cohen Anthology by David L O’Nan & Contributors w/art by Geoffrey Wren

Bending Rivers: The Poetry & Stories of David L O’Nan out now!

Inspired by Leonard Cohen lyric visual piece from Maggs Vibo

(c)Maggs Vibo

Maggs Vibo (aka Margaret Viboolsittiseri) a visual poet/artist who has had several art & poetry pieces included in Fevers of the Mind online & in print anthologies. Maggs also designed the Fevers of the Mind Quick-9 Interview series logo, and the photo which is the cover art to my book “The Famous Poetry Outlaws are Painting Walls and Whispers” is from a photo that Maggs photographed.

Congrats! To Fevers of the Mind contributor Maggs Vibo

A Fevers of the Mind Quick-9 Interview with Margaret Viboolsittiseri aka Maggs Vibo

Photography from Maggs Vibo : Lone Road on Island of Moloka’i

I Don’t Need Anesthesia: Photo Art & Poetry by Maggs Vibo

Visual Poetry by Maggs Vibo : the Year of the Ox

I Don’t Need Anesthesia: Photo Art & Poetry by Maggs Vibo