A Fevers of the Mind Quick-9 Interview with David Estringel

David Estringel (@The_Booky_Man) | Twitter

with David Estringel

Q1: When did you start writing and first influences?

David: I actually started writing very late in life at 49 years old. I had always wanted to write short stories and poetry since my 20s but never seemed to find the time (or the passion) to do so. I guess you could say I was pretty limited—in terms of life experiences: I hadn’t lived. I had no voice (to speak of). With age, however, came that voice.
I would say my earliest influences would be Homer, Raymond Carver, and Stevie Nicks.

Q2: Who are your biggest influences today?

David: Honestly, my Pandora playlist, which is heavy on Lord Huron and The Great Lake Swimmers.

Q3: Where did you grow up and how did that influence your writing? Have any travels away from home influence your work?

David: I grew up in South Texas in a small town called Brownsville. I hated it there. The place was repressed and extremely conservative (not the best place to be for a gay boy). Needless to say, I developed a lot of angst due to my struggles during my early years. Not everything was bad though. The landscape was pretty savage with all the mesquite trees and cacti, as well as the gray clay soil that cracked under the sun: all against orange, pink, and purple sunsets. I think I can find beauty in almost anything now.

Q4: What do you consider you most meaningful work you’ve done creatively so far?

David: That is a hard one. I would say “Digging for Lost Temples” would be my choice. It is a piece of narrative prose that serves as a sort of apology and lament for the loss of my “Mexicanness”. The sadness and anger in it are palpable. https://www.drunkmonkeys.us/2017-posts/2020/1/13/essay-digging-for-lost-temples-david-estringel

Q5: Any pivotal moment when you knew you wanted to be a writer?

David: I would have to say that moment occurred when the instructor of the first Creative Writing course I ever took (about 25 years ago) scribbled on a poem I submitted (my first one ever), “You, sir, are a poet. Don’t stop!” Her name was Mef Hardin and I still speak her name to this very day.

Q6: Favorite activities to relax?

David: Listening to music, napping with my five dogs, and reading.

Q7: Any recent or forthcoming projects that you’d like to promote?

David: This August I will be taking part in Tupelo Press’ 30/30, writing one poem a day for 30 days, which I am terribly excited about. I also recently found out that my third chapbook Eating Pears on the Rooftop will be published at Finishing Line Press in the Summer of 2022. Lastly, SOYYO Magazine reached out to me, recently, about promoting my work via the blockchain (NFTs), which is new territory for me. Lots of great things coming this coming year.

Q8: What is one of your favorite lines/stanzas from a poem of yours or others?


O, viejas de negro!
How you line the front pews
at Catholic masses
like pushers sitting on street curbs,
rolling rosary beads—
like pills of black-tar heroin—
between jonesing fingers,
craving elusive fixes of salvation,
visiones de Dios.
(from “Coda-Switch”, originally published at Cajun Mutt Press)

Q9: Who has helped you most with writing?

David: My muse. Yes, I actually believe that I have one.



A Fevers of the Mind Quick-9 Interview with Lynne Schmidt

with Lynne Schmidt:

Q1: When did you start writing and first influences?


This is always such a strange question for me to answer. As a kiddo, before I knew how to write and read, I used to write the most brilliant books. But then when I’d go back to them, they were all just scribbles.

So once I started to write and read, I began writing storybooks – The Adventures of Buttercup! (There was a new pony down the road named Buttercup.)

There are photos of me in high school at cross country meets with my handy dandy notebook, hahah.

Q2: Who are your biggest influences today?

Lynne: Oh man. There are so many – Joan Kwon Glass and Lannie Stabile help encourage me to evaluate my trauma and family dynamics.

I’ve taken a workshop with Andrea Gibson that blew my mind.

There are so many collections and influences it’s hard to narrow down!

Q3: Where did you grow up and how did that influence your writing? Have any travels away from home influence your work?

Lynne: I grew up poor in Shepherd, Michigan. My parents were less than ideal and I moved out when I was still in high school. This influences a LOT of my writing. My second chapbook, On Becoming a Role Model, explores a lot of the mental health and long term effects of some of these events.

Travels away from home saved me, helped me grow, helped me find myself and accept myself in a way that makes my former therapists proud of me, haha.

Q4: What do you consider the most meaningful work you’ve done creatively so far?

Lynne: Right now – Dead Dog Poems. I lost my Baxter in 2017 and it shattered my world. From the moment I got the terminal diagnosis, I didn’t know what I was going to do, how I was going to survive without him. I wrote the collection in 2018 because I needed the grief to go somewhere. I sobbed when it won the 2020 New Women’s Award because it helps make Baxter immortal.

