A Fevers of the Mind Quick-9 Interview with Annest Gwilym

with Annest Gwilym:

Q1: When did you start writing and first influences?

Annest: I started writing as a teenager, mainly keeping diaries and writing poetry. My first poem to be published was at age 15, in a local magazine, one of only two chosen from my school. My first influences were Ted Hughes, Seamus Heaney, R.S. Thomas and the Welsh poets R. Williams Parry and Hedd Wyn. I was also a big fan of the Romantics, especially Keats and Wordsworth.

Q2: Who are your biggest influences today?

Annest: A difficult question, since there are so many! But I would have to include Helen Dunmore, Linda France, Sylvia Plath, Anne Sexton and Mary Oliver.

Q3: Where did you grow up and how did that influence your writing? Have any travels away from home influence your work/describe?

Annest:

I am originally from the Llŷn peninsula, in NW Wales, in the United Kingdom. However, because of my father’s job, we moved house a lot, mainly across North Wales. We also lived in the Midlands city of Worcester for around five years. I think the experience of always being the ‘new girl’ at school, with a different accent, often bullied because of this, created a sense of alienation in me that I still carry today. I lived in Italy for a year (in Florence) – half of my degree was in Italian. My exposure to Italian – language, literature and culture have also influenced my writing.

Q4: What do you consider the most meaningful work you’ve done creatively so far?

Annest: Probably my book What the Owl Taught Me. Loosely based on a bestiary, I used it to validate beasts that are commonly deemed pests, because of our human-centric view of the world, and to show that they also have intricate, valuable lives, and deserve to live. It also includes a few poems that share concerns about loss of species due to negative human interaction, and environmental issues. “What The Owl Taught Me” by Annest Gwilym a poetry book review by Mashaal Sajid

Q5: Any pivotal moment when you knew you wanted to be a poet/writer?

Annest: When I began to enjoy poetry as a teenager, I started dabbling, although these early attempts were mainly about teenage angst!

Q6: Favorite activities to relax?

Annest: When not writing, I am usually reading, walking, or making jewellery. I have a small jewellery shop on Etsy called NineMusesJewellery

Q7: Any recent or forthcoming projects you’d like to promote?

Annest: Just a link to my collection What the Owl Taught Me. My first book – Surfacing – can also be found there.

https://sites.google.com/a/lapwingpublications.com/lapwing-store/home Lapwing Publications

Q8: What is one of your favourite lines from a poem/writing of yours or others?

Annest:

‘Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.’

Mary Oliver, Wild Geese.

Q9: Who has helped you most with writing?

Annest: Links below

Book Review: “Surfacing” by Annest Gwilym (review by Mashaal Sajid)

2 poems by Annest Gwilym : Seasons in the Sun & Sometimes at Twilight…

Poem by Annest Gwilym “Last Night…”

New Poetry by Annest Gwilym : “Insomniac” & “The Word Collector”

Poetry by Annest Gwilym: Red on Red

https://www.firstwriter.com/competitions/poetry_competition/winners/15thpoetry.shtml

Bio: Author of two books of poetry: Surfacing (2018) and What the Owl Taught Me (2020), both published by Lapwing Poetry. Annest has been published in various literary journals and anthologies, both online and in print. She has been placed in writing competitions, winning one. She lives on the coast of north west Wales with her rescue dog.

Wolfpack Contributor: Annest Gwilym

Poetry by Annest Gwilym : Rhosmeirch ’71

“What The Owl Taught Me” by Annest Gwilym a poetry book review by Mashaal Sajid

“What The Owl Taught Me” by Annest Gwilym a poetry book review by Mashaal Sajid

What the Owl Taught Me by Annest Gwilym | North of Oxford
What The Owl Taught Me

“What the owl taught me” is Annest Gwilym’s first full-length Poetry collection published by Lapwing Publications in 2020. Having read Annest’s debut poetry chapbook “Surfacing”, I looked forward to delve into this collection and my anticipation was rewarded. A bestiary of sorts,  “what the owl taught me” is a perfect read for anyone who approaches themes of nature and wildlife with adoration and cautious reverence. 

Annest depicts the spirit of living creatures from mythological birds, sea urchin and moths to endangered critters in these 40 Poems. The collection is hallmarked with quaint verses giving human characteristics to animals like: “scuffle for a crumb on the street, sinewy legs dance and pounce”, “upright head, a Roman nose”, “shimmied and played chase with the ladies”, “underwater acrobats”, “as your mocking laughter ripples”, “he keeps vigil, forages, shovels snow”, and “in his robe of sun he cartwheels”.

Perhaps due to my biased fascination with moths, but mostly because of these opening lines “I rode through the liquid night, as a melon-slice moon crested a bank of cloud”, Last Night I Became An Emperor Moth is my favourite poem in this collection. It takes you on a first person view of a moth’s night journey, flying over moor and sea, to end in a desire filled moment with the anticipation of some obscure ferine mating ritual: “There to wait for my lover; my musk strong, / it will draw him from miles. He will come, / wings taut with blood. Antennae fresh as ferns.”

Some poems are heavy with environmentalist concern and themes of extinction. Golden child is a concrete poem about the endangered Raja Undulate sting ray, the speaker describes the beauty of the creature calling her ‘beauty queen of rays’, the voice breaks to distressed prayer towards the end: “Golden child, I pray you don’t go the way of the golden toad”. “The Last Woolly Mammoth” paints a macabre and mournful picture of the extinction of the last Woolly mammoths on Wrangel Island. Tinted with grief and loss, it features a mother child duo, the child after witnessing his mother’s death surrenders to loneliness and demise. The poem holds bitter lessons about climate crisis and environmentally harmful practices : “People have taken bones and tusks, of his dead tribe, wear his family’s coats on their backs.”

What The Owl Taught Me contains many brilliant Poems, among these, the ones that stood out to me the most are: “Last Night I Became An Emperor Moth”, “Domesticated”, “Barn Owl”, “The Nightmare Bird”, “The Moon Hedgehog”, and “Wasp’s Nest”. Their language is fresh and alive with poignant oft eerie imagery like “The ugly planet hangs like a mutilated moon”, “he fled through looms of leaves, fingered by spiders”, “moon-bitten, storm struck eater of stars, and dreams, it’s scream strangles the night “, “silken killer moves like water”, and “when I see you I could burst into flower”

What the owl taught me is a stirring read that captures your attention throughout. The collection is a testimony to Annest’s poetic prowess. Anyone with an interest in bestiaries, a love for wildlife and their share of environmentalist concerns would thoroughly enjoy this book.

 

Wolfpack Contributor Bio: Mashaal Sajid

Wolfpack Contributor: Annest Gwilym

Book Review: “Surfacing” by Annest Gwilym  (review by Mashaal Sajid)

Bio: Author of two books of poetry: Surfacing (2018) and What the Owl Taught Me (2020), both published by Lapwing Poetry. Annest has been published in various literary journals and anthologies, both online and in print. She has been placed in writing competitions, winning one. She lives on the coast of north west Wales with her rescue dog.