A Fevers of the Mind Quick-9 Interview with Jakky Bankong-Obi

with Jakky Bankong-Obi

twitter @jakkybeefive : https://linktr.ee/Jakky

Q1: When did you start writing and first influences?

Jakky: I started writing in 2019. Before then I wasn’t really reading any poetry though like everyone else I knew some Achebe, Diop, Shakespeare, Yeats, etc. The only poetry book I had ever read from start to finish was “Essential Rumi” trs. by Stephen Mitchell. I didn’t have any poetry sensibilities as it were until I became active on Twitter and joined the writing community there. That’s when I truly started reading and writing poetry. That should give you an idea of how my first poems look!

Q2: Who are your biggest influences today?

Jakky: I read so many poems truly and I’m still learning and trying to explore poetry so I can’t say for sure I’ve found my biggest influences. I’m just soaking it all up and asking for more!

Q3: Any pivotal moment when you knew you wanted to be a writer?

Jakky: I always knew I wanted to be writer, I just didn’t know what I wanted to write. I’ve also always being into journaling and making notes or writing down quotes from books I was reading. And because a lot of my professional life is media related, I’ve also done quite a bit of writing around different sectors. However, until I started using social media I didn’t really think of exploring writing as an artist.

Q4: Who has helped you most with writing?

Jakky: There are quite a number of people actually. But I think the first thing that has helped with writing is reading. Reading and learning from other poets and writers inspires like nothing else can.

As for the actual writing, I like to send first drafts around to friends and then use the feedback to improve the work. Even some of my friends who aren’t writers get to read whatever I’m working on. It all depends on what I’m working on.

Q5: Where did you grow up and how did that influence your writing & did any travels away from home Influence your work?

Jakky: I grew up mostly rural, shuttling between my mother’s village and wherever my parents or grandparents happened to be working at the time. Mostly in provincial or municipal towns in south eastern Nigeria. I mean, I only got to go to Lagos for the first time at 16 in 1996. And for those 16 years, Nigeria was ruled by military dictators and because of my mom’s job as a teacher in the military barracks, which was quite regimented and stifling.

As an adult, I’ve done a bit of traveling and for me the underlying thing is always nature, culture (social or otherwise) and how these things shape us and make us who we are. This is what I try to explore in my own writing. I’m always seeking the intersection between landscape, culture and identity, whether I am writing about things like grief, desire, loss, love, joy, motherhood, politics etc. This is really what writing is about isn’t it? We are all just telling stories and inviting others to step into the worlds we have created either from experience or fiction with the hope that people can read them and see something of themselves there. This is what art is about isn’t it? To see, and to be seen.

Q6: What do you consider your most meaningful work you’ve done creatively so far to you?

Jakky: Everything is meaningful because of the circumstances in which each work is being produced. Aside being a poet, I’m also an editor with Icefloe press and I’ve done a few local projects and I consider everything to be a really meaningful. Frankly, I haven’t gotten over acceptances or getting solicited for work! It’s such a rush to get my work accepted or featured anywhere.

Q7: Favorite activities to relax?

Jakky: I listen to a lot of music, go on long walks and watch sports with my son and my love. I hang out with my friends when I can though the pandemic has put a hold on that. I also read to relax, and it could be anything from erotic novels to pinterest quotes.

Q8: What is a favorite line/stanza from a poem/writing of yours or others?

Jakky: These lines from my poem “ LITTLE CATASTROPHES” which was published by Pidgeonholes come to mind –
“because even in the absence of light, there is still so much life can / gift
the dank its own reason”

I’ve just been reading this poem because of the collection I’m putting together and they just resonated with me in this moment. http://pidgeonholes.com/2020/10/little-catastrophes/

Q9: Any recent or forthcoming projects that you’d like to promote?

Jakky:

My most recent Concession in the Asphyxia Issue 3 from Downriver Road:

https://downriverroad.org/issue-3/

https://kingdomsinthewild.com/weekly-poetry-2020/2020/2/6/jakky-bankong-obi

https://kalaharireview.com/aflutter-528f568ae745

https://www.hobartpulp.com/web_features/author/jakkybankong-obi


A Fevers of the Mind Quick-9 Interview with Robin Sinclair

Q1: When did you start writing and first influences?

