A Fevers of the Mind Quick-9 Interview with writer/actress/director/producer Laura Cayouette

Bio: Best known as Leonardo DiCaprio’s sister in Quentin Tarantino’s  Django Unchained, Laura has acted in over 60 movies and TV shows including Now You See Me, True Detective and Friends. She’s currently recurring on Oprah Winfrey and Ava Duverney’s Queen Sugar. 

Laura is also the author of 8 books including Know Small Parts: An Actor’s Guide to Turning Minutes into Moments and Moments into a Career with a foreword by Richard Dreyfuss and endorsements from Kevin Costner, Lou Diamond Phillips, Reginald Hudlin and more.

Writing Unblocked: How I Went From Writing 1 Book In 20 years To 5 Books in 4 Years helps writers of all skill levels tell their stories and create their projects. The accompanying 6-video Creating Characters course is designed to help writers develop individualized characters that come to life. 

Her 5-book Charlotte Reade mystery series is a love letter to the people and culture of New Orleans starting in 2009 as the Saints are headed to the Super Bowl. 

An award-winning filmmaker who’s produced a feature film with Quentin Tarantino, Laura is currently working on a documentary about overtourism and the French Quarter – finding a balance.

Cayouette earned her Master’s Degree in creative writing and English literature at the University of South Alabama where she was presented the 2014 Distinguished Alumni Award. She’s taught both English and acting/directing at various universities. 

A member of the Pussyfooters dance krewe, you can find her parading in Mardi Gras and working with local non-profits.

Links after interview:

Q1: When did you start writing and who influenced you the most now and currently? 

Laura: I remember loving to write in grade school. I created my first book with covers made of construction paper and tied together with red yarn bows. I drew a pyramid on the front cover and entitled it something about Egypt. It was a homework assignment in 4th or 5th grade and I remember loving to research Egyptian history and mythology. 

Back then, I loved The Pushcart War by Jean Merrill, and the Nancy Drew series. In high school, I fell in love with the Existentialist Jean Paul Sartre, sci-fi-ish author Ray Bradbury, and a lifelong favorite – William Faulkner. By college, I favored southern writers like Faulkner, Walker Percy, Carson McCullers, William Styron, Tennessee Williams, and I’ll include Ann Tyler since Maryland is below the Mason-Dixon line. In graduate school, I discovered Toni Morrison and she and Faulkner remain some of my biggest literary influences. 

Now, I’m influenced by more forms of storytelling, especially films. I’ve tried to bring some of the aspects of filmic storytelling into my writing – a focus on capturing a visual expression of a moment, a reliance on good dialogue to reveal character and move the story along, playing with juxtapositions, soundtracks and other editing elements, and an attempt to bring characters in my head to life in the way actors do. 

In that way, I’m most influenced by Richard Dreyfuss, Kevin Costner and Quentin Tarantino – all of whom appreciated and invested in my storytelling. 

Q2: Any pivotal moment when you knew you wanted to be a writer? 

Laura: I was 11 years old when my parents split. It was 1975 and many of the other families in our suburban neighborhood were also divorcing. My mother moved us into a 200-year-old farmhouse with several of the broken bits of those families and we formed a collective, a commune. I knew at the time that I was living a truly unique experience set against the backdrop of the Bicentennial – and I was certain that it was my purpose in life to be the one to tell the story of Lemonade Farm. 

Q3: Who has helped you most with writing and career? 

Laura: Richard Dreyfuss, Kevin Costner and Quentin Tarantino all contributed a lot, as did author, Tom Franklin, my uncle Gerald, my mother, and several of my friends. 

If I had to choose one, I guess I’d have to say Richard Dreyfuss. He sponsored me to attend Writer’s Bootcamp screenwriting programs for over two years. He commissioned me to write a script for him. He wrote the foreword to my acting book, Know Small Parts: An Actor’s Guide to Turning Minutes into Moments and Moments into a Career. He even got me a laptop. And when I wanted to shoot eight minutes of a script I was looking to direct, the Oscar-winner played one of the leads for free. 

Q4: Where did you grow up and how did that influence you? Have any travels influenced your work? 

Laura: Lemonade Farm is set in Maryland, where I mostly grew up. In the 18 years I lived in Los Angeles, I wrote screenplays set in L.A., Maryland, the desert, coastal towns, my family’s home of Louisiana, and more. In 2009, I moved to New Orleans and my 5-book mystery series is set there. If you’ve ever spent any time immersed in the local culture of New Orleans, you know the city is a full-on character in the story. 

I’ve traveled the world since I was two and that has certainly affected my perspective, but I usually set my stories in the U.S. 

Q5: What do you consider your most meaningful work creatively to you? 

Laura: That’s a truly tough one. I find great meaning in being able to pay forward my experiences, especially when it helps someone. In that way, my acting book has been truly meaningful. I get a lot of feedback about helping someone get work or make informed career decisions. 

I’m starting to get great feedback about helping people be able to write their stories with me new e-book, Writing Unblocked: How I Went From Writing 1 Book In 20 years To 5 Books in 4 Years. One client who’d always had ideas but no idea what to do with them said that now he can tell his stories forever and he couldn’t express how much it meant to him. I live for that kind of feedback.

