Out now! Fevers of The Mind Poetry, Art & Music Issue 10: Black History and More

Out today is Issue 10 of Fevers of the Mind Poetry, Art & Music. This issue is a collection of wonderful writers/poets, artist and celebration of Black History and historical figures. There is poetry representing all walks of life in this issue as well. Contributors include: David L O’Nan, HilLesha O’Nan, featured poet Chris L. Butler, Ava Tenn, an interview with musician/artist Kayla von der Heide, interview with writer K Weber, photo from Barbara Gray, John Jones Jr, Pasithea Chan, R.M. Engelhardt, Michael Igoe, Z.R. Ghani, Kushal Poddar, Christian Garduno, Lawrence Moore, Peach Delphine, Gabriella Garofalo, R.D. Johnson, Abdulmueed Balogun, Susan Richardson, A.R. Arthur, Ethan McGuire, Elizabeth Cusack, John Chinaka Onyeche, K. Asare-Bediako, Coby Daniels, Khadeja Ali, Martins Deep, Rabiu Temidayo, Stephen Kingsnorth, S.D. Kilmer, Ryan Flett, Samantha Terrell, Maggs Vibo, Courtenay Schembri-Gray, Akhila Siva, Hema Saju, Scott Cumming, Ryan Quinn Flanagan, Shiksha Dheda, J.D. Nelson, Anneka Chambers, Doryn Herbst, Christian Jethro, John Drudge, Ndaba Sibanda, Malak K. Chehab, Patrick Wright, Rickey Rivers Jr, Karlo Sevilla, Jessica Weyer-Bentley, Sarika Jaswani, Sue Finch, Evelyn (Eve) Hall, Michael Amitin

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Black History Poetry: 2 poems from Michael D. Amitin

Bio: Poet and musician Michael D. Amitin travelled the roads of the American West from California- east through the smoky burgs and train depot diners of Western Colorado, before moving to Paris, France in 2009 where lives.
International Beat Poet Laureate 2020-2021, Amitin’s poems have been published in California Quarterly, Poetry Pacific, North of Oxford, PoetryontheLake, Love Love Magazine, Litterateurrw, and many others.
A collaboration with Parisian photographer Julie Peiffer has given rise to “Riverlights” and can be found on Fb @ Riverlights. Amitin’s poetry can also be discovered on FB and Instagram sites bearing his name.


Marvin

Hey man, What’s Goin’On? Manrique asks
he slides into the ripped passenger seat
of the beat burgundy Nissan
parked in a run-down Hollywood strip mall

April ’84 – hot LA
My head on the steering wheel
ghost pale – charcoal clouds overhead

Manrique cries
what’s goin’ on
fresh off his 7/11 twinkie run

Horns blaring
for us to hightail out of the
thin slice parking space

Marvin..he’s DEAD
I whisper
heard it on the radio

Marvin Gaye?
Yeah
oh Mercy Me

Filicide- his pentacostal cross-dressing preacher papa
sprayed a bullet right through Marvin’s gold record
broken-chequered cocaine-stained heart

Just a few miles from here

Golden voice so young so great so done
Ain’t No Mountain High Enough

Alabama ’32

At the doorway to the Lodge doling out holy praises
nurse Eunice Rivers, 33 slight, stooped

Raised poor black
her father with sundown eyes ‘neath a sharecropper’s tight screw
heat blister days, she college educated
designated a liaison between the town of Tuskegee
and The Lodge, a secretive hidaway in the woods

Ms. Rivers had seen a sign in the wind
landed on a tree where strange fruit hung and
Stars Fell on Alabama

A wind carrying a CDC propped experiment
A wind shifty as a slide’s snail trek up a bottleneck guitar

Blind to the racism around her
position and authority at hand
Rivers ran

Chanting a solemn hymn with evil beats
to six hundred
poor blacks arriving at the Lodge bused from Tuskegee
volunteers to participate in a pilot study on syphillis

The payoff, the sacred promise of free health care and
free burial insurance (whichever first)
a ‘blood’ experiment to last just a few short months

Bad blood they called it

The Tuskegee volunteers- a tribe that
wandered the dark deserts of deceit for forty years
invisible shackles- a nightfire dance of thieves

Penicillin had burst on the scene like shooting star Jesus
the needle never fell on The Lodge

Observation camp Mother-American style
CDC, center of disease, center for life on the cheap

Over a hundred volunteers died or went blind
Alabama Blues playing
on God’s sweet radio
a storm rattling passing holy minstrel tents

One small shot for man, one huge boon for Medical chicanery
for further eradicating or denigrating people of color
dying gamblers who’d lay their aces on a game of big lie

And here in the wake of the Purple Shack Show Twilight
African villages no mask, no distance, low count covid nights,
far east of port lights reflecting off the dark Gulf waters
where Stars Fell on Alabama





June 20th about Juneteenth. Chris Courtney Martin.

