All of the poems (revised) from Avalanches in Poetry Writings & Art Inspired by Leonard Cohen by David L O’Nan

A Hallelujah for a Midnight War

I can feel your skin breathing in orbs
kisses that feels like surgeries
and the money dies off when you are greedy
and we step right into a Midnight War
Millions of Judases in the wilderness
The sick and the crimson
In torment, so petrified
One breath, chokes

In chaos
the hammer smashes in the glass
We are hidden behind these walls
a combustion in bones
and all to become vapor
In this Midnight War
Where the glitter turns to ashes
breaking from the chairs, a howl
The spectres and the stars
Looking as one
Like in a mirror of night

We have been forsaken of riches
They loot the diamonds from the heart
And the robbery is simplistic
we feel translucent watching the seas
The Midnight War cripples
And the waves clash together in an

The virgins spin down
with chapped lips
and breeding, hungry eyes
You are numb to touch
A revolver, an allergy
The flaming of whips to erase your mind
The pearls, they fall to the fire
the path is a torrent from fibrous roots -
to the vines of cherries
Angelic songs
Obliterates, to my auditory invisibility
In grief, in pain
Praying in puns

So, Midnight passes
And we are back to 1 a.m.
Time for the blossoms and the honey
woven into the fabrics of Earth
tip toes the demons away
White horses begin to gallop -
wildly around the curves
and suddenly your eyelids open
back to the reds, blues, orange in the sunlight, surrender
hear the hearses beginning to putter
the gas kills off the energy

Ripped Off My Jean Jacket 

As the symptomatic leaves begin to fall
I watched noiseless waterfalls -
drink in the deranged and lame
Our bodies are blush,
decorated into these parks
by the stabbing strokes of a paintbrush

Brush away these harsh devils
Wiped away all of my tattoos
My head is clammy and sweating
Watch the stars penetrate the heart
From the moon,
I have become the decorous
the ultimate gentleman -
to all that is blind
whip-in the inhales
And shoot the arrows to the waves.

If I am uncovered,
if truths are found to be false
I will carry myself like a casket
and image myself as the lifeless wooden doll
I collapse
to the thundering faint, to the floor
I ripped off my jean jacket
the wild, the seeds plucked to be reborn

Long nights listening to this same rain falling
the owls are silent in their hoots
the traces of our footprints -
are known to be crazy
we are picking the serpents from our boots.

So, is this the white noise?
I live in either gray or electric shock
an impulse is easier to swallow
but sin takes time to regurgitate.

Oslo in the Heart 

It was 4 seasons in Oslo
Where they greased the wheels for our eyes
when they bleached the brides
my skin has turned to purple veins,
locked my mind inside a wall of chains
all the Norwegian women bled like rubies
over a beach of shells
Candlelight on the bones inside the moon
cooking the peasants in a witch's ritual.

Oslo was in my heart
when we wed
Winter crosses full of wet lead
tuning my mind to a dripping paint
and rippling vapors whip in every corner.

Oslo was in my heart that day
we danced a fandango
through the avalanches lay bare sleighs
the mountains had broke for all the old anger in the stones.

Oslo nights in wonderfalls
heartbroken men and shallow women calling
for the moneymen to come from the big U.S. city
the commercial life
the vacations and all the models
bankruptcies in graveyards
the drifting of the wind.

Shenandoah Tramps

You walk the streets like you are still in Tabriz
You miss the Iranian Summers
While fumbling full of wine
you feel the prickly goosebumps from the breeze.

And we begin to walk with a squint
as the sun masks the city
eyelids bouncing,
and quivering drunk lips.

You desire the kiss when the night stirs
dressed in scarlet red
looking for that efficacious effect
We are like the stars in the sky
celebrities in meteoric flash

We are just lost
from the waste to the lakes
trying to unlock the code
to flee us from the beams of Heaven's Gate

We can wish on these wine bottles
throw in the pennies for a little luck
we can invent beauty
out of the contagious Shenandoah muck.