All of that said, I think the project I’m working on now might be my most meaningful and creative in the truest sense of those sentiments. I wrote a screenplay, The Source, years ago about the children of Eden – two immortals and two reincarnates. It’s the furthest from writing my own experiences that I’ve ever gone – way outside of my sweet spot of “writing what you know.” I researched for eight months before writing a word. 

After finishing Lemonade Farm, I decided I’d eventually turn The Source screenplay into a short book series – two or three books long. Writing the mystery series gave me the confidence to finally take on the short fantasy series of The Source. I’m excited to break The Source out of the tyranny of the 2-hour-max storyline. I can finally write whatever I want – dive into character development, dwell on backstories, and include details I had to cut for time. I feel so energized just thinking about getting back into research and brainstorming – especially all the Egyptian stuff. I’m hoping to jump in before the end of the year. 

Q6: What are your favorite activities to relax? 

Laura: Puzzles. Big time. I usually do at least one 1000-piece every weekend. 

Q7: What is a favorite line/ stanza/lyric from your writing? 

Laura: From my own writing? I don’t even begin to know how to answer that. But it’s probably something in Lemonade Farm. I spent a lot of time wordsmith-ing that one.

Q8:What kind of music inspires you the most? What is a song or songs that always come back to you as an inspiration? 

Laura: I used to be a D.J. so music has always been fairly important to me. Lemonade Farm has a soundtrack. So do the mysteries. Those each have a playlist on YouTube. Pinterest pages too. I like to share all of my senses with my readers, immerse them in my mindset and the world of the story. Even as an actor, I often have a theme song for the characters I play. 

I like a lot of genres, but when I was working on the mystery series, I had a lot of fun finding the perfect New Orleanian music for each book. Book three, The Missing Ingredient,  also had a movie they were filming in the book. The soundtrack for the movie in the book was mostly 70’s funk – that’s definitely a favorite for me.

Q9: Do you have any recent or upcoming books, music, events, etc that you would like to promote? 

Laura: Definitely the e-book, Writing Unblocked: How I Went From Writing 1 Book In 20 years To 5 Books in 4 Years. I took everything I learned from getting my master’s in creative writing and everything I learned from my nearly 30 years as an actor/writer/director/producer and created a faster, easier way to write that can even be fun. It makes me so happy to be sharing my methods and help people past whatever’s hindering their writing process.

I also created a 6-video course, Creating Characters, that helps writers create textured, individualized characters – no matter their writing skill level.

Bonus Question: Any funny memory or strange occurrence you’d like to share during your creative journey?

Laura: Too many to mention. I will say that The Source started out differently than anything else I’ve ever written. In L.A., I used to crochet and craft every Sunday with my best friend from high school, Angela. Since we first met decades ago, we’ve always made each other better as artists and craftsmen. 

One weekend, I decided to see if the same would be true of writing a screenplay. It was a long shot since Angela’s not a writer of any kind, so I decided we’d start by naming all the things people love in movies. By the end of that day, we had an outline for what would become The Source

I’d research all week then present my findings every Sunday to help us brainstorm story ideas. Sometimes we’d get so excited to share our ideas that I’d have to write notes as we were talking so I could listen to her without forgetting what I had wanted to say. 

One Sunday, we both got so hyped up about a vision we’d had that week that we decided to stop talking and draw what we wanted to share so we wouldn’t forget. She started telling me about her vision and showed me her drawing. I turned mine around so she could see that we’d both drawn the same unusual vision. It was one of those moments where we felt like we were being guided by the muse and it felt both spooky and incredible.  

Links:

Website: https://lauracayouette.com

Twitter: @KnowSmallParts

Facebook: https://www.facebook.com/lauracayouettepublic

Amazon Author’s Page

Writing Unblocked E-Book

https://lauracayouette.samcart.com/products/writing-unblocked

Creating Characters Video Course

https://lauracayouette.samcart.com/products/creating-characters-copy

Blog: https://latonola.wordpress.com

YouTube Channel: https://www.youtube.com/user/latonolawordpress

Pinterest

Website: https://lauracayouette.com

Twitter: @KnowSmallParts

Facebook: https://www.facebook.com/lauracayouettepublic

Amazon Author’s Page

Writing Unblocked E-Book:

https://lauracayouette.samcart.com/products/writing-unblocked

Creating Characters Video Course:

https://lauracayouette.samcart.com/products/creating-characters-copy

Blog: https://latonola.wordpress.com

YouTube Channel: https://www.youtube.com/user/latonolawordpress

Pinterest: https://www.pinterest.com/latonola/

A Fevers of the Mind Quick-9 Interview with Charlotte Hamrick

with Charlotte Hamrick:

Bio: Charlotte Hamrick’s poetry, prose, and photography has been published in numerous online and print journals, recently including Emerge Journal, Flash Frontier, Love in the Time of Covid Chronicle, and New World Writing. She’s had nominations for the Pushcart Prize, Best Microfiction 2021, and was a Finalist for the 15th Glass Woman Prize and for Micro Madness 2020. She is Creative Nonfiction Editor for The Citron Review and reads flash fiction for Fractured Lit. She lives in New Orleans with her husband and a menagerie of rescued pets where she sometimes does things other than read and write.

