Double fur to pull them through
a snow desert. That snow in their eyes,
pools of moonstone and gold
arrowed against the cold.
Muscled team-players, a playful team,
best of friends, your best friend.
Six Siberians howling.
These loyal workers know how to pull.
They gather speed over drifts packing
down close, their weight harnessed
to glide in unison over ice-cold air, slide
over frigid rivers, leap past trees
like starch-white spectres
to carry your weight
to your destination.
Bio for Doryn Herbst
Doryn Herbst, a former water industry scientist in Wales, now lives in Germany and is a deputy local councillor. Her writing considers the natural world but also themes which address social issues.
Doryn has poetry in Fahmidan Journal, CERASUS Magazine,Fenland Poetry Journal, celestite poetry, Poems from the Heron Clan and more.
Review of Paul Brookes’s book “These Random Acts of Wildness” by “Spriha Kant”
This book consists of a collection of poetries.
The poet in some poetries makes his readers travel in, around, and out of the different portions of the home including lawns, backyards, kitchen, etc., in some of which he shows glimpses of the chores and concludes the bitter truth of the world and/or one of the fundamental truths of existence that whatever is created is meant to be destroyed the one or the other day. Quoting the following few words and stanzas from a few such poetries:
“His toy won't
cut grass but safely glides over its length,
so he stamps and bawls when his world don't
conform to his straight lines, because it's bent.
My wife says “Better” to our short shorn lawn.
We all want the wild to be uniform.”
“Organic time tamed, all about decay
not growth. Imagine accurate time based
on a gradually emerging way.
However, all things reduce to waste.
Our Dandelion's blown clocks are seeds
to be uprooted as unwanted weeds.”
“A wave that washes away proof
that any effort has taken place, stacks
temporarily, finds another use,
elsewhere that is not always clear, and might
be mistaken for anarchy, or loss
of control, not wise, sensible foresight,
briefly anthologises summer's floss.
Never enough time to read the new
collections before gust edits the view.”
In a few of his poems, the poet has described the cruel and violent behavior of birds and animals such as in the poetry “The Hedgehog,” the intense fighting sequences can be seen. However, a few words from the poetry “Inhale Dappled Sun” are influential to bring tears to a compassionate heart, as quoted below:
“Bigger birds to feed their young snatch
open beaked fluffy kids from nests”
The poet has mixed many different horrible flavors in his different poetries, such as the poem “Polishing Me” which has a blood-curdling hysterical flavor. Similarly, the acerbic flavor in the last stanza of the poem “I Put My Bins Out” can be felt, and many other different flavors are worth reading in this book.
Both poets and poetesses sometimes do work like abstract painters by leaving their poetries to the interpretation of readers. The poet has done so in his poetry “My Vacuuming” by concealing many stygian truths beneath it. The comprehension of the quantity or quantities of stygian truth(s) and the stygian truth(s) comprehended varies from reader to reader.
Apart from concealing stygian truths beneath the poetry, the poet has also directly pointed to the messes encompassing the world in his poetry “My Window Cleaning” and a few words he used in this poetry are very deep and hard-hitting and, in the end, he states the question whose answer is unknown to him that shall remain unknown to everyone forever.
The title of this book “These Random Acts of Wildness” kept by the poet is apropos to the shades the poet has used to paint his poems and he just wants to see the wildness vanish from this world that he stated in a few poems. Quoting a few words from the poem “Ironing” depicting the efforts the poet makes to reduce the wildness of this world:
“My hard weight tames the uneven and wild,
makes it all proper, gentle, meek and mild.”
However, merely, a shade is not appealing to the eyes in any painting. So, to add beauty to this poetry book, the poet also added tints in a few poems. The next two stanzas unfurl a few tints the poet added to a few poems. The pan containing shades was meant to be heavier than the tints in the beam balance of the poetries in this book as the poet desires to see the world without wildness and hence constantly tries to reduce the wildness.
Personification is usually used to make the readers visualize the beauty of nature in the poems but the poet in his poetry “In Washing Up” has beautifully used personification to add enthusiasm and to motivate the spirit of readers.
