Poetry Showcase: David L O’Nan from Cursed Houses pt 1

https://amzn.to/3gknC3r the U.S. link to the book.

Twine Years

Ever since I remember as a little boy
my grandmother much younger than I actually thought
She appeared to be lost and looking for the lost sunset all day
Another cloud goes by, and she smiles and says "it is about to become really pretty out here."

She would sit in on a knotted wood framed chair and watch her world disappear as the moon came out to remind her for a moment of who she is. As she twisted some twine together hoping to someday make more blankets and sweaters.

The woman with style at the 1950's ballroom halls.
The men would look and she'd flash her ring.
A quick look back at her military man in a picture frame. Smiling in the dust that buries the room.  Her yellow wedding dress sits in the attic.

She remembers the walks in the park with her lost friends.
She remembers the children as they were children.
She remembers the kicking and jumping, the twirls of immortality.
By the beach she would splash for hours with a wagging tail dog.
She remembers the endless fashions that she would help mature a town from rags to class.


She looks blank and cries to a mass of blanket that she has been working on for weeks.
Was that military man remembered for his drunken slams of fists against the walls?
The accusations he'd proclaim as he ran with the mice in packs to the whores and sweating out Sunday mornings. Dripping wet, stained and stinking in a plaid jacket with “Lucky Tiger” in  his hair.

I have to calm her down.  I play the "The Nutcracker" on a record player, as she masks herself back into a ballet.   She begins to sway arms slowly but surely.  I feel she is on that endless dancefloor again.
Or was she ever?  Was she just imagining a time when she was free again?

About 6 months later I had lost this Angel to the dance away.  The sunsets would always come. Even in the darkest of storms.

She'd say on her last days " I want to Remember You, but I can't" " I want to know all children and tell them not to be afraid"

Now I’m in my 40's I see another older woman.  Struggling to remember most days.  Does she mimic this dance?  The mother I
always depend on.   Will I finally have to learn to be myself?  I wait for the sunset for hours by the river. Always curious if she is also looking for that same spinning sunset that seems endless and impeccable and immovable. Has it moved all these years?

Fidgeting with the jute twine.  Where can I go hide?

A Quicksilver Trilling

Once upon a time we met the platinum blonde 
- with a letter in hand and a Loro Piana Handbag.
She was quiet and frantic at the same time (the obstacles of running from beautiful to damnit!)
You popped bubbles in the hot flames, 
in flamenco streets with bleeding trains that lead you
 from the whistles to the cheating rainfalls.
Now, she’s as quiet the storm swept flower.
Now, she’s an atomic bomb in my heart of desire.
She’s as damaged as the ignorant meal to the fiery belly of a carnivore.
"Meeting the vagrants are as easy as meeting you" she’d laugh to herself.
Maybe, she’s just a little deaf when this city shakes in a quicksilver trilling.
A little blind when the joy with from a celebration to a thronging.

So you missed the thrills of the small crowd now.  
That city took your bravery and your crown.
It’s hard to be superficial in your walk.  
The thrills of a million helicopters circling down.
Your heartbeats a quilted bundle of wires. 
In the Hollywood hideaways the public does watch.
Hurry up to snap a picture of her durable nucleus falling apart. 
Behind the bars, to the many
 alcohols and elixirs falling straight down the cold rocks. 
Her beautiful monuments show some cracks
and the drinking of the sweet fruit tree has become a little thick in the dust cloud social ball.
Maybe she’s just a little deaf when this city shakes in a quicksilver trilling.

Maybe she’s a little thirsty when the water is sealed from the dams to a willing thirst.
This blessing is just a disguised curse when she’s dressed up for another Judy Garland downward spiral.

I’m starting to rethink this shadow looking at his shoes, playing little Mr. Socialite wearing a poor man’s Bruno Maglis blues.   
I’m standing here holding your golden cup.  
The feathers of your golden goose,
and a shriveled-up ticket to the sacrifices you make at Tiffanys.   
My culture lies behind the ropes holding the inside of my head.   
To play lover and not to play dead.  
So you can play elegant and hip for the artsy coffeeshops.   
They can spell your name in the drink and your heart melts, and you finally feel like a somebody.   
So you tip those baristas and joke about the rats.   
They don’t know art, don’t have MFA’s and haven’t been bought their gardens to thrive.    
I just watch the fakeness leave your timid hazel eyes. And you try to just to the restroom and cry, I hear you in there weeping like a saturnine coyote.

