Books to read for 2021: Things My Mother Left Behind by Susan Richardson (Potter’s Grove Press)

The first thing I noticed when reading Susan’s writing is the descriptive imagery, she makes you feel every emotion she feels.  This is a trait in writing that I admire and her telling of loss and depression at times returns me back on imagery I rarely see outside of Anne Sexton or Sylvia Plath.  The poetry reads like the story of her life through the love, loss, grief, the screaming pinches in the soul that losing a parent, child, or sibling staples-in forever.  She also hauntingly describes the progress of losing her sight as she has gone from a sky full of stars both sentient and still to the ones who blink out erratically til there is nothing left to burn.  These are not just some poems.  These are her life.  Emotions are hers.  When you read this collection of poetry the Emotions are yours too.  “Between Sight and Blindness” “Stitching Bones” the loves that got away “Cactus Garden” the pains that diseases bring, the people they take away, the hearts that feels like a car puttering out over the rainy bridge with nowhere to go, these poems will “scatter into the sky” scratching at the stars looking for the brightest one yet receiving in return a turning off the lights inside of Andy Warhol’s Silver Factory, in demure breath wanting the world see the pain. A wonderful read.  A wonderful trip into the mind. We need more of her poetic vision.

Susan Richardson is an award winning, internationally published poet. She is the author of “Things My Mother Left Behind”, from Potter’s Grove Press, and also writes the blog, “Stories from the Edge of Blindness

”. She lives in Ireland with her husband, two pugs and two cats.  You can find her on Twitter @floweringink, listen to her on YouTube , and read more of her work on her website

A Music Spotlight: An Interview with musician Austin Lucas (from Fevers of the Mind Press Presents the Poets of 2020)

A Music Spotlight: An Interview with Austin Lucas

Austin Lucas has a new album “Alive in the Hot Zone” which many have in their year-end best of 2020 award nominees.

 (Cornelius Chapel Records)

First off Thanks Austin for granting an interview with us at Fevers of the Mind Press for the Fevers of the Mind Poetry Digest: The Poets of 2020.

Austin: Thanks so much for including me!

  1. It has been over a year since the last issue.  It is weird, it seems like something might have happened to try to jog away from the creativity into a slow depression month after month as this has continued.   The year 2020 has been some work, and it has taken nearly a year for me to fully get my creative fuses (mostly out of the anger of this year) to feel like there has to be another edition!  There are many voices out there that have been writing through the year, and their voices all need to be heard. 

With that, how have you kept your creativity with writing songs & putting out a new album? Was it any different going into the studio and recording the new album in the wake of the pandemic.

Austin:  I have found myself baffled by the disconnect from reality among my fellow americans, along with their seemingly limitless capacity to entirely abandon reason.  As for inspiration and the process of staying active in song writing, it seems that I was able to have even more time to exercise my capacity for creation with so much time off the road.

  • I was a huge fan of Immortal Americans & Shallow Inland Sea after hearing your appearances on the comedy podcast Improv4Humans with Matt Besser.  Even my 8-year-old daughter became a fan of “Immortal Americans” and I love that song and Shallow Inland Sea) How is Matt Besser and the Improv4Humans experience?

Austin: I love Matt and all the I4H crew so it’s always so cool when I get to collaborate with them and also when I hear that someone discovered me through that medium.

  • I’ve been listening to the new single “Drive” on repeat listens, and watching the interesting Pandemic feel of the video on Youtube.   Where was it filmed?

Austin: Well it was shot in Berlin during the pandemic, so what you were seeing is life as it is currently lived. That video was a phenomenal experience because I was able to cast a bunch of my favorite people who I honestly don’t get to see often enough.

  • How are you maintaining focus and coming up with new creative endeavors without the touring and the availability of concerts?  Tell us a little about the Save the Stage movement also.

Austin: As I mentioned before, I seem to have almost boundless creative energy when so much of my time isn’t spent traveling and feeling worn down by life on the road. Sometimes I get incredibly tired still, due to my intense training and coaching schedule with Muay Thai but even that doesn’t distract me and leave me feeling so depleted as constant travel.

  • When I heard your interviews regarding your songs in the past, I was excited to learn that you grew up in the Bloomington, Indiana area.  I grew up in Western Kentucky and lived in Evansville for nearly 20 years.  I’ve spent many nights visiting Bloomington.  Always good shows up there.  What was it like growing up in the Midwest?  What about the Midwest do you love, and what part of it makes you shake your head?