As it has been stated in the few words from the preceding stanza that “Personification is usually used to make the readers visualize the beauty of nature in the poems” so is the case in the poetry “Wildlife Map” except that the beauty is about the interaction between the light and slug windows.
The poet has shone a very few poems with a beauty whose intensity is high with the size of a tiny thermocol ball, quoting such few beauties from different poems below:
“Butterfly briefly stainglasses our window.”
“A specialist shop
had a bud float in my clear cup unfurled
before my eyes.”
The poet has used very easy words with brevity to express the message he wants to convey to his readers. The use of easy words with brevity being one of the peculiarities of this book makes it suitable to be easily understandable by even non-poetic minds.
Bios (Spriha Kant and Paul Brookes):Spriha Kant:
Spriha Kant is a poetess and a book reviewer.
Her poetry The Seashell was published online at Imaginary Land Stories for the first time.
The poetries of Spriha have been published in five anthologies till now:
Sing, Do The Birds of Spring
A Whisper Of Your Love
Hard Rain Poetry: Forever Dylan
Bare Bones Writing Issue 1: Fevers of the mind
Hidden in Childhood
Spriha has done seven book reviews till now:
The Keeper of Aeons by Matthew MC Smith
Nature Speaks of Love and Sorrow by Jeff Flesch
Washed Away: A Collection of Fragments by Shiksha Dheda
Spaces by Clive Gresswell
Silence From the Shadows by Stuart Matthews
Breathe by Helen Laycock
Woman: Splendor and Sorrow: Love Poems and Poetic Prose by Gabriela Marie Milton
Spriha has collaborated on the poetry The Doorsteps Series with David L O’ Nan.
Spriha has been a part of the two events celebrating the launches of the books till now:
Nature Speaks of Love and Sorrow byJeff Flesch
As FolkTaleTeller by Paul Brookes
Her poetic quote “An orphic wind storm blew away a sand dune that heaped all our love memories upon one another.” has been published as the epigraph in the book Magkasintahan Volume VI By Poets and Writers from the Philippines under Ukiyoto Publishing in the year 2022.
Spriha has been featured in the two interviews till now:
Quick-9 Interview on feversofthemind.com
#BrokenAsides with Spriha Kanton the brokenspine.co.uk
Spriha has been featured in Creative Achievements in 2022 on thewombwellrainbow.com.
Paul Brookes is a shop asst. Lives in a cat house full of teddy bears. First play performed at The Gulbenkian Theatre, Hull. His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Speernbot Blues (OpPRESS, 2017), Please Take Change (Cyberwit.net, 2018), As Folk onder (Afterworld Books, 2019). He is the editor of Wombwell Rainbow Interviews, book reviews, and challenges. Had work broadcast on BBC Radio 3 The Verb and, videos of his Self Isolation sonnet sequence featured by Barnsley Museums and Hear My Voice Barnsley. He also does photography commissions. A poetry collaboration with artworker Jane Cornwell resulted in “Wonderland in Alice, plus other ways of seeing”, (JCStudio Press, 2021). Recent sonnet collections of his: “As Folktaleteller”, (ImpSpired, 2022), “These Random Acts of Wildness”, (Glass Head Press, 2023), and “Othernesses”, (JC Studio Press, 2023).
apple trees are under the sky but need a roof Eve needs sky
pear trees are soiled but need a linoleum floor Adam needs soil
cherry trees are in open space but need walls Jack needs open space
banana trees have sap but need blood Jill needs sap
move the orchard inside the house return all humans under the sky
Bio: Robert Fleming lives in Lewes, DE. Published in United States, Canada, and Australia. Member of the Rehoboth Beach, Eastern Shore, and Horror Writer’s Association. 2022 winner of San Gabriel Valley CA broadside-1 poem, 2021 winner of Best of Mad Swirl poetry and nominated for Pushcart Prize by Ethel Zine and FailBetter and double nominated for best of the net by Devil’s Party Press. Follow Robert at https://www.facebook.com/robert.fleming.5030 .
