U.S. Links to paperback & kindle. Please check availability in your Country. Sometimes it takes a few weeks to a couple months to show up in paperback in certain countries. I know in India this is the case. The deluxe edition includes all my poems from the Leonard Cohen anthologies & my poem “Malvina” as well.
*More writing prompts from artwork/photography gathered by Pasithea Chan
*Inspired by Tom Waits poetry will begin
*Inspired by Joni Mitchell poetry will begin
*Inspired by Harlem Renaissance Poetry will begin
*Inspired by Pablo Neruda Poetry will begin
* Inspired by Tom Petty poetry will begin
*I’m going to try and get my book “Cursed Houses” out between mid month and Halloween.
*Working on my wife HilLesha’s book
*Writing new poetry for “The Empath Dies in the End” a themed book collaborated with other writers. When I write something I will send to only the other poet/writer involved. Looking to hopefully put book out in Winter.
*If you still have poetry inspired by any of the following please still send
Claude Monet (any artwork by him)
Andy Warhol & the Factory including The Velvet Underground & Lou Reed
Instrumental music from Harold Budd
Warren Ellis & the Dirty Three
Plus on our front page you can find our normal everyday topics to send in for poetry showcases, Quick-9 Interviews for writers/poets/musicians, some book reviews although i’m understaffed on this and can’t take all of them. Fevers of the Mind Poetry & Art Blog
finite minutes of mine
he says we have to make ours
count but I just count the hours down
more concerned with surviving
them than living them, with tolerating
them than filling them, watching the spokes skip
around the Death Counter’s dial, studying the perfect
face of my bedside clock, knowing that
the meaning of life is that it stops:
it stops, but not soon enough for me
(too soon for most though, apparently)
Our love died when I lost track of time: we thought we had so much of it.
But while I’ve been writing this the clock has stayed in my eye line
and you’ve crept a minute closer to your death
while I’ve leapt a minute closer to mine.
Oh, we had the time of our lives,
for all that time, all of the time.
(It’s really nice knowing that
neither of us will make it
out of this alive)
In the hours when I cannot bear to be alive
I just sit and watch my watch,
watch my past growing,
watch my future decreasing,
knowing that I
can always find
comfort in the movement
of the metal hands that live
on my left wrist, and in the glow of those
digital green lines, shape-shifting in the corner
of the darkened room, watching you sleep away
your minutes while I think/worry/wish away mine.
Every minute propels us forwards toward a good thing,
or great things, a tragedy, an opportunity, a nightmare,
a breakthrough, a love, a loss, a success, our deaths.
(It’s only a matter of time)
I stand outside the jeweller’s shop
High Street Hypnotherapy.
I light a cigarette and press my forehead to the glass
and watch the watches, trying to catch one out for being too slow,
or maybe all the others are fast? But they move like, well,
they move like fucking clockwork and so I remain
with my head against the pane,
killing time in the rain,
in pain, killing time,
literally watching time
You’d call this a waste of a time
but it’s not, it’s progress,
it’s necessary progress:
staying alive until the time
comes to die.
Now that I’ve written this, I’m
three minutes closer to that time
and now that you’ve read this,
so are you: closer to your
demise as well as mine.
(don’t worry, I’ll go
Bio: HLR (she/her) writes poetry and short prose about living with chronic mental illness, trauma, and grief. Her work has been published by or is forthcoming with Misery Tourism, SCAB Magazine, Sledgehammer Lit, and Emerge Literary Journal. She is the winner of the Desmond O’Grady International Poetry Prize 2021. She is the author of History of Present Complaint (Close to the Bone) and Portrait of the Poet as a Hot Mess (Ghost City Press). HLR lives in north London where she was born and raised. Twitter: @HLRwriter