There are a couple of genuine fools, walking around pretending to be the rules of cool.
They folded under the pressures of rebellion, but they are beginning to wonder my darling.
They are wondering exactly how many canvases you have put your brush to.   Since you tell them all you’re so smart and like a branch.
I’m just this poetic clown stuck with oversized t-shirts and the smile of 
a stripped screw.  
Don’t worry he’ll pay for this free meal at this simpering Italian Restaurant.  Then he’ll be on his way back to the job of being a wonderful muse when the art professors aren’t calling you.
Never to share a true linen of a sunrise together. Tell me exactly what art is when you don’t know the art that is natural weather.

Oh, maybe she’s a little deaf when the city shakes and is shrilling.  A little quicksilver trilling.


The sunrise is a little overbearing.  
Can’t see the canvas from the golden glare that I’m wearing.
Operation, a colorful tornado on a disco floor.   Weak legs are dancing.
Drunk and the quick pills are mixing.  And you’re a drunk and grinding against pistons of strangers trying to keep from pissing.  
They want to call you up for a night of glistening, and introduce you
to a hypodermic waterbed.   
You forgot me behind the trees. A little dirty when you have to sit and 
plead.  You have nothing you really need, but everything you want is in the halos of that river.

Well, the birds wake up a little earlier than you. And they seem sick without the worms to chew.
There isn’t a masterpiece for them to view.  You went right into the darkness with your colors and your strength.  Frail bones fail frail forests.  Simple supernatural spells bring crumbles to a magic mountain, 
the journeys are hard to walk when the valleys and the lakes are droughts and scrawny to swim in.
Oh, maybe she’s a little deaf when the animals stopped howling. 
The wind is full of heat and rain is even melting. Around the curves the body is sealing.

The city is shaking to a quicksilver trilling.

From the windows, we used to see the clarity of the glass.   Now it’s a little oily and overcast.
It’s a holocaust, razor sharp raindrops with teeth that bite, just like a brand-new disease. 
The queen must hide from the flee. Our humanity isn’t built anymore on heartbeats.  Sometimes humanity is built from cardboard signs.   Hold a little higher and ask for a prayer.  Ask for a shave of cool air to save you from a Tinseltown cataclysm.
So what does the wonder girl do, when she goes from the pretender to blue to the shrew?
Does she realize her hair wasn’t always so cute? 
Does she realize the geniuses are all crooks?
Does she feel the jazzy palm trees have always 
been a little plastic and fake?

Much like the hypnotized starlets in the platinum blonde deconstruction game.
Oh, maybe she’s a little deaf from the chess game that keeps yelling checkmate!
Maybe she’s been blinded by the hysterical cut-throat authority waifs. Maybe she’s just part of this jealousy, a vanish haze they thrown on you to make you a product.

A little pill sick when the city keeps shaking tiny slits of cracks in this quicksilver trilling.
Now, she’s as naked as a blurry mirror.  Now she’s feeling as pitiful as a stuttering preacher.

Now her art is less of a picture that hangs above bountiful nouveau vanity mirrors.
Her art is the magnetism that pulls the moon through her evening veins.   
Her art is when the clouds move in and pulls the curtains of stars over her delicate frame.
Maybe she grew tired of her ears constantly ringing.  Loud masochisms and feminine leeches luring and lingering.  

A city shook to pieces in a quicksilver trilling.  

September is my Blind Girl

Unto thee I lift up mine eyes, O thou that dwellest in the heavens.   Psalm 123

I haven't been following your eyes that I see in your faded footprints.
During a clever Summer, endless heat
Your skin stuck to the melting of everything around.
And I’d watch you leave, and watch you go.
From contempt to a new journey in the cold.

From July to September it was months that bathed me in a forever drowning. They bounced by too fast because I was trying to breathe in your every breath, and drink in your every thought.  
Putting beauty to the mistress 
when the maidens were all dying with the lambs.

Love was a walk around the town, 
Love was stuck in spoken tongues that I couldn’t understand.
Searching for your scent in the dirt of this aging frail town.

I watch from my jail, the town is up in flames from my bending windows
and my loud neighbors are too silent, 
or I am too tame in my lonely hands?

Just laying in sheets, wounded from heart to heart, the world’s heart doesn’t beat anymore.
Turning and turning, or did the world become still and pause with the pills?

I want to grow with the trees, bathe in the rain, I want the muscles emotionally and physically
 to secure this warmth and comfort if I were to ever feel the need to succumb to the gusts.
To dream as the birds do. To kiss as the wires do that hang overhead. 
To be peaceful as the lightening
that frightens our eyes when the thunder threatens us into endless shakes.