I was attending a Grief Support group dealing with my severe grief over my daughter McKenzie's death in a car accident caused by a careless driver. The Therapist group leader announced that next Saturday we will be attending a multi-group event to release balloons into the sky in memory of our loved ones that had passed.
I told the group leader I wouldn't be attending the event. She attempted to change my mind telling me it was time to face my grief and this event is designed to release that grief. I explained my reason by telling her this story;
Years ago when my daughter McKenzie was at the age of just nine. We were enjoying a carnival in Tucson with the entire family. McKenzie began crying for no apparent reason. When I asked why she was shedding all those tears.
She pointed to the sky where I noticed a red helium balloon sailing into the blue Arizona sky.
In a sincere voice she said:
"Look at the balloon flying away.
Now a Seal or Sea Tortoise is going to die."
I explained my reason to not attend the event by telling the Group Leader the story. I'm not sure she understood. I never returned to the group.
JSB
Balloonitarians
Balloonitarian Groups believe when death comes to visit a loved one, the string attached to the balloon of life also containing the soul is released, then slowly there's an ascent delivering them higher into the forever sky, drifting wherever the gentle breeze carries souls, all sins are forgiven as they diffuse from the balloon along with the noble gas escaping into the boundless atmosphere, leisurely, lazily moving downward, finally coming to rest somewhere on the surface of the Mystic Ocean, bobbing back and forth to the gentle rhythm of waves, where soon a seal or possibly a sea tortoise, will swallow the polymer remains of the balloon whole, causing it to choke to death.
https://www.biopage.com/judge722
A Wit: “Why is it when people blow their noses, they always take a good look into the handkerchief? What are they expecting to find there, a silver sixpence?”
It was winter again; I had a snotty-nosed cold that came and went and kept me from fully enjoying my time out-of-doors with my brother, called “wee Bob” by my Uncle Joe, the bon vivant of the family, even among us children. It was the chilliest winter I could remember in all my ten years, which might not have been long, but I was an outdoor girl. Yet I had some hesitations about being in the freezing, bitterly discontented wind, the pelting, hard snow, especially the wetting sleet. Wee Bob just stared gloomily out at the weather from the living room couch back, shoved up against the windowsill where it was, as he was only five and was not allowed to go out without me. I was the big sister, the guardian angel, the one who beat the stuffings out of the boys down the road if they picked on him. Not that he was not known to slap a snowball at one of them from behind one of the huge drifts we had this year–strangely early for the end of November and December’s advent—to whiz a miraculously accurate bullet of snow for a five-year-old at a foe, then duck down and grin up at me. At that point, I stood up and posed atop a white mound, daring our opponents to fire back. And fire back they did, but only half-heartedly, just to “keep up the side” before going on about their own snowball or snow fort business. But for now, it was off-again on-again for the two of us going outside, as the vagaries of my cold and my mother’s varying edicts about the weather and her own convenience with the household chores convinced her that it was good for us to be outside, or not.
After a week of grousing from Bob and complaining from me, my mother decided that it was probably best to let us have our head, before we drove her round the bend and there were three of us out of sorts. On the Saturday she decided to let us go around in the magnanimously fluffy and non-pelting (for a change!) snowflakes falling decorously and softly in their little swirling dances down the mounded white lawn, my Uncle Joe was sitting at the table beside her and my father, having his tea.
Now, my father and mother were having coffee; my mother claimed not even to know how to make a proper cup of tea, or how to buy it, temper the pot, manage the kettle, measure the leaves, any of it. But as Uncle Joe was her brother, and he appreciated the perfect cuppa, he just gleamed wisely from behind his out-of-date moustaches when she said these things, which caused my father to roll his eyes. One of those repeated little family dramas which get their replays with variations every few days or weeks as a form of togetherness.
Uncle Joe, in his general visceral communicativeness and sociability, had even caught my cold, and he was now whuffling and snuffling over the hot, steaming brew and trying not to sneeze. We were shrugging into our clothes to go outside, and moved aside, a bit leery of the upcoming explosion, but not to much avail: when Uncle Joe sneezed, though it was into his handkerchief—a grand affair with his initials embroidered on one corner and made of some fine absorbent linen—the sneeze was an equally grand affair. Though none of us had been covered with anything untidy or germy, we all felt that we had.