Our city is just a bullet town
Our love will fall like tramps in the rain
with our hands becoming umbrellas
trying to protect us from the downpour
awake our celestial shine with this oncoming train.

And here come the dollies 
and all of the sheepmen
who gather ours fossils
and they use them for swanky chaotic sin
our rose is a misery 
burn the shell right off this redolent city.

The streetlamps are as dim as a yellow puddle
with a hint of chickweeds growing around the blacktop tumors.
And all we can talk about all of the music,
and hum until poetry rifles through our brains.
Studying the fallen art stuck to the limbs of trees
On the edge of what was Calliope.

When all was tame and flowery,
The strong was not frail without a care
Our frames were not broken, just skeletal grey
And we would dine on evening air
and dance to the melody of church bells 
the hymns were our parade.

Drinking Blue Moons

I was burning through the poker chips
Looking eye to the cavernous eye of some demon
I see all the misleading in your passions.
If all your passions are the flaming dollars
and all shoes want to dance for the triumphs

You have a Malibu boy doll home
with wives that sashay in the golden fields
beautiful gardens and thrusting seeds
water this, burning just a little.

And we all want your suits and all the glory
the perfect hair and the ungodly White teeth
Maybe the jealousy lives in all of us
but we know you're as fragile as a toothpick -
when your way begins receding.

Drinking Blue Moons when the red wine runs low
You begin pacing like a war of pistols
when the bombs begin flashing your photos - to the world
we know you, there are truth whisperers

Your flavor of the month decisions
begin to disease with constant new kisses
After dark in powder kegs
love hearts dancing around the bones
to erode them
three sheets to the wind
and your toy world is for sale and crumbling.

Love, love, love
is in the twist of a bottle-cap
Love, love, love
Is putting your head next to the ammunition
the boattail bullets dips you in to the a round of ripples
Love, love, love
Your blondes in black in the background crying.

All the women are there
from all your hidden life messages
to a Lucy, an Alexis, a Leilani, an Olivia
From the bedrooms with White curtains
and all that money -
was never his to begin with
Will he rest in peace in a graveyard of suitcase tombstones?

An Autumn Scarecrow

If my song for you is Autumn
From the roof I shall sing to a soft chill
My voice is an earthquake quivering out
these little sonnets and trails of letters
Coming down faster than the snow

We soon stand still in the early season blizzard
It will blade through all of the farmland
The prairies ruined with guillotined scarecrows
bleeding straw like a hydrant
This is our beauty, this is our moment
Will you say I love you back from this Midwestern view?

And we can warm each other in praises
In the hills of sleet where we shared our first kiss
your hair falls over my body like the stars tonight
And magnetizing our hearts together in our newly found love.

Let us birth the Winter Solstice in the death of leaves
I really never cared much for all the scarecrows
they were nothing but a lie
To keep the dying birds on the street

I know, I know I can love you
At least for awhile in this arctic shift
as my heart beats lazily the colder it gets
Well, do we escape together?
Before all the tornadoes of Spring
hunt for fresh meat
to begin the hunt for a new shelter
Share this breath with me a little longer
before I have to think of the potential hazards.

All of the Miles Between Us

There are many miles between ideals
and many indecisions.
Between the straying women
Riding new wheels
and feeling weightless.

Do I feel artistic,
or just punch wildly and swing around to a phantom touch?
How can I be me?
When I am constantly feeling stalked
by the shadows, the voices, and past scars
the new wheels begin to break and roll down the road.

I see you play the actress
You play with the best of them
Just call you Joan Crawford, Just call you Mrs. Hepburn
I can't see myself in these mirrors
past the steam there you may be
Is it the lipstick or the lie?

Just cradle me
you are my melting candle
Like a mind without sympathy
Hear the wails in the air, 
I'm constantly in a crawl for you
but you felt more secure by naked irises
and secure by the many miles between us.