Austin: I don’t know, there are so many things I both love and hate about the Midwest but honestly, I don’t find much more wrong with the Midwest than I do with any other part of the USA. There’s good and bad and the bad things are found in literally every corner of the United States. I do love how direct people are in the Midwest vs. other parts of the US though. We’re polite but we won’t bend over backwards and bullshit you if we think you suck.

  • I know you have many roots in punk music and for most of your career, you have spun punk ideologies into an Americana/rock-folk carving.  So, who were your heroes musically, and inevitably with writing song lyrics that maybe have helped you weave the two musical styles into your niche?

Austin: His Hero Is Gone, Discharge, X, Neil Young, Bob Dylan, The Beatles. Jason Molina is probably my greatest lyrical influence but there’s a lot in my repertoire that’s derived from my upbringing in the Bluegrass and folk lineage.

  • What is your process when you write a song?  How long does it usually take to come up with a full song to your liking, music and all?

Austin: It really depends, I’m a notoriously furious and extensive self editor so it can take anywhere from hours to years for me to write a song. I generally begin with a riff and build words and melody around the first riff that I write and go for there.

  • I’d like to congratulate you on your nomination in the category for  Americana Song of the Year in the upcoming AMA-UK Awards in 2021.   How do you handle the recognition that you deserve for your work? 

Austin: Thanks so much, I honestly just smile and feel grateful. I’ve been in this songwriting game for a very long time and have yet to receive many accolades. Which means that while I appreciate it all the more as a result, I also have a hard time imagining that it will be a regular occurrence. At the moment I’m just gonna soak it up and be grateful that some folks cared enough to nominate me for an award in the first place.

  • You’ve worked with many great artists on albums such as Lydia Loveless & John Moreland.  Is there a musician out there that you would love to work with, or came close to working with that once (hopefully) someday when COVID is gone that you’d feel like this could be the ultimate collaboration?

Austin: I’d honestly love to work with several artists but the dream for me would be to just sing duets with Dolly and Emmylou or Gillian Welch. My other biggest dreams are to make albums with Baroness and Neurosis and also to make an album with Blitzen Trapper would be an absolute dream.

  1. Out of the many, many songs you’ve written.  Which do you feel the most complete lyrically let’s say, or just satisfied with the outcome.  Do you ever feel like hey, where did these words come to me from?  I think lyrically Monroe City Nights resonates with me so well.  I can feel the sadness of the Midwest & the vulnerability to adapt and so everything just seems stagnant (in the solitude of okay, I guess this is how my life has to be?)

Austin: To my mind, that song is absolutely one of my crowing masterpieces in a lot of ways. I’m honestly very proud of my body of work overall but my last 2 albums have probably had the most of what I’d consider “me” in them.

  1. Tell me about the new album “Alive in the Hot Zone” released this Fall.  What about this album is getting the buzz of Austin Lucas out there in the Americana & Indie scene.  What about this album, do you feel is different from your other albums? 

Austin: I honestly don’t know, I guess it’s the fact that I managed to write about what everyone was going through in the world right now and actually release it while we were still experiencing it as a global community.

  1. Finally, the dumb question.  Let’s say some bozo with some weapon comes up to you.  Let’s say He’s like I’ve got 2 albums that you have to re-make, and you have to choose one to cover completely (no matter what it does for your career) and hey maybe you can change the dynamic of people’s minds about the albums, Do you cover Milli Vanilli’s “Girl You Know It’s True” album or Debbie Gibson’s “Lost in Your Eyes”?

Austin: I’d personally rather cover Go Go’s “Beauty and the Beat but I think I’d go with the Debbie Gibson album, if those were my only two options.

  1. No really, we’ve seen like full album covers by artists like Beck, the Bird, and the Bee, and ummm…yeah Ryan Adams do such, if you ever went that route with an album what would you consider an awesome honorable album to cover?

Austin: Oh, haha, I guess I already answered that question but let me say two things. 1. Ryan Adams is a creep and 2. I’d also really love to cover the entirety of the Cure “Pornography” or “Darklands” by Jesus and Mary Chain.

  1. Thank you, Austin for spending a little bit of your time with Fevers of the Mind, and much success on the new album & good luck with the award nomination.

Austin: Thank you so much for sitting down and asking me these questions.

