For fuck’s sake listen by Joan Hawkins

For fuck sake’s listen

Often when I tell someone 
my husband was 20 years
older than me
I can feel them 
reducing 
My life
to a cliché.

So let's get it out of the way
I was not his student.
Except in the sense that all
lovers are students
because the ones we love
teach us something about 
love and ourselves
that we didn't know
before.
Every man's semen
tastes different
And every sexual relationship
has its unique signature 
mode
of improvisational 
engagement,
that each lover has
to learn
But I got no grades or
promotions for taking
that particular class.
_________-

And he was not a father figure.
So put your Oedipal fantasies aside.
They're all mixed up with a whole
 bunch of other assumptions, anyway.
See my dad had a serious heart
attack right after I was born.
He was dying for most of my life
a frail man- not some handsome Byronic figure
that I wanted to take away from
Mom
and it's true=I adored him
But I certainly wasn't looking to
recreate that experience
-taking care of a dying man-
the morning I met Skip.
And you see Skip was not my father's age.
He was my brother's.
That's a whole other mythology.
So put that Daddy fixation story
back up on the shelf.
Our parents--
Skip's and mine- were roughly the 
same age.
We had more in common
than you can possibly imagine.
Children of Depression-era parents, 
we both hoarded string and bits of
aluminum foil
Like it could all dry up tomorrow
Knew a lot of the same songs,
called the frig
the icebox.

When I met Skip
I had a whole history 
of hurtful love affairs 
behind me
and I thought I was through
with love and trying to be 
someone else's
idea of Joan.
He was trailing the wreckage of
a bad marriage
also sick of trying to measure up
to someone else's dream.
We eyed each other-- there was
chemistry-
 but we were wary
as 2 boxers caught up in the ropes.


Our first date- two months later- 
we went to City Lights- 
drawn by inclination
to different parts of the store.
He stayed downstairs- foot propped up on
the table
smoking cigarettes,
reading a play by Lorca. 
I sat on the floor upstairs, coat fanning out
around me-- lost in a 19th century
novel.
"Doesn't sound like much of a date,"
my friend Allison said.
But she didn't understand
how energy could swirl around
that store-- bringing
zephyrs of smoke and 
total immersion from
one floor to another.
How sometimes you can touch
without much proximity at all.

On our second date, he drove out behind
Golden Gate Park
Stopped the car and said
there was a letter in the
glove compartment.
He sat and waited
while I read what 
he couldn't or wouldn't tell me
-that he was falling in love.
"So what do you want to do?" he asked
when I finished reading
-gruff as hell--
"Do I take you to lunch and we talk,
or do I take you home?"
I told him I was hungry and too broke
to buy my own meal.
And yes, Chinese would be fine.

We were together 37 years
up and down through good times
and bad
Always drawn to different stories,
he with his foot propped on the table 
me sitting on the floor, coat fanning out 
around me,
but always hell-bent on coming 
back together 
meeting on some mutual floor.
And talking-always talking-
nine to the dozens
about our singular 
obsessions.


This year is the 10th anniversary of his death
He stays so close, I can feel his breath sometimes.
And I still get those questions-
that look when people
ask how we met? how old was he?
 who introduced us?
That look that says they think
they know something.
They think they know something
about me.
Well they don't know shit.

So I wrote this poem to say
that when a woman tells you she
married an older man, loves an older man
don't assume she was-or is- a trophy wife,
or a student in the front row hanging on his
every word,
or an Oedipally addled young thing
looking for Daddy.
Listen 
to what the fuck 
she tells you
about her life. Listen 
for the love.

Oct 8, 2022

Bio: Joan Hawkins is a writer and spoken word performer, who focuses mainly on creative memoir.  Her  poetry and prose have appeared in Avalanches of Poetry, Fevers of the Mind, the Performing Arts Journal, Plath Profiles, and Sand.

Two poems are forthcoming in a special poetry issue of The Ryder Magazine. She and Kalynn Brower have co-edited an anthology called Trigger Warnings, which contains one of Joan’s stories; it’s currently under consideration by Indiana University Press. “My Writing Teacher”  comes from a manuscript in progress– School and Suicide.

Joan lives in Bloomington, IN with her cat Izzy Isou. She is currently the Chair of the Writers Guild at Bloomington.

A story from Joan Hawkins: My Writing Teacher

My writing teacher

Most of us working the phones used a handle. An alias in case some cop or speed freak or infatuated client tried to track us down. A persona to match the online personality.  Tom was Moodus.  Harry was Speed.  Women tended to choose literary names.  Sharon went by Emily. Ginger—more radical by far—called herself George.  “Eliot or Sand?” Speed asked her once. “If you bothered to read them,” George answered, “you’d know.” Sharp tongued among ourselves.  Acid wit. Gallows humor.

          It was 1969.  Anything could happen at any time.  And when we weren’t working the phones, we were on edge.  We were Damien Switchboard, a crisis hotline and intervention center, located on the no-man’s land borderline separating San Mateo County, California, from San Francisco. Our goal was to buffer between counter culture freaks and The Man, to keep our people off the street and outside institutions as long as humanly possible. We provided drug counseling, draft counseling, pregnancy and abortion counseling, birth control information and sometimes basic sex ed. We did mental health referrals.  We kept track of crash pads—places where a stranger could spend the night—and safe houses where runaways and victims of domestic violence could shelter.  We maintained a rides board, hooking up people who had wheels with people needing transportation.  We talked frightened mystics down from bad acid trips.  But most often we just “rapped,” as we called it then. With the rusty percolator on overdrive, and KSAN humming in the background, we would talk to lonely, dispossessed, disheartened people all night long.  A lot of our work was suicide prevention.