Q1: When did you start writing and first influences?

Charlotte: I began writing consistently in 1997 when I was 40. My first influence was novelist Susan Wittig Albert who edited a quarterly print newsletter for women called Story Circle Network. It encouraged women to tell their stories and provided wonderful support and pro tips. My first published Creative Nonfiction and my first published poem was in SCN. Story Circle Network is now online and continues to be a fantastic resource that provides many opportunities for learning, teaching, and sharing women’s stories. Another influence was Poet and Editor Helen Losse who, at the time, was Editor of The Dead Mule School of Southern Literature. Helen was very supportive and helpful and she published my very first online submission and a few more thereafter.

Q2: Who are your biggest influences today?

Charlotte: I have more than one!
For poetry, definitely Dorianne Laux. Her poetry is gritty, real, and accessible. She goes for the heart and the gut and when you read her work you know exactly what she’s saying. That’s how I want my poetry to be: real and accessible. The same goes for Jericho Brown. Both of these poets are inspired and inspiring.

For CNF, Paul Crenshaw. Man, can he tell a story! I only wish I could command attention with my writing like he does. I admire his willingness to be vulnerable and his honesty. It makes me want to be more open in my own writing.

For Fiction, my dear friend Meagan Lucas who is a phenomenal fiction writer and a phenomenal listener! When I read Meagan’s prose I always learn something in addition to being immersed in her storytelling. I’ve learned a lot about character development from reading her.

Q3: Where did you grow up and how did that influence your writing? Have any travels away from home influence your work?

Charlotte: I was born in New Mexico where I lived until I was four. Then I lived in Ohio until I was nine. In fourth grade I went to four schools in four states – Ohio, North Carolina, New Mexico, and Mississippi. I finally landed in Mississippi until I moved to New Orleans at age 21 and I’ve been here since. All of the places I lived as a child definitely influenced my writing. The experiences and feelings of that time crop up in my writing frequently. It was a turbulent time and writing helps me remember and work through everything that happened.

Q4: What do you consider the most meaningful work you’ve done creatively so far?

Charlotte: All of my work is meaningful to me. I can’t point to one thing and say “That’s it!” The day to day practice of writing, thinking, creating with intention is meaningful to me.

Q5: Any pivotal moment when you knew you wanted to be a writer?

Charlotte: Nope. It really just grew on me in middle age which I think is a time when lots of people realize what’s really important in life and go for it.

Q6: Favorite activities to relax?

Charlotte: Watching British and Scandi crime drama, playing with my dogs, gardening, reading.

Q7: Do you have any recent or forthcoming projects you’d like to promote?

Charlotte: I have a Flash Fiction coming out any day in Love in the Time of Covid, a poem in the next issue of Emerge Journal, and a Flash Fiction coming out in October in Still: The Journal.

Q8: What is a favorite line/stanza from a poem of yours or others?

Charlotte:

From my poem about my mother, “One More Day”:

If I could, I’d give myself
one more day with you –
before the sickness, the doctors,
before the last days crept up
on us like a thief at the window.
Just a normal day of normal things,
bacon and eggs after a good night’s rest,
our low murmuring voices in conversation,
beckoning sunlight falling through the glass
door, shimmering the air.

Q9: Who has helped you most with writing?

Charlotte: There have been several over the years but to name a few: Meagan Lucas, Tara Isabel Zambrano, Matt Dennison, Michelle Elvy, Sam Rasnake and I thank them all!

Links:

2 poems by Charlotte Hamrick : Shelter in Place & Swaddling the Beast

3 New poems from Charlotte Hamrick: Holding On, Head Above Water, It is what it is

https://mockingheartreview.com/archives/volume-1-issue-3/charlotte-hamrick/

https://barrenmagazine.com/author/charlotte-hamrick/

http://www.literaryorphans.org/playdb/another-poem-moon-charlotte-hamrick/

https://lunaspeaksblog.com/2019/04/29/interview-charlotte-hamrick/

https://isacoustic.com/2019/10/17/person-charlotte-hamrick-one-poem/

https://thepoetryquestion.com/2019/09/08/tpq5-charlotte-hamrick/

https://nightingaleandsparrow.com/charlotte-hamrick/

http://fictionaut.com/stories/charlotte-hamrick/another-poem-about-the-moon

Bio: Charlotte Hamrick’s poetry, prose, and photography has been published in numerous online and print journals, recently including Emerge Journal, Flash Frontier, Love in the Time of Covid Chronicle, and New World Writing. She’s had nominations for the Pushcart Prize, Best Microfiction 2021, and was a Finalist for the 15th Glass Woman Prize and for Micro Madness 2020. She is Creative Nonfiction Editor for The Citron Review and reads flash fiction for Fractured Lit. She lives in New Orleans with her husband and a menagerie of rescued pets where she sometimes does things other than read and write.