Watch God 1-2-3 lift up my eyes. I’ve the need to escape the heartaches and the straps.

My Brother (Lays Dead Under the Hickory Tree)

There he is 
I see him under pelts of hailstones
A riddled mind and diseased by doctors
the icy rain pulsing little cuts 
All over and over again.
I'm still in a quiet thought
We always felt the ending.
Or at least I have seen this ending.
In nightmares every night
The men festive from the jail.
Mother, a stereotype. Needing an exorcism.

There he is
My brother, a little hushed baby of 25.
Shoes as split as a peeled banana.
His coloring of blue, like the river nearby.
Like the breeze that blows through his long haired, daredevil boy.
He was hideous in his battle
Popping firework amphetamine pills, dragons watch the alleys.
The abusive and abused in corners and in jars.
Oh, lonesome traveler
a blood kissed jewel.

Some crows sing in their broken voices, they sit atop the bells.
They fly in the air; they congregate in the tree above. The sick hickory
I watch with no blink as they rescue him from the cold ground.
For only a few long hours and then they just return him back
to give him a comfortable dirty sack.  
Underground, where they'll whisper out your sins to each other.
We can't escape the gossip.  
Gossip clumsily falls like a slinky missing a step along the way.
The steps that are missed however, are remembered for coming up with the best stories.
Your best demise.

The Water Lilies in Claude Monet's Mind as I Feel Grave

A whole, a dump, I worship in my sadness. 
To be a flower that is not dead in this dark room where my mind has shed.
I feel like I cannot break any further as my body hits the water.
Caution: the water is too cool.  But it looks warm enough to me.
A blue day reflects through the trees and my eyes obey the power of the water lilies.

The fears begin to fade, 
although I have not moved from my internal shade.
I have dreamt myself into a Garden, I have begun to feel Giverny.
You hear the echoed voices from outside from the unruly. 
Tune them out and swim in my friend!  Your only true friend right now is the imagination and escape.
I have deleted out the traumas of my past, my current, 
my midnight tremors.
I have held the water lily in my hand and worshiped to the gods of art, of beauty.  

Repaired.  In a sweet dream. Kidnapped away to the Water Gardens. 
A blink out of the trance.    Neglected.  The dream vanishes.   I want back my Paradise.   Another dream some other night....hopefully Monet will haunt me again.  

10 Years "We Are Hummingbirds in the South Wind"

Take my wings as we fly...
through every one of these electric fences.

Our record skips and we just want to love.
In gorgeous unison we’ve prayed to our savior.
We’ve battled the lingering evils, and danced
through our endless pain and exorcise urges.

Through Winter roses and the bleeding Spring flowers,
the Summer storms and the Autumn leaves rustling
Each with a threatening torch in our blessed hearts.
Our hearts for one another.

When we are silent
we are sifting through the floodwaters of a haunting family past.
Submerging us down to breathe the holiness of a family future.

Even the hummingbirds have to outfly the vultures to avoid the bleeding idiots –
who chant for torture. And we have to learn to laugh and hide in the clouds even when –
the south winds are blowing by so fast.

Materialize our threading seeds and grow purely in this soil for the healthiest of worms to swim through.
Eliminate our anger and learn to generate new beats in the music that haunts you.

A decade in and we are still learning how hard it is to shed our skin. 
With love in our eyes and holding each other closer we can begin flight and avoid another vulture.
The elimination of the wretched wagons full of dark nights with rose colored glasses.

Sip the power of the magnolia as it blows by our yearning hunger to feel as one.

The Lukewarm Train

There are days you remember the rambles of Chattanooga Misty.
Not quite bright, not quite dumb.
She was a lost girl living in the Kentucky woods.
She, maybe was just born into ignorance, 
to perfume all the smoke from her cigarettes before she comes back.
She didn’t know that her ass tore through the seam of her jeans.

She was looking to scoot away from the rabbit holes to the rabbit cage.
And so she learned to be a smooth talker, hide that shy, act that brave.
She was not too fond of all those presents... 
That you’d present to her to win her heart.
She’d rather be glum, take in the latest drug, 
and drink until heart cannot beat.
Well that’s a wild one for you, 
feeding the bikers their barbecue and their beers.

Sets you up for a Ponzi scheme, 
and then disappears into the arms of a deadbeat.
His politics have become something of a joke.  
His hair that was precious and begins to croak.
And now she’s wondering why her tan is no longer a cloak to hide her real self.
She thinks you can’t read her, 
everyone who sees her becomes a mystic and can see 
the flowing ego that won’t let her doves free.  
She’d rather spend time as a thrush digging up worms.