Q5: Any pivotal moment when you knew you wanted to be a writer?

Lynne: Like I answered earlier, writing has always been with me. But it wasn’t until 2017/2018 I really started writing and submitting poetry. Prior to that I was working on my Young adult and Memoir.

I think the first few acceptance letters really helped, because it solidified that oh hey – maybe what I write isn’t complete garbage.

Q6: Favorite activities to relax?

Lynne: Snowboarding, hiking, kayaking, hanging out with Kyla, Enyo, and TaylorSwift. I’ve also been playing a lot of disc golf.

Q7: Any recent or forthcoming projects that you’d like to promote?


Yes – please please please pre-order Dead Dog Poems! 

On Becoming a Role Model is still for sale, too:https://www.thirtywestph.com/shop/onbecomingarolemodel

Q8: What is a favorite line/stanza from a poem of yours or others?

From my poem, “Sunday Morning”

i’m already holding cancer between my hands
as though it were a weed that i could pluck away
and not an invasive species
that took root and flourished,
devouring everything i loved in its path

Q9: Who has helped you most with writing?

Lynne: Probably Gabrielle Byrne and Valerie Cole. Gabby and I met at the PNWA Conference a million years ago. She’s pushed me so hard to not give up on myself and my writing over the years. Valerie I met on Twitter and she has cheered for me so much over the years. I appreciate their friendship so, so much.


3 new Valentine’s Day poems by Lynne Schmidt : When I Say I Want You to Love Me, Rush, & Awaiting Further Instruction


Twitter: @Lynneschmidt









A Fevers of the Mind Quick-9 Interview with Karol Nielsen

with Karol Nielsen:

Q1: When did you start writing and first influences?

Karol: I started writing my first memoir—about my marriage to an Israeli man and the trauma of the Gulf War—in the 1990s. I kept a journal to process intense feelings and poems came out of that. My first influences were Shakespeare and Hemingway.

Q2: Who are your biggest influences today?

Karol: Billy Collins’ short, humorous poetry has had a big impact on me. I initially wrote long, anguished poems, but as my work evolved I began to write shorter, lighter poems.

Q3: Where did you grow up and how did that influence your writing? Have any travels away from home influence your work?

Karol: I grew up in the Connecticut suburbs and I dreamed of big adventure. Then I traveled through Europe, South America, Australia, Israel, and Vietnam. I wrote memoirs about living through Scud missile attacks in Israel and traveling to Vietnam with my father, a Vietnam War veteran.

Q4: What do you consider your most meaningful work you’ve done creatively so far?

Karol: My first memoir, Black Elephants, was a challenge to write and publish, but once it was out it was shortlisted for the William Saroyan International Prize for Writing in nonfiction.

from Karolnielsen.com


Q5: Any pivotal moment when you knew you wanted to be a writer?

Karol: In the tenth grade, my English teacher had us keep a journal. We were reading Emerson and I wrote in my journal that I wanted to become a writer like him.

Q6: Favorite activities to relax?

Karol: I used to do marathons and triathlons, including the Ironman race, but now I find inspiration in taking long walks.

Q7: Any recent or forthcoming projects you’d like to promote?

Karol: I have a poetry chapbook coming out next year about random, often humorous encounters in New York City before the pandemic and my small life in quarantine.

Q8: What is a favorite line/stanza from a poem of yours or others?

Karol: I have a long poem about a teenager who was stabbed in a gang attack in the Bronx. I covered the story as a stringer for The New York Times, which didn’t publish the story because he survived. The last line of the poem goes: “And he lived.”

Q9: Who has helped you most with writing?

Karol: I took a handful of creative writing courses with Adam Sexton at the Gotham Writers’ Workshop in the 1990s. I learned the craft of writing from him and now I use that knowledge in my lectures as a creative nonfiction and memoir writing instructor with New York Writers Workshop.




A Fevers of the Mind Quick-9 Interview with Rachael Ikins

with Rachael Ikins:

Q1: When did you start writing and first influences?

Rachael: I started writing poetry around age 6 or 7. My father read me psalms from the Bible as well as poems from The Little Pocket Book of Verse given to all members of the military when I was small at bedtime. At the same time my first grade teacher, Miss Mahoney was putting short poems on the blackboard for us to copy to learn to print. It was inevitable that I write my own, the first two of which I can still recite.

Q2: Who are some of your biggest influences today?

Rachael: My biggest influence today in a person is probably as she always has been, Marge Piercy. Patricia Smith has a big impact on me as well as Almeta Whitis in terms of how to deliver my poems at readings.

Q3: Where did you grow up and how did that influence your writing/art? Have any travels away from home influenced work/describe?