Bio Courtesy of Austin

Austin Lucas is a punk journeyman, activist and songwriter from Bloomington, Indiana. Consumed by an overdeveloped sense of wanderlust as a young person, Austin spent his formative years in the driver’s seat of various beat-up Ford Econolines. Burning through countless miles and living the world over, he’s made his home everywhere from the American West Coast to the Czech Republic.

As a young person, Austin worshipped a diverse mixture of Classic Rock, Country, Punk, Psychedelic Folk and Mountain Music, and has made a career by successfully fusing these disparate influences into something uniquely his own. Emerging as a prominent and revered talent among his fans and peers, Austin has stood shoulder to shoulder with some of the most recognizable icons of Folk, Punk, Indie, Country and Americana, all the while uplifting the traditions of Roots Music and holding true to the attitude and ethics of political DIY Punk and Indie music as the lifeblood that runs through his veins.

Releasing albums since 2006, Austin Lucas has been a fixture in the worlds of Alternative Country and Folk Punk for nearly two decades, having sang alongside and toured with everyone from Willie Nelson, Jamey Johnson, Ray Price, Brent Cobb, Frank Turner, Chuck Ragan, Dawes, Langhorne Slim, Joe Pug, John Moreland, Lucero and many others. To hear Austin Lucas or see him live is to discover the type of well-kept secret that can only stay that way for so long.

During the Covid-19 pandemic and subsequent lockdown Austin Lucas has sheltered in place in Mainz, Germany. Although growing homesick far away from his home and family in Indiana, he has successfully used this extra time and inspired energy to prove that it’s impossible to keep a good troubadour down, writing and recording songs for his forthcoming album, “Alive In The Hot Zone!”.

NEW! The Fevers of the Mind Press Presents the Poets of 2020 available in Deluxe Edition, Kindle/ebook, and Split Editions Volumes 1 & 2 on Amazon. An interview with musician Austin Lucas included in Deluxe & Volume 1

The Fevers of the Mind Press has a huge collective of poets, writers, interviews, recommendations & more in the new book (Deluxe edition) (Volume 1) (Volume 2)

Volume 1 includes contributions from myself (David L O’Nan), HilLesha O’Nan, Rob Z photography, Ankh Spice, Catrice Greer, the Poetry Question & Chris Margolin, Jenna Faccenda, Ethan Jacob O’Nan, Icefloe Press, Robert Frede Kenter, Moira J Saucer Darren Demarree, Abdulmueed Balogun, Bradley Galimore, Anisha Kaul, Foy Timms, David Ralph Lewis, Paul Brookes, Sidney Mansueto, Lawrence Moore, Karen Mooney, Jenny Mitchell, Makund Gnanadesikan, James Lilley, Richard Waring, Vern Fein, Ediney Santana, Rachael Ikins, Samantha Terrell, Al Matheson, Ceinwed C E Haydon, Will Schmit, Dai Fry, Barney Ashton-Bullock, M.S. Evans, Megha Sood, Jane Rosenberg LaForge, Matthew M C Smith, Lucy Whitehead & Merril Smith as well as an interview with Americana/Indie/Punk musician Austin Lucas

Volume 2 includes contributions from myself (David L O’Nan) HilLesha O’Nan, Rob Z Photography, Troy Jackson, Book Reviews for Hokis, David Hanlon, Susan Richardson & Norb Aikin, Karlo Sevilla, Steve Denehan, A.R. Salandy, Steve Wheeler, Sher Ting, December Lace, Ken Tomaro, Kushal Poddar, Tan Tzy Jiun, Amy Barnes, Jason DeKoff, Raine Geoghegan, Jim Young, Tim Heerdink, Damien Donnelly, Kristin Garth, Mela Blust, Jackie Chou, Rickey Rivers Jr, David Hay, Kari Flickinger, John Ogunlade, Z.D. Dicks, Julie Stevens, Gayle Sheridan, Wil Davis, Samantha Merz, Iona Murphy, Gerald Jatzek, KC Bailey, Samuel Strathman, Mike Whiting, Peter Hague, E Samples, Ann Hultberg, Jane Dougherty, Michael Igoe, Maxine Rose Munro, John Everex, Lacresha Hall, Kelly Marie McDonough, Gabe Louis, Linda M Crate

Deluxe Edition is over 300 pages and includes all of the Poets, writers, interviews, musicians, photography & more.

Generalized Anxiety Disorder: The Shadow That Rests Inside My Skeleton w/poem Anxiety Dances (c) David L O’Nan(also on Headline Poetry & Press)

So, yeah I’ve got Generalized Anxiety Disorder. It is something that is an everyday battle between all possible anxiety one can have at any given point.