Robin: As far as I can remember, I was always scribbling down some nonsense. It was more of a background passion or a thing that got me through the noise happening in my head.

My early influences were pretty typical, I think. I fell in love with graphic novels reading Neil Gaiman’s The Sandman series in the 90’s, which then turned me on to his novels. I got into the Beats, like everyone does for a time. Sylvia Plath. Vonnegut.

Q2: Who are your biggest influences today?

Robin: Probably Diana Goetsch. She is, in my opinion, the single greatest living poet. She somehow is also a master at crafting non-fiction. She’s just ridiculously skilled. I return to her work both when I’m reading for pleasure and also for study.

Q3: Any pivotal moment when you knew you wanted to be a writer/artist?

Robin: It was when I first saw Goetsch perform pieces from what was then my favorite book of poetry that changed things for me. It inspired a sense of focus in terms of what the craft and the artform of creative writing meant to me.

Q4: Who has helped you most with writing?

Robin: My partner isn’t a writer, but they provide immense emotional support and space for me to be creative. All of the workshops, classes, and time spent studying craft wouldn’t mean a thing if I didn’t have this amazing partner who takes my dedication to creating seriously. They also get me just the right amount of drunk before I have to go on stage
and read, ensuring I don’t have the jitters but also don’t slur all over myself.

Q5: Where did you grow up and how did that influence your writing & did any travels away from New Jersey influence your work?

Robin: I grew up in New Jersey and then lived in New York. My 2020 chapbook, Jeanette Killed Her Husband (And Buried Him Off of Shades of Death Road), is influenced heavily by
New Jersey folklore.

Jeanette Killed Her Husband (And Buried Him Off Of Shades of Death Road) —  Ghost City Press

Q6: What do you consider your most meaningful work you’ve done creatively so far to you?

Robin: The work that seems to have resonated most with people is my first book, Letters To My Lover From Behind Asylum Walls. I supported it with a reading tour, which led to some
wonderful conversations about the book’s themes of identity, gender, and mental illness.

Letters To My Lover From Behind Asylum Walls - Kindle edition by Sinclair,  Robin. Literature & Fiction Kindle eBooks @ Amazon.com.

https://amzn.to/2XRcAJF

Q7: Favorite activities to relax?

Robin: I hang out with my partner. I drink bad wine or good whiskey. I love reading. I’m currently re-reading Sentimental Violence: Some Poems About Tonya Harding by Gabrielle Grace Hogan and A Safe Girl To Love by Casey Plett.

Q8: What is a favorite line/stanza from a poem/writing of yours or others?

Robin: I don’t know if I have a favorite, but a stanza that people seem to like at readings is:


Reason to live, they repeat like a pop song,
The bones of a beloved emperor, and I, the
motionless chariot
trying to drag them home with forced hope.


Which is from a poem called “The Chariot,” from my book Letters to My Lover From Behind Asylum Walls.

Q9: Any recent or forthcoming projects you’d like to promote?

Robin:

I’m currently trying to find the right home for a hybrid chapbook called Bridge Jumpers of the World, Unite, which is about living with suicidal ideation.

Folks interested in my work can find links to my published poetry, fiction, and nonfiction at RobinSinclairBooks.com, and anyone who’d like to support me can do so at
buymeacoffee.com/robinsinclair. Members get copies of my books as a perk.

Bio:

Robin Sinclair (they/them) is a queer, trans writer of poetry, fiction,
and nonfiction. Their debut full-length poetry collection, Letters To
My Lover From Behind Asylum Walls (Cosmographia Books, 2018),
discusses themes of identity, gender, and mental illness. Their
chapbook, Jeanette Killed Her Husband (And Buried Him Off Of
Shades of Death Road) (Ghost City Press, 2020), discusses
themes of revenge and local folklore.


Their poetry can be found in various journals, including Trampset,
Luna Luna Magazine, and Pidgeonholes. Their fiction and
nonfiction can be found in Black Telephone Magazine, The Daily
Drunk, and Across The Margin.


Find Robin at RobinSinclairBooks.com and on Twitter
@Ghost_Of_Mary