art photo sent by Pasithea Chan for writing prompt
Untitled by Mo Schoenfeld
memory, dry, cracked.
silent shivering, slick streets,
puddles like mirage.
A Fevers of the Mind Quick-9 Interview with Mo SchoenfeldPromenade by James Penha
The rain drizzles like paint on a canvas
but I am safe under cover of night when
lamplit colors melt this great city I own
on my way.
Expat New Yorker James Penha (he/him🌈) has lived for the past three decades in Indonesia. Nominated for Pushcart Prizes in fiction and poetry, his work is widely published in journals and anthologies. His newest chapbook of poems, American Daguerreotypes, is available for Kindle. His essays have appeared in The New York Daily News and The New York Times. Penha edits The New Verse News, an online journal of current-events poetry. Twitter: @JamesPenha
Light by Ivor Daniel
(And then the lighting of the lamps. T S Eliot - Prelude).
We shall overcome. (Pete Seeger et al)And then the lighting of the lamps
And then the lighting of the
And then the lighting
And then the
We shall overcome
We shall overcome, some
We shall overcome, some day
WE SHALL OVERCOME, SOME DAY
WE SHALL OVERCOME, SOME DAY
WE SHALL OVERCOME, SOME DAY
#SLAVA UKRAINIA Poetry Showcase for Ivor Daniel *Updated 9/23/22* with Plath haikuA Painter's Umbrella by Pasithea ChanI set my canvas in swirly wrinkles
hoping my brush makes ripples
in my lover's heart for all onlookers
etching my pain in colorful grain
to relieve longing's strain & stay sane.
I'm neither a cane for her to lean on nor a window pane
to entertain an agonized soul sedating his pain.
I am an umbrella held for shelter from weather.
Never a stage for soulful blues under red hues.
To me you are both the same:
hiding your agony in a canvas colorfully
as she hides under me indifferently.
All I have is a love story that's now a memory
captured in a silhouette of her figure.
Blue is all the affection left behind love's rapture.
I am a picture hanging on by a fixture
trying to mend my heart's fracture.
Like rain's pitter patter hearts often scatter
taking apart lives that were once together.
Take it from me, there's no warmth in being of use.
Sometimes the end can be your muse
even when your hues become forgotten clues.
Pain is my eye and hope my sky
Blue is my welcome made to qualm
A broken heart looking for a fresh start
Raindrops my fingertips turning colorful drips
into benches to sit through a goodbye.
The piece is inspired by Alexander Bolotov's painting of a girl walking holding an umbrella under the rain fading into the blue evening sky and red street lamps. The poem is an imaginary conversation between a painter and an umbrella he painted.
Q1: When did you start writing and who has influenced you the most?
Mo: I started writing poetry in my teens, in the 1980s, and into the 90s after university, but I stopped in the mid-90s while pursuing an acting career (unsuccessfully). I started writing poetry again following the EU referendum vote here in the UK in June 2016, writing a bit and participating in Hammer and Tongue slams in Oxford. Between Brexit and Trump, I was very angry and scared and I started to become bitter, and the handful of poetry I wrote during that time reflects those feelings. I started writing haiku during the first lockdown after recovering from Covid at the very start of the pandemic, as a coping strategy and because it felt manageable through the brain fog, a short form. Brevity is not my strong suit, and it can take me quite a while of talking to find a way to express difficult emotions. Haiku connected me to the natural world and also helped me process very difficult feelings in a healthy, direct way. Haiku and the right friends coming into (and in some cases, back into) my life at the right time helped me steer away from bitterness.
As far as for who influenced me, there wasn’t one particular poet, I just liked poetry. I loved lyrics, too, when they are so well written they weave within the music. The first poem I remember really getting jazzed about was Shelley’s OZYMANDIAS. I love the haiku masters. As for currently, oh there are so many I’ve come across on Twitter I don’t even know where to start…
Q2: Any pivotal moment when you knew you wanted to be a writer?
Mo: No, I’ve always liked writing, but I’ve struggled with focus through the years, and it was difficult for me to pursue it as a career path. I write now to connect. That keeps me focused, and I feel more a part of a greater whole. Poets seem to me almost like the writing equivalent of jazz musicians.
Q3: Who has helped you the most with writing and career?