With this post I would like to begin to share some of my poetry writings. I have written about Generalized Anxiety Disorder (GAD for short).

Every day is a new adventure. Will today be depression, calmness, fun, claustrophobic ending in several panic attacks, OCD, Overwhelming leading to embarrassing anger spurts, crying from the smallest memories entering my head? The feeling of loss at all times, disappointments, always trying to make good on something you might have done when younger, and always looking for apologies or apologizing yourself. Looking for acceptance, then being a loner, wanting someone around to comfort you, then feeling like an alien.
I am in constant fear. Fear those I love are going to get hurt at any given moment. The scenarios constantly play in your head.
So, i’m guessing no one would be surprised that I’ve had numerous “small to rather serious nervous breakdowns” throughout the years.

I’ve had these moments since I was a child, I would try to mask away all of the fears and emotions with overindulging, overcompensated, overanalyzing, just overdoing it!
There has been breaking moments as a child (when I realized that everyone eventually dies), at 18 when I lost my last 2 grandparents, and then subsequently leaving College after only a couple of months.
There have been moments at 24/25, 29 after a dramatic episode that left me with PTSD in which I was taken advantage of, harassed, and forced by threats of violence by an unbalanced woman.
Again, in my early 30’s adjusting to not living alone after 12 years of doing so when I got married.
Then the fears of becoming a father, and learning to be a good husband.
At 36 I lost my father to ALS, My body was numb for months for long periods of time. I fell into some old habits, and had to re-evaluate how to be a human again.
Then just recently in the last few weeks at 39. The seasonal depression, the overbearing Social Anxiety that has gotten worse as of late, the memories of my father, financial worries, possible pending medical dilemmas have broken my mind once again. The holiday season is a hard one to digest, my father’s birthday is in December, I lost him on Christmas night 3 years ago.

So in the moments I can escape to watch my children smile, look at my beautiful wife, watch a wrestling match or basketball game, listen to some Comedy Podcasts, and of course writing. These are what I life for when everything else feels like an everyday prison hovering over your bones.


Riding blind like a trapped voice
Stuck to the corners –
of the echoed walls
The Blue waves of light-
travels through my visual acuity
Swallowing all the memories,
what was easy?
I cannot forget however –
the ripping of my flesh,

Like night over day
To reveal anxiety dances –
on the nerve pores
I can remember
everything that you wish –
I’d lose

silhouette of man standing inside structure

photo by Rene Bohmer

Interview: Editor of Bone & Ink Press Jessie Lynn McMains

Hi Jessie,

Thanks for the interview.  I have read some of your poetry & have seen your

Ideas for numerous chapbooks & zines, and in ways I think we are working

In the same circle for the most part in uniting people through poetry.

Q1: How do you stay motivated, or keep hungry to edit zines as well as putting

Out creative works yourself? What motivates you, or what about poetry/writing helps you explore what you are most passionate about?


I honestly am not sure how I stay motivated. Being the editor and publisher of both an online magazine and a small press as well as trying to find the time for my own writing is exhausting and frequently demoralizing. I have too much to do and not enough time to do it, and about twice a week I have mini freakouts where I think “I’m gonna quit it all!” I say this not as a complaint but as an honest statement of how difficult it is. I suppose what keeps me going with both writing and publishing is that these are the things I feel most powerfully called to do. All I have ever wanted to do is make art/be an artist. Over the course of my life, I have had training or experience in pretty much every form of art, but writing is the one I’ve focused most on, the one that’s been there for me when nothing else has. And running a press and magazine is an extension of that—since I got into zines at a very young age, I’ve always been publishing other people’s work as well as my own, and when I was 16 I vowed that one day I’d have my own small press like Henry Rollins did with 2.13.61. So writing my own stuff, and helping other people get their writing out into the world, are the things I am best at, and I do them because I have to.

Q2: You have strong passions in regards to writing and influencing poetry in the LGBTQ community, How good does it feel when your editing someone’s work,

And you can feel the piece is making a statement and not just words?

I do have 2 siblings whom are both poets/writers in their spare time as well. They haven’t always had as many writers to choose from to draw influence.  What works of yours or others from your past books, zines, would you recommend the most to those looking for strength to being their “strongest” self and draw out the most confidence in who they are?