Unfazed, my Uncle Joe blew his nose into the cloth and then looked into it for a few seconds, giving it full attention.
“Oh, God, Joe, that’s gross!” my father laughed in protest.
“Besides, it’s rude and so—and—the children—Joe, do you want them to pick up coarse ways?” My mother equally countered her brother’s frank interest in his own physiognomy and its products.
“Ah, but, it’s just a silver sixpence!” insisted Joe, upon being so attacked.
As a worldly-wise ten-year-old, I sneered. “Oh, it is not, Uncle Joe. You’re joking us!”
Still not up to all the rigs, wee Bob shouted, “Let me see, let me see! I’ve never seen a silver sixpence. Where did you get it, Uncle Joe?”
The question was, of course, whether wee Bob even knew what a silver sixpence was. I had little idea myself, though “pence” suggested money, and “silver” meant treasure.
“And won’t you look at that, from 1942, back during the war, when so many coins in Great Britain were made of silver because it was cheaper than other metals in use!” Exclaimed Uncle Joe.
“Spare us your numismatics, Joe,” my father laughed again, “you’re teaching my children bad manners!”
“Ah, and if they’d learned to sneeze properly and clear their airways, then Margery there wouldn’t still have the tail-end of a cold with wee Bob looking like he wants to get it from her any day!” Joe rejoined.
“I’m well, and we’re going outside. See you later, Uncle Joe,” I responded, making signs to wee Bob to hurry up about it before any adults could change their minds about our going out. And we deserted our favorite uncle for his adultlike near-betrayal of us.
Outside, it was just the most perfect day! It was cold, true, and the wind was chafing our cheeks quite red by the time we’d been in the whiteness for five minutes. But the fort from a few days ago was still standing in the backyard, proof that my power in the neighborhood hadn’t waned, due to my carefully dissembled illness, and our sleds were outside the basement just wanting to slip down the hill above the fort into our waiting “stop” zones there. We watched for victims from behind the walls of our fort, made extra tall with the help of my father on one of his days off, and gloated over the pile of as-yet-unthrown snowballs buried in a hidden pit in the fort’s most inside space.
“Ah, here it is now!” spoke a loud, booming voice behind us, making us both jump, I falling into the snow on top of my sled and wee Bob shrieking loudly enough to alert our foes. I shushed him and turned to Uncle Joe, who was now standing in the rear of our fort, holding aloft a bright silver coin in his fingers, turning it this way and that to catch the sun, which humored him as we had not, coming out from clouds previously clustered gray around the skies.
“A silver sixpence! A silver sixpence!” shouted wee Bob, as if acquainted with the phenomenon all his life. “Can I hold it?”
Even I, however, though proof against the fiction of its having come from Uncle Joe’s nose, was not dead set against a look at it, or even a feel of it. Always telling myself, of course, that as it had in no wise come out of his nose, it wasn’t unclean to handle.
We inspected it, and Uncle Joe, departing, tolerated an obligatory couple of snowballs thrown at him as we watched him walk away. Once again sneezing and blowing his nose vigorously, then turning to see us looking, he held up the handkerchief as if it contained further treasures. Then, we entered into the day with earnest abandon, managing to harass and drive from the yard three or four fellow snowballers brave enough to venture into our territory. By the time we were chilled through and ready for cocoa and muffins, we’d forgotten all about Uncle Joe and his cold and his handkerchief and my parents’ distaste for his joke.
“Yes, I need to talk to the cashier at the main window. I don’t think you here at the client desk can help me.”
“But maybe I can, uncle, maybe I can. What is it that you are needing?”
“Uncle. No one has called me that who wasn’t really related to me for a long time. Not since Vietnam and my travelling days, after that. I’ll tell you, it gives me a turn.”
“Do let me apologize for it if it seems to you a discourtesy; it is a title of respect in my country. I have not been here long, and so am a bit raw around the edges, maybe. How can I help you?”