          The youngest and most romantic of the group, I took risks. I did not use a handle. I was 16; it was the 60s; I believed in a kind of fate.  And besides I’d already changed my name once. At the Switchboard I was Joan—plain Joan.  The same name I used in my other life—not my real life, since things at Damien were always a little more intense and therefore a little more real—but my offline life, my student-poet-cashier-coffeehouse life.  At Damien, I worked the Friday night shift, the second-worst shift of the week.  When the phone wasn’t ringing, I wrote dark poetry and long, complicated journal entries.  “Write what you know,” my high school Creative Writing teacher used to scrawl on my papers. But I was writing what I knew.  Transcribing really.  The horror stories I heard on Friday nights. My writing teacher meant well, but he didn’t have a fucking clue.

Bio: Joan Hawkins is a writer and spoken word performer, who focuses mainly on creative memoir.  Her  poetry and prose have appeared in Avalanches of Poetry, Fevers of the Mind, the Performing Arts Journal, Plath Profiles, and Sand.

Two poems are forthcoming in a special poetry issue of The Ryder Magazine. She and Kalynn Brower have co-edited an anthology called Trigger Warnings, which contains one of Joan’s stories; it’s currently under consideration by Indiana University Press. “My Writing Teacher”  comes from a manuscript in progress– School and Suicide.

Joan lives in Bloomington, IN with her cat Izzy Isou. She is currently the Chair of the Writers Guild at Bloomington.

Poem “Eclipse” by Joan Hawkins for Before I Turn Into Gold Day

Leonard Cohen and Edie Sedgwick at the Chelsea Hotel by Joan Hawkins

Poem “Eclipse” by Joan Hawkins for Before I Turn Into Gold Day

Geoffrey Wren (c)

Eclipse

For Kirk

Ragged as the moon,
still as the water,
this night pulls me
back and forth
crossing time 
and space 
and
place, 
past
all forgetting.
Remembering
only
that one eclipse.

Laying in the back
of your flatbed
truck
Flat on our backs
and lying.
Cobweb-spinning
half truths
and dreams
Or was it 
half-dreams 
and truths.
Eyes half closed
One joint between us.
The slow glow
of your cigarette,
vampire tails
of smoke,
whispering 
demon
myths and mists
and occult stories
of lost
civilizations and
 ruin.

You were the
lover I never had.
The best
friend.
The dealer
from 
The Stranger Song.
The one
who 
opened 
vistas.

Meth slender,
tender,
sometimes
mean.
You 
gave me 
Keats
and The Four Quartets.
Sartre and
Leonard Cohen.
The first two albums
at once
and then, later,
the poetry.
Beautiful losers-
like us, you said
and laughed.

You taught me
to release
the lowest Nico
registers 
of my voice.
I had the timbre
You taught me
depth.
Playing Marianne
on your
12-string guitar
until your
fingers 
bled.
And I got
the notes
just
right.

A high flying
night rider,
fueled by 
speed
and 
black coffee,
you would 
take me
down 
the cliffs
to Ocean Beach
where we listened
to midnight 
waves
and gulls
and drunken
revelers,
had tea and oranges
that came
all the way from
China,
and recited 
poetry.

You gave me
my first
notebook.
And that one
night
chasing the
dark of
the moon,
you gave
me
the lunar
eclipse.

Bright
and quiet as
the stars,
still as
death, 
just-cresting
moonlight
grazing 
your cheek,
you held my
hand, tightly,
as we looked 
at the sky.
Sing "Suzanne"
you said.
So I did.

April 16, 2021

Bio: Joan Hawkins is a writer and spoken word performer, who focuses mainly on creative memoir.  Her  poetry and prose have appeared in Avalanches of Poetry, Fevers of the Mind, the Performing Arts Journal, Plath Profiles, and Sand. Two poems are forthcoming in a special poetry issue of The Ryder Magazine. She and Kalynn Brower have co-edited an anthology called Trigger Warnings, which contains one of Joan's stories; it's currently under consideration by Indiana University Press. "My Writing Teacher"  comes from a manuscript in progress-- School and Suicide. Joan lives in Bloomington, IN with her cat Izzy Isou. She is currently the Chair of the Writers Guild at Bloomington.


A story from Joan Hawkins: My Writing Teacher

Leonard Cohen and Edie Sedgwick at the Chelsea Hotel by Joan Hawkins

Wonderful Artwork from Avalanches in Poetry Writings & Art Inspired by Leonard Cohen by artist/writer Geoffrey Wren

4 poems from Robert Frede Kenter in Avalanches in Poetry

5 poems inspired by Leonard Cohen by Robert Frede Kenter (Before I Turn Into Gold Day)

All of the poems (revised) from Avalanches in Poetry for Leonard Cohen Week by David L O’Nan

Avalanches in Poetry 2 Entry: Peter and the Sea of G by Carrie Sword

Avalanches in Poetry 2 entry: Poetry by Lisa Alletson

Avalanches in Poetry 2 entries by Peter Hague :  “I Did Not Want it Darker””Between Leonards” “Following Leonard”