I don’t consciously choose to publish pieces that make a statement. I find writing that’s overly didactic, or preachy, or feels like it’s beating me over the head with a message—even if it’s one I agree with—pretty boring. What I look for are pieces that tell the author’s stories and truths and tell them well, in a way that grips me or surprises me. By stories I don’t necessarily mean clear narratives, and by truths I don’t mean facts. I mean that my favorite pieces feel to me like the writer had to write this particular piece, like there was something in there they needed to say, and by extension, the reader needed to hear. In that case, I suppose they are making statements, in a way. My aim as an editor is never to overwrite the author’s vision, but to help them tell their truths in the best way they can.

As for other people’s work I’ve published that I wish I’d had access to when I was younger, here’s a very short list, in no particular order:

I love all the pieces I’ve published, but the above are the three I feel the most personal connection to. If you wanted to know all the authors and pieces that have encouraged me to be my truest self, not just the ones I’ve published, the list would be a lot longer.

Q3: Obviously you’re a fan of classic rock with your themed editions of your zines. A fan of Bruce Springsteen, and I believe I saw Thin Lizzy mentioned as well.  What role does music play in coming up with lines to your poetic works? Do you have many music thematically based zines throughout the years?


I am a fan of a lot of classic rock. I’m also a fan of punk and indie rock, and ska and reggae, and soul, folk, country, jazz, cabaret, classical, opera, pop, weird unclassifiable stuff. I love music and it is one of my biggest inspirations. I often riff off lyrics when coming up with poetic lines, or I listen to instrumental pieces and try to fit the cadence or form of the poem to the rhythm or feeling of the piece.

I’ve published quite a few musically-themed issues of my own personal zines and books I’ve self-published. Even the ones that aren’t musically themed have music threaded throughout because, as I said, it is one of my biggest inspirations. Both my newest chapbooks are music-oriented—TGWTMC is all poems inspired by Courtney Love, and ftfafm references all kinds of ‘90s songs. As far as compilation zines or books that are musically themed, the Springsteen anthology is my first. I’ve tried, twice, to publish a Clash-themed fanzine, but the first time I put out a call I got five submissions, and the second time I got…zero. Maybe I’ll try again in the future, though I think I know who I wanna pay tribute to with an anthology next, and it’s not The Clash.

I also have a few other music-themed projects in the works, both personally and with Bone & Ink Press. Personally, I’m working on a chapbook inspired by Lou Reed/his music. And two of the first chapbooks B&I is publishing in the fall are inspired by musical figures—Alex DiFrancesco’s Bird is the Word takes its inspiration from Iggy Pop (and his pet bird, Biggy Pop), and Marion Deal’s Cool Talks, Dead I Guess was inspired by Jim Morrison.


Q4: Top 5 Bruce Springsteen songs? I obviously enjoy the Born to Run, Dancing In the Dark, I’m on Fire, but there is this song Highway 29 I seem to enjoy the most from the Ghost of Tom Joad.  A little bit lesser known over all.


In no particular order, and subject to change—except the first one, which is forever my all-time favorite Boss tune:

  1. Atlantic City
  2. Backstreets
  3. Dancing in the Dark
  4. No Surrender
  5. Thunder Road


Q5: I’ve grown up in the Midwest (besides a year living in New Orleans in 1999) all my life.  Living in Southern Indiana & Western Kentucky there is always many people you run into who aren’t always open minded.  You live in Wisconsin, correct? How much does your environment play in coming up with ideas for a story or poem?


Yes, I live in Wisconsin. I have lived in the midwest on and off for most of my life—I was born in Lansing, Michigan and lived the first part of my childhood in various Michigan towns (mostly Flint), I’ve lived in two different Wisconsin cities (Racine, which is my current location, and Milwaukee), and I lived in Chicago, Illinois for five years. I’ve also lived in Pennsylvania (Philadelphia area) and California (Oakland).

To answer your question—environment is hugely important to me when coming up with ideas. In fact, after music and nostalgia, places are my next biggest inspiration. Places I’ve lived, places I’ve traveled to, I’m obsessed with places. I often find myself writing about whatever place I miss most at the time (whether that’s a city I haven’t visited in years or a local bar that’s now closed). Sometimes I’ll just look through photographs (either ones I’ve taken or ones by other people) of places I’ve known and get inspired to write. Other times, if I’m feeling uninspired, I take a walk through my neighborhood or a drive out into the countryside to see what I can see and then write from that.