Well when she’s going insane, I won’t be anywhere nearby.  
I’ll be riding high in musical notes.
I’ll be chattering with the jealousies she hid in her bones.  
I’ll be the water, the nature, the trees...
where her nest fell from long ago.   
When they ask, oh, where is she at?   
Maybe, I’ll be truthful or state a fact.  
She’s been running away for about a thousand days from herself, her mind, and her beauty.
She’s been a little glum, brainwashed, trilling in the mud, and unaware of the twilight sorrow.
Well the crows all ask, for a quick boarding pass to see if she’d like to bring her fruits and berries into their decoy jungled home.

I’m sure she’ll just pretend to be a new disguise, as always. 
Maybe from brown to blonde today.
Maybe I’ll go from celebrations to breaking in the snake.  
Maybe I will be the one that’ll finally break.,. 
break him and just leave him a nervous rattling drum.  
Rippled streams, leave him hanging and never to 
call him back when he needed you most.   
So who is really the lost one here?   
The stones throw will just shatter those crows.  
Because he just sits there year after year refusing the find new homes.

When he’s going insane, just sitting in pity and haggard, 
stuck in his eternal humdrum woes.
She’ll be stepping aboard, from East to West, 
seeing the world in an everchanging brain.

She’ll go from palm trees to maple leaves 
and drink the margaritas and drink in a summer rain.
She’ll be the one, living on steppingstones and
hitching into the soundwaves of a lukewarm train.

The Feast

I can hear nature immersing with the breeze
I awake from the wonderful dream of you and I together
and the real seeming real again.

3 doe standing together sipping the dew off the flowers
while you hear the howling fade, and the fires turning the trees to ash.
The wildlife swept up like yesterday’s trash.
Like the avalanches are coming to crush our Islands to the wash.

I just want to escape myself and rewind a dream.

Beginning to walk away from the blackness, a sunlight sits achingly in a field.
I bend down to take a drink to the waters, 
and I breathe in the cuts of the primrose
while I’m just a sinner, feeling homeless and the water tasting of grease.
It’s not that I can forgive, it’s not that I haven’t, it’s not what I can do to try and ease you back in –
if I even were able to. 
You are just somewhere silent and the screams of memory is still in motion in my decay.

I just want to escape myself and rewind a dream.

When flawless and hands were nervous and sweaty.
And we could look in each other’s eyes and cry for joy 
and not the death of a tranquil peace.

Listening to the thunder, the cattle scurry to the barns
and the rains begin pounding on my bruised arms
The Spring has a kick, and the mudpuddles are thicker 
and the flooding causes even the strongest to flee.
And I will just live this day like a prayer. 
And live this day like a soldier calling for another-
after being shot down in streams of ammunition. 
Getting familiar with my blood and understanding all my scars.

I just want to escape myself and rewind a dream.

I just want to see myself the day you first saw me.
Before I was not damaged, and the benzos hadn’t reshaped my mind
to be a feast to the doctors and be worshiped in by fiends. 
They wanted me in their claws and
 pull me into their mirrors.
While posing for some invisible cameras and hoping to be seen.
And you strayed from affection. 
And you had to keep yourself from the edges yourself.
There are trains calling...and windowpanes shaking.
A sacrifice I take and the sunlight, infertile and dire
wants to go in for the night and just dream itself cold.

To escape myself hoping to rewind a dream.









Bio: David L O'Nan is a poet, short story writer, editor living in Southern Indiana.  He is the editor for the Poetry & Art Anthologies "Fevers of the Mind Poetry and Art. and has also edited & curated other Anthologies including 2 inspired by Leonard Cohen (Avalanches in Poetry & Before I Turn Into Gold) and Hard Rain Poetry: Forever Dylan Inspired by Bob Dylan. He runs the www.feversofthemind.com website. A wordpress site that helps promote many poets, musicians, actors/actresses, other writers. He has self-published works under the Fevers of the Mind Press "The Famous Poetry Outlaws are Painting Walls and Whispers" "The Cartoon Diaries" & "New Disease Streets" (2020).”Taking Pictures in the Dark” “Our Fears in Tunnels” (2021) a collection of poetry called  "Bending Rivers" a micro poem collection "Lost Reflections" and new book "Before the Bridges Fell" & "His Poetic Last Whispers" (2022)  His latest book is "Cursed Houses" David has had work published in Icefloe Press, Dark Marrow, Truly U, 3 Moon Magazine, Elephants Never, Royal Rose Magazine, Spillwords, Anti-Heroin Chic, Cajun Mutt Press, Punk Noir Magazine, Voices From the Fire among several other litmags. He doesn’t enjoy the process of submitting constantly, however. Twitter is @davidLONan1 @feversof for all things Fevers of the Mind.    Join Facebook Group: Fevers of the Mind Poetry & Arts Group .   











