Fevers of the Mind Poetry & Art Blog

Our twitter is @feversof also eic @davidLONan1 Facebook Group: http://www.feversofthemind.com Fevers of the Mind Poetry & Arts Group

Paypal & Submissions e-mail: feversofthemind@gmail.com 

*UPCOMING PRINT ANTHOLOGIES*

HARD RAIN POETRY: POETRY & ART INSPIRED BY BOB DYLAN (taken from web post contributions & e-mail contributions)

FEVERS OF THE MIND 6: BARE BONES WRITINGS (taken from web post contributions not previously published in a Fevers of the Mind anthology from the past)

We are unable to provide compensation at this time for any postings on this site. We have to reach out through the year for donations just to keep the site going. This is for the art of poetry, music, art & other creatives.

Some poetry/art published on this site will periodically be taken down if space is running low. Pieces that are up for Best of the Net Nominations and other award nominees will remain on the site longer. You will be guaranteed at least 6-8 months exposure on our website. No promises after that and don’t take it personal.

Submissions open: Looking for Poetry for Adhd Awareness, Mental Health, Anxiety, Culture, History, Social Justice, LGBTQ Matters/Pride, Love, Poem series, sonnets, physical health, pandemic themes, Trauma, Retro Pop Culture Music & otherwise.

Submissions Open: Bob Dylan Online blog anthology Hard Rain Poetry.

The Wolfpack Online Contributors will last from May-August of this year. Many of the pieces will be eligible for our upcoming print anthologies. Each contributor to Anthology will be given a free PDF and then there will be an option to order copies when I supply links to the books.

Submissions are for blog are poetry showcases/wolfpack contributor pieces only at this time: Poetry, Art, Book Reviews, culture pieces, rants, pre-published poetry from self-published materials, defunct lit mags, pieces from other lit mags with permissions. We will soon be straying away from pieces on website first by late Summer. We will eventually be having you send the pieces for Anthologies first, and eventually can be moved to the website.

All submissions with bio. Please let us know if something has been previously published, we will make a judgment call on whether able to include.  We will not send rejection e-mails. If you have simultaneous submissions out there please keep this in mind. As long as work follows our guidelines or contests, prompts they have a good chance of being published on our site. If not accepted at first Just try again…but please just send once a month if a piece was rejected at first. We will not accept pieces that we deem racist, sexist, homophobic, or have pornographic themes, photos, or any type of nudity in submissions.

Please donate to our paypal at feversofthemind@gmail.com if you enjoy this site and our anthologies. Anything helps. Thank you!

About Editor David L O’Nan

Check out a link about my new book through Cajun Mutt Press “Before the Bridges Fell” March 2022

https://feversofthemind.com/2022/03/15/before-the-bridges-fell-by-me-david-l-onan-poetry-book-is-out-today-on-cajun-mutt-press/

David L O’Nan has been writing poetry & short stories for 20 years.   He is founder and editor in chief of Fevers of the Mind Poetry & Art Press with his wife HilLesha. His newest book “Before the Bridges Fell” was published with Cajun Mutt Press. We have released 5 Anthologies of poetry & art since 2019.   He has also Curated & edited “Avalanches in Poetry: Writings & Art Inspired by Leonard Cohen” and “Before I Turn Into Gold”  He has just put out a 500 page book combining 5 of his books available on Amazon “Bending Rivers” Poetry & Short Stories from David L O’Nan.  His work has appeared in Icefloe Press, Lothlorien Poetry Journal,Anti-Heroin Chic Magazine, Royal Rose Magazine, Cajun Mutt Press, Dark Marrow/Rhythm & Bones Lit, Truly U, Spillwords, Punk Noir Magazine, Eat the Storms Podcast, Cajun Mutt Press features, Ghost City Press, 3 moon Publishing, Elephants Never, Nymphs Publishing, and of course at www.feversofthemind.com His books include: The Famous Poetry Outlaws are Painting Walls and Whispers, Our Fears in Tunnels, The Cartoon Diaries, New Disease Streets, Taking Pictures in the Dark, Lost Reflections (micro-poems), His Poetic Last Whispers

https://www.amazon.com/Bending-Rivers-Poetry-Stories-David/dp/B09QFF55K3/ref=sr_1_1?crid=25YEZAM5Y4EGO&keywords=bending+rivers+david+l+o%27nan&qid=1642523310&sprefix=bending+rivers+david+l+o%27nan%2Caps%2C128&sr=8-1
(c) Geoffrey Wren art




The return & revised version of “New Disease Streets” by David L O’Nan Poetry and stories

https://tinyurl.com/bdzdzkzn

The poems & stories in this collection is a representation of the hovering stain of the year 2020. A year filled with disease, greed, hate, depression, moments of unity that only feel empty being overseen by a world of dictators. The sadness, the lies, the deprived. That is the New Disease Streets Collection.