Q6: I’ve been writing seriously since around 2001, and just in the last year at 38 years old began self-publishing books and now the Fevers of the Mind Poetry & Art Digest bookzine. I went a few years without writing much at all between 2012 and 2016.  (getting married, becoming a Father) then in 2016 my dad got sick with ALS and passed away on Christmas Night.  I began to write more seriously again, and then returned to reading in public again.  Having Generalized Anxiety Disorder it doesn’t make things easy at times, and fears of sending my own work to presses and zines.    All of this is to lead to the question When did you begin reading aloud, writing seriously, submitting to presses and zines, and inevitably deciding to begin your own zine?


I’ve been doing all those things since the ‘90s. I got my first poetry acceptance from a magazine right around the same time I first made a zine of my own—both when I was 12. By 13 I had a monthly column in my town’s newspaper, at 14 my first book was published, and by 15 I was reading my poems at local open mic nights. I’m not trying to brag, here; in fact doing all that at such a young age means I get down on myself for not being more successful/further along in my career. But then I remind myself that my stuff now is very different from my stuff then, and the name I publish under has changed multiple times over the years, so in effect it’s like I’ve had three or four separate writing careers. Not to mention the years when I was still writing but not sending anything out for publication, either because of bad times in my life or just because I was focused on other stuff.


Q7: I absolutely love the piece Lilac Palace, 1987 which I read from Kissing Dynamite. Which style of writing do you prefer writing in? A prose, poetic, Sonnet, or fictionally?


I love writing in all styles, honestly. Sometimes I get an image or idea and just start riffing on it, not sure whether it’s going to be poetry or prose, fiction or non, and the piece sorta dictates its own form. I’ve gone through different phases with my writing, where I’ve focused more on one style or genre. These days, I mainly write poetry and things that fall vaguely under the poetry umbrella but are hybrids of fiction, essay, and poetry. That’s one reason I love poetry—there are fewer hard-fast rules than there are in other genres. You can tell a story without having to follow a strict narrative like you’re supposed to in fiction, and you can write about your own life without having to stay tied to absolute fact like you’re supposed to in non-fiction.

Q8: How did you become known as Rust Belt Jessie? Do you read as Rust Belt Jessie, or is this more for online reasons?


I christened myself Rust Belt Jessie about eight and a half years ago. I’ve lived in the rust belt all my life except for my two years in California, and I became even more obsessed by it when I lived in California because I was so homesick. While I still lived out there, I gave myself a stick & poke tattoo on my left wrist, that says “Rust Belt,” and at the time I was looking for a new pen name and thought of Rust Belt Jessie. I mostly use it for online reasons, and for fun. It’s not a pseudonym—I publish as Jessie Lynn McMains—but I’m Jessie Lynn McMains aka Rust Belt Jessie.


Q9: When did you begin Bone & Ink Press?  What do you think has been your best or most talked about issue so far?


I began Bone & Ink Press in early 2017, to publish the collaborative chapbook I wrote with my friend Misha Bee Speck. From the get go, I knew I’d eventually publish books by other people and start a lit mag as well. As I said above, I’d been planning on one day starting my own press since I was 16. In early 2018 I said now is the time and opened Bone & Ink Press up for submissions and also put out a call for the first issue of Bone & Ink Literary Magazine. I can’t decide which issue has been the best—I’ve loved all of them and I think they keep getting better and better. Our most read and talked about issues have probably been Vol. 4 (June/July 2018) and Vol. 6 (October 2018, the Halloween issue).


Q11: Suggest some Lydia Lunch songs I should look for.


I’d suggest checking out everything she did with Teenage Jesus & The Jerks. I also love the cover of “Some Velvet Morning” she did with Roland S. Howard and the cover of “Heart Attack and Vine” she did for the East of Sunset soundtrack.


Thanks for the interview


BIO: Jessie Lynn McMains (they/them) is a poet, writer, zine-maker, small press publisher, and spoken word performer. They are the author of multiple chapbooks, most recently The Girl With The Most Cake and forget the fuck away from me. They have been publishing their own and others’ writing in zines and chapbooks since 1994, and have been performing their work across the US and Canada since 1997. They were the 2015-2017 Poet Laureate of Racine, WI,  they/she / writer / recipient of 2019 Hal Prize for Poetry / The Loneliest Show On Earth coming Feb. 2020 from @BottlecapPress websites working with include: ,  or follow them on Tumblr, Twitter, and Instagram @rustbeltjessie