Paperback & Kindle version of Cursed Houses is now available from David L O’Nan on this link below

https://amzn.to/3gknC3r U.S. Link

https://amzn.to/3Tz0QTy U.K. link

https://amzn.to/3eNdUGi Australia link

https://amzn.to/3yW6ozv France link

https://amzn.to/3eKCozN Canada link (site is a bit wonky when I went though)

https://amzn.to/3yWJx6X India link

https://bit.ly/3s919ZN Poland link

please check for your link if not listed above.

read acknowledgment blurbs at link below:

Cursed Houses by David L O’Nan coming out next week!

Cursed Houses by David L O’Nan coming out next week!

Here what several important great people have to say about this upcoming book by editor/poet/writer David L O’Nan

Writings by David O’Nan is a special treat to poetry lovers. He often uses prose-style openings to draw in the reader, such as “I met the supernatural near this river by Osage Mint on a wet June day, fertile ground full of footprints” (from “The River Near the Osage Mint”). Then just as we start to get comfortable, O’Nan has a certain knack for dropping in piercing lines such as, “Our moment became shrapnel” (from “Noah and Satchmo”), or “Love like the sad” (from “Cardiac Weekend”), that becomes a sort of push and pull technique, moving the poem and reader along on the evocative journey each of his poemsprovides.      –Samantha Terrell, Author of “Vision, and Other Things We Hide From” and “Keeping Afloat” among other books and creator of the poetic trinitas style of writing.

David O'Nan is an artist, a poet who explores the interesting and sometimes astounding facets of life through his work. In 'Cursed Houses' David writes in a style that is immediately engaging, sometimes humorous, always thought provoking. In his poem 'Utopian Window Blinds', he writes: "Beautify my broken heart. Look into my mind and tell me. I am Magical." That is precisely what David gives us, the reader. – Jay Maria Simpson  is a published Australian Poet out of Perth, Western Australia who loves poetry, art, music, satire and dark comedy.

Cursed Houses by David O’Nan swirls with dynamic imagery at a manic pace. Its long probing lines are propelled by maddening spirals of rhythm and rhyme. These poems bob and weave, teasing dreamscapes out of rich details inhabited by a host of characters and situations earthly and un-. Love, lust, loss, bewilderment – degradation of the human spirit coupled with the uplift of having experienced something wholly holy. Cursed Houses offers room after room of astonishment wrapped in acute observations: standing outside, lonesome and creepy, a piercing inward gaze.
-	Tony Brewer, author of psithurism and Pity for Sale

David O'Nan's poems are beautifully haunting, a landscape of Historical and Pop Culture memories. From death to Sunsets to homes of broken glass and even Andy Warhol, O'Nan's poetry will shake and stir you as the colors of his rhymes will resonate long after you devour each one, with verses like "The Feast" you will be craving a taste for more.  
-	Adrian Ernesto Cepeda, author of La Belle Ajar & We are the Ones Possessed amongst other collections.

The willpower is a long highway.” ~an immortal line, akin to Tom Petty’s But love is along, long, road.” David O’Nan has rock and roll in his soul.
“Spending nights in plastic neon blue and wondering why you didn’t know who’s hand was the knock on your door. Was it Mr. Peasant or Mr. Posh? All that you knew was a new daughter was calling you a mom.”   
Like no other, David understands and exposes the plight of a runaway mother, perhaps a fixture of the 1980’s, the unsung heroines, the debris of the 1970’s 
“I paint pictures for the cages of silence” 
David O’Nan speaks for a disinherited generation left to suffer the sins of parental and cultural disintegration