“Oh, I didn’t mean it bothered me in a bad way; just brought back something of the past. Well, the fact of the matter is that I’m in the way of playing a bit of a joke on my little niece and nephew. And I need some particular silver sixpences from Great Britain, I guess they call it U.K. now. But ones from about, well, from exactly 1942, as many, maybe, as would come in a roll of quarters, about forty. Wait, excuse me a moment—a-haw-a-haw-a-haw! Huff—huff—huff—whachooo!”
“You must take care of that, uncle, sir, that is a dreadful cold you have! It sounds like the flu, and a sore throat, and I hope not Covid all combined! Please forgive me for being frank. You shouldn’t be here trying to transact business with a condition like that.” The kind voice paused. “But in any case, unless you have much money for this joke, dear sir, it will be too expensive at a bank, especially. I don’t even know if we could get it for you, in fact I rather think not. Forty silver sixpences, costing probably around $22 each, no, too much. Have you sought out any coin collectors? Also likely to be pricey.”
The old man was nearly finished wiping his face. His eyes were reddened and watery, and his face likewise rubicund and moist. His forehead was pale, though, and looked sweaty. But he faced the bank manager, determined though bleary-eyed. “Look, my friend, I’m old. I’m feeling on my last legs. I—”
“Don’t say that, uncle, you have only to take care of yourself! Anyone who could consider spending so much money for a joke upon two children must surely be able to get good medical care. Do you want me to call someone for you?”
“NO! Let me talk, it’s hard enough through this…this…anyway, I need to find about forty, we’ll say, silver sixpences. And the reason I want them from 1942 is because I want them real silver, but not as expensive as the most valuable ones. You’re right that my resources aren’t limitless. So, do you know of any coin collectors I could contact? Is the bank supplied with any, in touch with any?”
“Not that I am aware of, dear sir, and I think that—but you know, there is a street in the city, a town-within-a-town, I do recollect a junk dealer, not so much junk as old things, though he’s called a junk dealer. His name, I believe, is Daniel Mattheas Willford. My cousin once bought a dining set from his collection that seated twelve, an antique set, and was not cheated and was well content. Just one moment, if you please, I will call my cousin at her place of business. If she is able to answer the phone, I may be able to get the address and phone number for you. Do you want a cell phone number or the store number?”
“Store number, please. But likely, I’ll drop by.”
The manager went away and returned again after what seemed to the old man like only a minute, but a prolonged minute, a minute in which shadows came and went in the bank, in which he wished he could sit down across the aisle on the other side, except for not wanting the manager to think he had left precipitately.
“Here you are. And please, dear uncle, think a little more of yourself and a little less of selfish children. Children have the rest of their lives. You are old, and must take care of yourself. Come again, when you are well.”
“But it’s out of the question, Peter, he’s got some sort of lung infection or something, and is at death’s door! Literally, at death’s door! We can’t take the children into his home, however many doctors he has there with him!”
“He only has the one and the attending nurse as far as I know. But I mean, he made it his last wish to see them, and you know how he is, it’s probably for something between them and him, just as a way of saying goodbye. And he is their favorite uncle. And your own brother, after all.”
Even though I was sitting in the dining room, I could hear them arguing in the kitchen; not that they were trying to keep it down, especially not my mother. But my father lowered his voice and spoke calmly and soothingly, and as usually happened when he did that, he won his point. As it turned out, we went to see Uncle Joe for the last time that very night, in the middle of a blinding snowstorm that my father had real difficulty seeing to drive through, the wipers going fast as fast, but still making nearly no headway against the white splats dotting the windshield and road before us.
When we walked into Uncle Joe’s living room, the fire wasn’t lit as it usually had been when we visited during the winter, and it was cold and damp there. My father looked towards the various decanters on the sideboard that Uncle Joe had usually regaled him with, but after staring for just a moment, both he and my mother went to whisper quiet words to the nurse, who true to the sort of old-fashioned form so typical of Uncle Joe’s life, wore a neat hospital-style uniform of starched white, with a small cap on her head and her hair neatly pinned up in a French bun behind.