BLACK STUDIES (or ACADEMIA NUT)

BY

Chris Courtney Martin

I dare say I almost
Just almost hate myself 
For
Fixating…

That One Silly Course™
Which would have 
Secured for me a Third Minor

**…AFRICANA STUDIES…**

I must be 
Three-Hundred-Sixty Degrees
Fucked Up
To be 
Fucked Up
About a Degree that purports to
Legitimize me in 
My Own Damn
Negro-ness 

101
Might have been
“It Be Ya Own People”
If Only
102 
Would read back to me
“It Was Them People First“

A KWEAN OONTZ NOVEL (Digital Music in stores worldwide!) Microalbum/EP

Voyage LA Magazine Interview

Poetry re-post: George Floyd, Our Hearts & Now When I Put My Hand in My Pocket by Ava Tenn

GEORGE FLOYD, OUR HEARTS STILL WEAR YOUR TEARS (2021)

George Floyd, one year
Yet, it feels like today
A knee in your neck
Left you breathless
A picture unforgettable
“I can’t breathe” 
Can’t be unheard
Mama
That word 
Touched our souls
Cried with you then
Today our hearts 
Still wear your tears
Always remembered
Never forgotten
Rest In Power
My brother
BLM


"WHEN I PLACE MY HAND IN MY POCKET"

Now, when I place my hand in my pocket
I see the horrific picture of a knee in George Floyd’s neck
Now, when I place my hand in my pocket
I hear the words ‘I can’t breathe’

Now, when I place my hand in my pocket
My mind is flooded with the inerasable picture of the cold 
Evil and cruel death of my brother
Now, when I place my hand in my pocket
I can’t say I’ve never seen a man take his last breath

Now, when I place my hand in my pocket
I see the murder of all my black brothers and sisters 
Who are dead because of the color of their skin 
Now, when I place my hand in my pocket 
I am angry and I am sad 
I’m overwhelmed and I am mad

 Because for too long we have suffered at the minds 
And hands of hate, cruelty and injustice
And for too long, too much blood has been shed 
Too many bodies have been buried
Too much heartbreak have been endured
Too many mothers, too families have suffered

Now when I place my hand in my pocket
I feel no contentment, no peace, no comfort, and I cry
Because now when I place my hands in my pocket 
I see George Floyd a face my mind can’t erase 
And I hear the words I can’t unheard “please! I can’t breathe”
So now, I no longer place my hands in my pocket


Bio: Twitter: EmpressIjah2 
Ava Tenn is a Poet and Freelance Writer.
She believes that poetry can penetrate your heart and speak to your soul and with its balm it can change the world.
She has had publications in the Toronto Sun, Good News Toronto
and Planet Africa magazine. She enjoys learning, reading, dancing and helping people. Ava believes in prayer, peace and unity and creating awareness through words that inspires and motivates. When she is not writing poetry and articles, she’s writing songs wishing she could sing.
She resides in Toronto where she is currently working on her manuscript.


Poetry by R.D. Johnson : (Not Just On) Juneteenth

(Not Just On) Juneteenth

Been a little over year
Of people having to be reminded of what black is
A reminder of the anger and a reminder of the sadness
Still the fact is
It shouldn’t take a trauma for you to understand a trauma
Only thing we are doing is piling it up
Adding a comma
Some try to be empathetic others will just call it drama
And God got something for they ass
I’m a call it karma
What goes around comes back around
And let’s just use it to describe 2020
We traded chains and shackles 
For cuffs and death
Something we saw too many
A nation went from uniting like minded people
To further put a division between everyone
To the point that folks can’t even be subtle with their racism
So what can one do?
We continue to be a voice
We continue to be the change
We continue to persevere
We have to…
We have to withstand any and everything
Now so those that come after us don’t have to as hard
Just as generation after generation had to
Just remember me as the bridge
Someone on the journey to a better life
I’m black
I’m proud
Give me my flowers while I’m here
And not just on Juneteenth
Everyday 
And don’t forget me when I’m gone


Bio: Follow R.D. Johnson on twitter @r_d_Johnson                                                                                     R.D. Johnson is a pushcart nominee, a best of the net nominee for Fevers of the Mind  "(Not Just On) Juneteenth"    Reggie is an author reigning out of Cincinnati, Ohio. At the age of 9, he found a love for writing while on summer vacation. With influences from music, Reggie has created a rhythmic style of writing to tell his personal experiences and beyond.  Reggie has several books available on all major online retailers and his work can be seen in various literary magazines. He currently has two columns, Drunken Karaoke featured on Daily Drunk Magazine & REPLAYS featured on The Poetry Question. https://thepoetryquestion.com/category/replay-rdj/      


A Review from “Thank You For the Content III” by R.D. Johnson (Reggie D. Johnson)

4 Poems by R.D. Johnson : Malcolm & Martin, Angels, Dr. King’s Dream & February 1st (re-post)