“Old Satchmo at 49 smells vaguely of gasoline and some extinct cologne from 1989” 
David O’Nan captures the zeitgeist of the crumbling American west, it’s bravado on it’s knees, still trying to please some long lost need.
“The devil has your shoelaces tied to the wrong feet” 
An apt description of a runaway on the streets struggling to find their footing. An epic and strong poem describing what happens to the disinherited, disenfranchised in American society.  Thrown out, as Jim Morrison said “like a dog without a bone.” Better than any other poet living, O’Nan describes the struggle of losing in a pre-apocalyptic America.
“We are powerless and the army has no artillery.”
Reminiscent of Neil Young’s “Helpless” lyrics is O’Nan’s vision of a dystopia left to carry on alone, abandoned and helpless, it’s government having long abandoned the field.
“All You see is the bones rise up when the moon hits the shine of the lake”
O’Nan describes perfectly the perfidy of the illusion of normalcy in what is in fact the toxic waste dump of America’s forsaken landscape.
“Maybe the king lives within the waters to drown your narcissistic glare. The River, the River near Osage Mint” 
O’Nan reflects tangentially on the tortured history of the rivers cutting through the heartland of America, how they meander, the dangers they pose,  the dams that feed them, while soul searching and reflecting on the American dream, much like a latter day Jack Kerouac. One wonders what chain of events drew the poet to leave near this place. The nameless “River near Osage Mint.”
If you were to read only one poem from David O’Nan, I would suggest Mandolins and Shrapnel. I personally find it on a level with Ginsberg’s best exuberant howlings. Mandolins is a tour de force. One feels oneself spinning with the poet down the highways and through the wastelands of post-industrial America  littered with billboards proclaiming hell and damnation, torn through the middle by predatory birds, symbolic of lives shattered and scattered like shrapnel on a battlefield. 

“Oh, those billboards by the way are just a hole for the vultures to fly through. listen to the breaking Mandolins, as our skeletons become shrapnel.” 
-	Elizabeth Cusack -Poetry on the Rocks for Lonely Hearts, a poet/writer traveler from Los Angeles. A recovering actress.

"David’s worlds always open new channels for looking at life. They are so often inventive stories that hold a spilling of truth – like the hull of a ship sloshing about on an unpredictable ocean – a world with a multifaceted cargo, perfect in every detail – in fact, a fusing of all details – making them oil each other to enhance their experience and their free passage. They are a generator of energy for the listening ear. From lyrical and beautifully sung – to hard and colourful poetry, told "like it is" – and that "is" always leaves me thinking I have moved forward in life’s puzzle of experience by reading these poems. So many wonderful lines – so many wonderful characters and their various situations – whatever your interest in poetry, you will need to read these poems to pass go. 
David L O’Nan is without a shadow of a doubt one of the best poets of this moment and due for greatness in the longterm.  – Peter Hague author of Summer With the Gods, Gain of Function,  Hope in the Heart of Hatred & more.

David O’Nan is a poet but he may be a sorcerer in his Cardiac Weekend. Or into a world of dreams in Screams, Tears, Tennessee Voodoo. In Small Deaths and My Burning Bedsheets, he fashions his death and exhorts us to give a reason for him to continue his furtive imaginings in word and paintings. Do you have the power or are incited to provide reason for such as him? In Noah and Satchmo he colorfully tells a story of two grimy men in a way that MUST make you feel better. It is a story of confirmation, to send you on your way of superiority, as you love their place, so much lower than your own. Love Thy Neighbors describes a region of hell… Of voyeurs with horns and long tails being forced into your face. This is the world of O’Nan in fantasy and grime, incitement, and torment. You were minding your own business and this magician named David came along. Watch your step.

We are thankful no heaven can control or manage David O’Nan’s poetry. His work is not designed for the comforts of heaven or the torments of hell. David’s poetry breathes with us, and sustains our present, that we may whisper our lives to one another.  – Giulio Magrini is a longtime writer living out of Pittsburgh and is receiving wonderful reviews on his new book “The Color of Dirt” 

Having elsewhere demonstrated his prowess and capability in shorter forms in this collection prolific poet David L. O’Nan proves definitively he is every bit as skillful and interesting with more substantial, robust constructions, applying his inventive flair for language and provocative willingness to delve deeper into the fecund muck of Americana than the majority dare, exposing our culture's at times less savory underbelly in a manner which is never dull, but rather consistently as thrilling as it is in equal measures illuminating. Through diverse approaches and fearless examinations of subjects deeply personal as well as endemic of societal concerns, rooted in the immediate and timeless both — harkening back occasionally at, paying exciting homage to our era’s most qualified bards and lyric laureates, from Cohen to Dylan to Joni Mitchell, in the most constructive, charged manners — readers will be hard pressed to find a finger more firmly pressed to, descriptive of the stilted, erratic pulse of Western ennui and the dark winter of postmodern societal discontent embroiling contemporary existence than in the pages of Cursed House. In our age of urgency and desperation, David L. O’Nan emerges resolutely from the fetid swamps of struggle with an important viewpoint and mission which our imperiled species would be well served by reviewing and reflecting upon mindfully at length. A rousing book of works appreciative of the gravity to our prevailing crises, by a poet who twigs well there is not a moment to lose. 