Mo: That is hard, as I don’t really feel I have a career. The person who definitely gets the most credit is my friend Dan Holloway (an amazing human all around). He encouraged me to get back into writing and come along to the poetry slams in Oxford in 2016. In my latest phase, in the past two years, I credit Nikki Dudley (MumWrite and Streetcake Magazine) as well as the many poets I have met in the poetry community on Twitter, generously sharing their work, their process and their support. Damien Donnelly and Gaynor Kane recently gave my poetry a boost by including one of my pieces in The Storms inaugural journal in August 2022, which was a BIG boost. The poetry communities on Twitter have been a pure gift.
Q4: Where did you grow up and how did that influence you? Have any travels influenced your work?
Mo: I grew up in Doylestown, PA, Bucks County, outside of Philadelphia. It was a rural area when we first moved there, which became a suburb by the time I was a teenager, a pretty but boring small town filled with mixed memories. I can’t spend more than 4 days there before my skin feels like it starts to crawl. It’s a place I left, and have no desire to return to, even to visit. I remember making my mind up at 10 years old that I was going to move to NYC and then to London – two dreams that did come true. My travels have influenced my work in that they’ve given me a sense of who I am apart from the huge Irish Catholic family I grew up in. And, of course, all the different experiences I’ve had when I’ve travelled, different customs, landscapes, experiences, etc., all got stored in my memory and are there to draw on.
Q5: What do you consider your most meaningful work creatively to you?
Mo: I’ve been writing haiku daily since June 2020, and that is a sort of creative baseline for me now, part of my DNA it seems almost. I walk every day, I haiku every day, this I feel is most meaningful because it has helped my mental and emotional health throughout the lockdowns, and continues to do so. It is like a springboard, which I am just now starting to spring a bit from.
Q6: What is a favorite line/stanza from your writings?
Mo: I don’t have one.
Q7: What kind of music inspires you the most? What is a song or songs that always come back to you as an inspiration?
Mo: I love jazz and could listen to it forever without getting sick of it. I like blues a lot, too, but my soul runs out of patience with blues after a point in a way it doesn’t with jazz. Jazz changed so much through the decades that it’s like many different incarnations of itself that also seem separate. It’s ever-evolving. It’s alive, collaborative, includes improvisation and creative freedom, and it often conjures for me distinct moods that help me write, especially in those magic moments where it seems to evoke an emotional memory that I did not actually ever experience. It gets my imagination going. I have my moods, lately especially, where I just want to listen to McCartney songs. I loved him as a teen, and sometimes I just need to hide in those old songs, Beatles, Wings, his solo stuff. He was my retreat as a teenager, and lately, it’s been helpful to retreat into his music again. I feel safe there.
Q8: Favorite activities to relax?
Mo: I’m terrible at relaxing. I am not good at sitting still. Not in a way that leads to anything productive half the time, just restless. Walking and hiking help, and I love just sitting and staring into the ocean, but don’t get much opportunity to do that, living near a river and not a coast.
Q9: Do you have any recent or upcoming books, events, projects that you’d like to promote?
Mo: Well, again, I was in the inaugural print issue of The Storms, that’s Damien Donnelly who does the Eat the Storms poetry podcasts. That was the most recent one.
Bio: I’m a ‘born-again poet’ living in Oxfordshire, UK. I started participating in writing prompt challenges on Twitter during the summer of 2020, then took some courses with @MumWrite, then participated in various other readings, launches and workshops since then, online. Since August 2020, I’ve been published in Irisi Magazine (http://www.irisi-magazine.org/healing/healing-haikus-and-senryus-by-maureen-schoenfeld), The Best Haiku 2021 Anthology and the upcoming The Best Haiku 2022 Anthology (https://haikucrush.com/), Tiny Wren Lit (https://www.tinywrenlit.com/intentions) and several times on Pure Haiku’s blog (https://purehaiku.wordpress.com/). I’ve appeared in print in ‘Poetry in 13: Volume 3 (2020)’ and ‘From One Line: Volume 2’ (2021). One of my micro-poems appears in Eat The Storms podcast’s inaugural issue of The Storms later this month, published by the creators of the Eat the Storms poetry podcast. Twitter: @MoSchoenfeld