National Poetry Month: David L O’Nan reading “They Had Sadness In Their Eyes (Like In Littleton) from new book Before the Bridges Fell – poetry

https://tinyurl.com/yckj66hk for your copy of “Before the Bridges Fell”

A Fevers of the Mind Quick-9 Interview with Sascha Engel

with Sascha Engel:

Q1: When did you start writing and first influences?

Sascha: I started writing for publication in 2011. My initial writing experience, amateurish though it was, was in an academic context and heavily influenced by the reading I had done in philosophy for a few years prior. Particularly, I’ve always been fascinated by Jacques Derrida’s work (especially his Grammatology), arguing that speech and ultimately everything that has meaning is an instance of a form of writing – or writtenness. Teasing this out has been my project ever since; first in academic publications and now in experimental writing. You could say that Dada/Letterism is as big an influence, although it was indirect, and a strange, anarchically refracted Hegelianism.

Q2: Who are your biggest influences today?

Sascha: In terms of my experimental prose, I think I am most influenced by reading manuals and handbooks for computing machines – that is, for 1950s and 60s computers. There’s something laconically inhuman about their precise prose that influences me every day. (To what extent it shows, though, I can’t say.)

Q3: Any pivotal moment when you knew you wanted to be a writer?

Sascha: In undergrad, when I first encountered philosophical thinking. The idea that the whole world and everything we perceive is irreducibly broken down by a prism of language made me realize that that’s what I want to do: make such a prism of my own, and maybe share it with others.

Q4: Who has helped you most with writing?

Sascha: Every time I have a conversation, however short, with anyone who shares my interests, that helps a lot. The latest of these was with Jonathan Deasy, my good friend and co-editor in Strukturriss, who helped me past an impasse and so contributed to finishing my work on artificial intelligence.

Q5: Where did you grow up and how did that influence your writing & have any travels away influence your work?

Sascha: I’m originally German, and due to my parents’ occupation moved about all over the place, from Bavaria to the Netherlands, to West Germany and then to former East Germany, and then back to West Germany. I think this has led to the realization that there isn’t really a ‘home’ per se, nor a ‘place’, but only a set of identities that shift about. When I went to the U.S. to teach in academia, and then again when I returned to Europe after dropping out of that, I think that reinforced this.

Q6: What do you consider your most meaningful work you’ve done creatively so far to you?

Sascha: The “Twenty-One Computations” that just came out in Beir Bua Press are the culmination of five years of reading ‘ancient’ computing manuals and thinking about the humans projected by them. I think both in terms of experimental prose and philosophical statement, that’s my most meaningful work to date, not least because it helps me grapple with the existential meaning of being tethered to a smartphone all day every day…

https://amzn.to/3yTRTdA

Q7: Favorite activities to relax?

Sascha: I have a place a few kilometres from home where I go to turn everything off and unwind. And I am unreasonably obsessed with the Star Wars universe.

Q8: What is a favorite line/stanza from a poem/writing of yours or others?

Sascha:

Very difficult to choose from so many, but I think pride of place belongs to a passage from Derrida’s Writing and Difference, which guides how I conceive of what I do: “Wanting to say the miraculous overcoming, from which thinking announces itself, terrorizes itself and, at its height, attempts to insure itself against its destruction and drowning in madness and death. At its highest point, the hyperbole, the absolute opening, the uneconomic expenditure is always surprised by, and taken back into, an economy. This constitutes a relation between reason, madness, and death,” and that relation is writing.

Q9: Any recent or forthcoming projects that you’d like to promote?

Sascha:

My “Twenty-One Computations” are out from Beir Bua Press: https://beirbuapress.com/2021/07/25/twenty-one-computations-by-sascha-engel/

I also publish ruminations on artificial intelligence on a regular basis at the Centre for Experimental Ontology: https://centreforexperimentalontology.com/author/thinkcontinuum/

And I’ve just launched a website! http://thinkcontinuum.eu/ This has forthcoming work as well.

Twitter: @Thinkcontinuum

Linktree:

https://linktr.ee/ThinkContinuum

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