 – Jerome Berglund is a writer and has worked in Cinema-Television production and worked in the entertainment industry before moving back to the Midwest. Jerome writes many haiku, senryu and haiga online and in print. He is an established award-winning fine art photographer, whose black and white pictures have been shown in galleries in New York, Minneapolis & Santa Monica.

"When I read a rational, well reasoned, logical, objective argument I laugh and sing and dance through the gaping holes. 
What fools we are to stand pounding our chests preaching to the sun and everyone else that we are right, we have the truth. 
What is truth? Do you know? We move forward by the aid of created symbols and we change those symbols as we move forward. 
What gives you the right to deny the beauty, the honesty of poetry. There is no such thing as an endless straight line. 
The shortest distance between two points is poetic distance. Poetry is the way. No one makes it through any black hole of night
without the morning light of poetry. The debate over whether formal or informal, Latinate or colloquial is best is meaningless. 
Critics and Judges are the greatest fools. Poetry is the journey, the adventure in and through the valley of the shadow of death. 
Poetry is birth, the journey, and death. Poetry is Alpha and Omega. Poetry is life. Life is poetry. The word was the same 
in the beginning as the word is now. Say the word. Be the word. Be poetry. Be the poem you write. What else is there? 
In his brilliant new book, CURSED HOUSES, David O'Nan is the poet of birth, the journey, and death. 
David O'Nan is an original. One of a kind. I can't recommend his work highly enough."

--Ron Whitehead, Lifetime Beat Poet Laureate https://en.wikipedia.org/wiki/Ron_Whitehead


"David L O'Nan's Cursed Houses is a lyrical poetry book that carries so many themes, it's hard to select a few. O'Nan transmits storytelling, narratives, and short story genres within his poems with brilliance. Poems about love, society, death, loss, small town Americana, and loneliness stand out the most. At the heart of these poems is O'Nan's ability to make you feel how the memories of past loves can still be felt in the present time."
                                       
 - Christina Strigas, “for all the lonely hearts being pulled out of the ground”

David L O’ Nan’s new book, Cursed Houses, from it’s haunting spooky cover to the end prose-piece,  is a scorcher – a work of narratives and lyrics, an anxious mythic exploration of  landscapes of broken shattered people; some likeable, poignantly portrayed, others monstrous, the walking-living Dead; their political screed like larvae spreading hate, the drunk military fathers, farmers, drifters and grifters, the abject young women and older matriarchs, full of hope and lies. Almost Biblical, its a book of character studies exploring upended toxic glamour, hopelessness, the cracks inside America where people fall. 

The book richly escorts questions and trades in entropy, about the lives lived in adrenaline-fueled fantasy where excess drugs, false promises, hallucinations, and lament intersect. In Sinking Prison the narrator’s pain and violence follows him right into the afterlife:  “You/were found and punished and/ become a nameless gazelle/in a jungle full of hungry/lions on your trail.” Ruminative and ferocious, David exposes families, meditates on life-lessons, draws from the personal, revels in a search for metaphysical meaning.  The lines are alternately clipped and expansive, musical, Intuitive, folk tales told by a raconteur for a lion’s den.

We see ourselves and others, our stories and-our-not-stories in a calm-frenzy of bardic, balladic currency and lyrical leaps. In a poem to a dead brother, the narrator speaks beyond despair, of “Popping firework amphetamine pills, dragons watch the alleys/The abusive and abused in corners and in jars./Oh lonesome traveler, a blood kissed jewel.” Tangled and mournful – this book’s rapid-fire pulse is a circling, uniquely crafted, blistering collection. Bite down hard, get one, roam through its outlaw pages. – 
-	Robert Frede Kenter, author, visual artist, publisher of Ice Floe Press. 