“Sit down and don’t mess with anything, Margery, Bob, and when it’s your turn to see Uncle Joe, we’ll come and get you. He won’t be up to much talking, and he has lots of germs, because he’s sick and is getting ready, we think, to die. Nothing like the colds you get, you don’t have to worry about dying, we’re here to take care of you. But just don’t get too close around the bed, don’t crowd him, okay?” We nodded and sat nervously, not even saying much to each other while they were out of the room. Bob did get up once or twice and stroll aimlessly around just looking, but he was not breaking the rule not to touch, either.
Finally, my father came back alone. His eyes were sad, his black lashes a little wet, though I hesitated to conclude that he had been crying. “He’s able to see you both now, kids. Don’t expect him to talk too much, though you know how he is. Smile at him, try not to cry. Let him know you love him.”
So right away, of course, as soon as we went in and had a seat side by side to one side of the bed and Uncle Joe was grinning his odd grin at us, wee Bob said, “We love you, Uncle Joe. You know it, right?” I was partly annoyed because he’d gotten in the word first, but also because it seemed so stupid and obvious and direct.
“And me, too, Uncle Joe. I love you, too,” was all it left me to say.
Uncle Joe nodded rapidly at us, tried to speak, but started coughing and my mother shook her head at him and said, “Save your voice, Joe.”
It was sort of awkward, there didn’t seem to be much to say, just thoughts about dying and not dying, and wondering how he felt, which would have been morbid somehow, under the circumstances.
Suddenly, Uncle Joe himself broke the ice. He was watching us, a little sad, wanting to say something, still smiling, though not full of jokes as usual. But his face brightened and he gesticulated to the nurse. She handed him a small bag of something, and he pulled a clean handkerchief out of his sheets below his chin. Then, a wondrous thing: this sick man wrapped the something up in the handkerchief and tossed it to me. It had weight and substance and with my best summer baseball glove hand, I caught it. It was a drawstring bag with things inside, and though my mother darted to take it away, I palmed off the handkerchief it was wrapped in on her and huddled with my brother wee Bob over the bag itself.
While we were pulling the bag open, we heard a croak. We looked up. It was Uncle Joe. Sure enough, he was speaking to us. It was faint, and cough-riddled, but we stopped what we were doing and listened. “I had a lot of sneezes, kids. I collected them for you; a lot of silver sixpences! Twenty each.”
I knew it was a trick, but it was winter magic, all the same. Wee Bob, though, was taken in entirely. He became very distressed: “But Uncle Joe, please, let’s put them back up your nose, please, let’s put them back!”
“Why?” wheezed Uncle Joe. “Why such a dirty ol’ place?”
“So that you can get well and be with us again, and have your tea!”
Uncle Joe laughed then, a horrendous sound in that narrow room. “Here you go, Bobby, you get the last one, mine, just for that!” And he flipped it over to Bob.
And with that, he was gone, expiring in a coughing paroxysm as my father herded us from the room.
Bio: Victoria Leigh Bennett, (she/her). Greater Boston, MA area, born WV. Ph.D., English/Theater. Website: creative-shadows.com. “Come for the shadows, stay for the read.” In-Print: “Poems from the Northeast,” 2021. OOP but on website for free: “Scenes de la Vie Americaine (en Paris),” [CNF in English], 2022. From Fall 2021-Spring 2023, Victoria will have published at least 31 times with: @olympiapub, @Feversof, @HooghlyReview, @TheUnconcourier, @barzakhmag, @bullshitlitmag, @AmphoraMagazine, @press_roi, @thealienbuddha, @LovesDiscretion, @themadrigalpress, @winningwriters, @cultofclio. She is the organizer behind the poets’ collective @PoetsonThursday on Twitter along with Dave Garbutt and Alex Guenther. Twitter: @vicklbennett & @PoetsonThursday. Mastodon: @vickileigh@mstdn.social & @vickileigh@writing.exchange. Victoria is ocularly and emotionally disabled.