Rachael: I was born and raised at the head of Skaneateles lake in NY ‘s Fingerlakes region. We spent 8 weeks every summer and many weekends at our camp 10 miles out. Running 60 acres of woods and intimacy with nature plus a mom and grandmother who helped me hunt for faeries indelibly touched my creative soul and it is there the poet really was born. An honorarium in a castle in Lismore Ireland to study with many famous authors and to read evenings urged me to keep at it.

Q4: What do you consider the most meaningful work you’ve done creatively so far?

Rachael: My most meaningful work to date is my book Just Two Girls which makes a stand for LGBTQ community in its non binary poetry as well as For Kate which is about love, loss and grief. The past year since Covid I have been accepted into multiple themed anthologies to do with climate change. More recently still I have begun a body of work since the murder of George Floyd. I used to think of myself as just someone who “wrote pretty pictures” but as I have grown I have become an activist for the issues above. Poetry can reach people in ways other things do not.

Q5: Any pivotal moment when you knew you wanted to be a writer?

Rachael: I always knew I wanted to be a poet/artist. I had to battle my family and a therapist to prove it. It is what I was born. The only relative who saw this was my beloved grandfather who nurtured it in me until he died when I was 13.

Q6: Favorite activities to relax?

Rachael: My favorite things to do that are not writing include photography and making visual art, working on renovating my house, gardening, biking, walks with my dogs, streaming movies, reading and cooking. To name a few.

Q7: Any recent or forthcoming projects you’d like to promote?

Rachael: My upcoming release this Fall is new for me. It is the first in a four book series of a young reader chapter book series titled, “A Piglet for David.” Unlike my other books which use my own artwork, I hired a professional illustrator and she did a fabulous job. It is aimed at ages 8-11 when children read competently for themselves and has fewer pictures. I used to live with potbellied pigs and my college degree is in Child and Family studies so research and background came easily. No photos or links yet but Clare Songbirds Publishing House is releasing the book.

Q8: What is a favorite line/stanza from a poem of yours or others?

Rachael: A favorite line is an old one, “I carry the earth on my back. My heart hurts with this heaviness.” Because while I wrote it in the ‘90s, here we are gripped by climate change and damage we’ve done to our planet. Writing isn’t enough. Its a gift to use as advocacy, too. Or can be. Songs, “Nothing Compares to You” Sinead O’Conner. “Respect” Aretha Franklin.

Q9: Who has helped you most with writing?

Rachael: The person who helped me most with my writing, and there are several who appeared at crucial crossroads, was Elizabeth Patton my eighth grade English teacher. Tish Dickinson library director and leader of my first writing group, Canastota Writers. Candi and Arthur Ramer who hosted my first feature reading and art gallery exhibits. Late in the game the last three showed me I am a professional regardless of education or lack of family support. Especially Tish’s unflagging enthusiasm and support has made all the difference.

I should add I have published at least 9 books with 3 publishers, Foothills Publishing, Finishing Line Press and Clare Songbirds Publishing. Each publisher has created opportunities and offered suport ie. The chance to go to Ireland was through Leah Maines and for their support and belief in my writing I have much gratitude. Leah in particular checks in with opportunities of various sorts and has done through the years.


Wolfpack Contributor: Rachael Ikins

An elegy from “The Woman With Three Elbows” coming soon from Rachael Ikins

Poems by Rachael Ikins





Bio: Rachael Ikins is a 2016/18 Pushcart, 2013/18 CNY Book Award, 2018 Independent Book Award winner, & 2019/2020 Vinnie Ream & Faulkner poetry finalist.  She is a Syracuse University graduate and author/illustrator of nine books in multiple genres. Her writing and artwork have appeared in journals world wide from India, UK, Japan, Canada and US. Born in the Fingerlakes she lives by a river with her dogs, cats, salt water fish, a garden that feeds her through winter and riotous houseplants with a room of their own. Frogs found their way to her fountain. Dragons fly by.

Rachael Z. Ikins Voice for the Voiceless
Associate Editor Clare Songbirds Publishing House, Auburn NYhttps://www.claresongbirdspub.com/shop/featured-authors/rachael-ikins/2020 NLAPW Biennial Letters Competition 3rd prize Childrens category2019 Faulkner Finalist2019-20 Vinnie Ream semi-finalist2018 Independent Book Award winner (poetry)2013, 2018 CNY Book Award nominee2016, 2018 Pushcart nomineeWww.writerraebeth.wordpress.comhttps://m.facebook.com/RachaelIkinsPoetryandBooks/@poetreeinmoshun on Instagram@writerraebeth on Tumblr@nestl493 on Twitter