I assume no impartiality as I sit to write this acknowledgement and blurb for David. Having known David the editor, the poet, and the human has been the best creative gift of creative brotherhood I’ve grown to treasure and proudly parade. Cursed Houses is a world on its own folded neatly into a book cover waiting for you to unfold like a handkerchief concealing delicacies. Forget what you know about titles foreshadowing content and even casuistic usage of natural elements to convey sentiments as metaphors or similes because David layers natural elements to give you poetic suspense in every piece and theme. He is the magician’s tarot card of allure and demure – yes because poetic talent is in strategically controlling your subject’s emotional experience. Clarity is nice but with David, heavy and surreal is the vogue because Cursed Houses is a hex that will keep your mind spellbound as your lips pitter patter with magic, nature, love, mentality, and life’s other themes on duality. Cursed Houses is a book of personal causes for both the empath and the introvert as well as the curious and the bratty. In this book, his styles vary in tone and emphasis in a manner that gives symbolism and personification another dimension one that is holistic not elemental. The power of his imageries are not localized in a stanza or a part but throughout the whole piece. Have you seen a mood unfold like a jalousie window controlled with two lines to control shadow and light? David’s poems give out this effect because the first time you read a piece, you read it to take in the meaning trying to coin the aesthetics with what you’ve seen previously. However, upon reading his work for the second time, you will realize your heart and mind are the ones controlling what you are seeing whether they be extremes of light and shadow or even pain and beauty. For instance, in his piece “Womanizers”; David allows the reader to explore his subject’s cares and sentiments by showing how their antagonists envision or deal with them. By doing so he reveals his subjects’ points of strengths, advocates for them and showcases them in the light of humanity. Meanwhile in his piece “The Whole Mythology is Collapsing” David’s musings of spirituality are inclusive of dallying in engaging activities whilst touching base on the struggles of finding balance between the material world’s circumstances, the people’s expectations and prejudice and his desire to find peace and clarity. In this vein, the piece “If Masterpieces Were Bloodshed”, has left me in awe because If brushes had hurricane categories for thickness and aftermaths for handles; this piece is the epitome of the creative mind’s agony. He is able to take elements of magic and nature to project anguish and struggle for perfection. And last but not least in “A Botched Sunset”, David’s piece offers a lover’s despair as a palette of experiences in shades of confusion, denial, and unrequited love. Elements of nature speak in this poem for the poet’s lack of visibility and his reluctant bitter surrender to accepting the fate of being forever invisible and rejected like a sunset that was botched. My only wish is that everyone who stumbles upon Cursed Houses gets cursed with awe from David’s work. So, there you have it, Cursed Houses, your new poetic dopamine. Now go and get yourself a copy because you deserve it. With my Utmost Poetic Respect

Pasithea Chan (poet, contributor, artist)

David O’Nan creates mesmerizing imagery throughout Cursed Houses with lines like “You popped bubbles in the hot flames,/in flamenco streets with bleeding trains that lead you/from the whistles to the cheating rainfalls.”  It’s easy to want to savor the poem 10 Years “We Are Hummingbirds in the South Wind” with its haunting stanzas that contain potent prose “Through Winter roses and the bleeding Spring flowers,/the Summer storms and the Autumn leaves rustling/Each with a threatening torch in our blessed hearts.” This collection is a must read.

Marisa Silva-Dunbar, author of Allison, and When Goddesses Wake

Bio: David L O’Nan is a poet, short story writer, editor living in Southern Indiana. He is the editor for the Poetry & Art Anthologies “Fevers of the Mind Poetry and Art. and has also edited & curated other Anthologies including 2 inspired by Leonard Cohen (Avalanches in Poetry & Before I Turn Into Gold) and Hard Rain Poetry: Forever Dylan Inspired by Bob Dylan. He runs the http://www.feversofthemind.com website. A wordpress site that helps promote many poets, musicians, actors/actresses, other writers. He has self-published works under the Fevers of the Mind Press “The Famous Poetry Outlaws are Painting Walls and Whispers” “The Cartoon Diaries” & “New Disease Streets” (2020).”Taking Pictures in the Dark” “Our Fears in Tunnels” (2021) a collection of poetry called “Bending Rivers” a micro poem collection “Lost Reflections” and new book “Before the Bridges Fell” & “His Poetic Last Whispers” (2022) David has had work published in Icefloe Press, Dark Marrow, Truly U, 3 Moon Magazine, Elephants Never, Royal Rose Magazine, Spillwords, Anti-Heroin Chic, Cajun Mutt Press, Punk Noir Magazine, Voices From the Fire among several other litmags. He doesn’t enjoy the process of submitting constantly however. Twitter is @davidLONan1 @feversof for all things Fevers of the Mind. Join Facebook Group: Fevers of the Mind Poetry & Arts Group .

Blurbs for my (David L O’Nan) upcoming book “Before the Bridges Fell” from Ron Whitehead

*Announcements for October including release of Deluxe Edition of Before the Bridges Fell (Fevers of the Mind Press)*

A Review of “Before the Bridges Fell” by David L O’Nan (review by Ivor Daniel)

Poetry: They Had Sadness in their Eyes ( Like in Littleton) from David L O’Nan