On Rippling Streets and Possibly Dying

Inhale, exhale, now uncertainty
awoke or maybe i'm a splattered angel to the road.
In feathers like a cardinal in hot August breath
Burning away to the move of a wicked gravitational spin

I'm on a rippling street,
dust swirling like my head
covered in an old business suit, damp and frail
watching abandoned Subway trains moving once again.
I see a 1940's traveling preacher on the corner.
One moment he's for Jesus, the next he's in it for the flames.

I stare into the hypnotism of a long walk to triumph
I have to face the destruction of regret
and neglect myself in cigarette smoke that wrestles the air -
to the gray we all see in this converging heavens
From this industrial sewage drains to the tobacco fields
the trees lift from the ground funneling energy from the clouds.

I'm on this rippling street
And I think i'm lifeless
a hex to the all the beauty of colour
a hissing in my shoes
they begin to race by you to get to me
Do they see a man, a skeleton, or invisibility?

And the Wolf Shakes

In a camera's view
I am the tortoise
When hidden away I can be the hare
With whistles, dry kisses, and dangerous fixes
I can suddenly be the crushed worm.

I feel the hierarchy of changing
the wind cracks these castles to rubble
And you dream of the vicious
and you dream of the gentle warmth
in the shelters when the wolf shakes.

Eventually, the Winter will slip through
Those cracks and eternally
We feel we become the peasant's meal
The bears begin  knocking and Goldilocks is illuminated
Always hiding like the scared child
When it begins thundering the war sirens.

The bullets, the bombs
Squeezing like the boa even when we run
The parades become eerie and the howling sounds like hell
Tight and abusive,  the frightening smiles and nods
those demons drink in the rain
and leave us all thirsty
with endless clouds still bleeding.

Imagine the harps and flirtations of the angels
only to be tricked by the chivalry of the devil
I see the spit of poison reflecting up -
from the bottom of a wineglass.
And God can be the illustrator when you are fearful
when tasting of the bread and the Holy Bible is a straitjacket
to whisper you back to sanity.

These wars were made for men
certainly not made for love
the damages have painted a death,
for the wash.
Now the washing away.
The floods finally have come.

Wiping away the hoax of the drifters
in these torrents 
to rebuild our trenches
where we can desire to live again
When will that wolf leave.
will the sheep ever get to play?

Leonard Cohen's Ghost

To dance, dance, sway, just sway
with all the Gods, the ghosts, the deities that we pray to.
Restless orbs hovering through my bedroom.
On the walls that they call home.

In their wooden eyes and popcorn ceiling shedding
I feel a leaky roof's carcass form an IV drip of falling rain
On the bed sheets, on my cold Manhattan muscles
with all the holiness, the prophets, and the seers - that surround
Drinking the electricity from my blood.

In my slumbers I see the hereafter
In windows bonded by straps
Paralyze my brain to a schizophrenic trap
Patch myself back with apologies and prayers
the Soul keeps straying to and from this thin layer
between me and the concrete sky

In this room lives the melancholia
Reflections of Orion
and all my visions, Judases, and the disease - in synthesis
My bones fail, 
and muscles endlessly ache
they crack and break 'til I cease to be

Being an old man
dressed in yesterday's fashion.
I sleep in my suit, with another suit for pillows to cushion
The opium that fills me begins to possess me when it becomes night.
I may be left abandoned, yet you want to steal my soul.
You reach from the floor and present my death as Christmas Day.

I have your stains in my DNA,
And your perversions scarred in my brain
I looked to you during grief and hunger
And you, the angel, the woman, the saint - the kiss
Gave me a drink from my flask on the worst of days
I retire away from your memory.
Where can I find the safety again of family?

In New York the rats know you by your name.
And you gamble with them in Central Park
Drink your coffee with the visions of Virgin Mary
the herald angels we Hark!
I begin to dream away a crystallizing of waterfalls 
the moving mountains on my deathbed calls.

My children have all left the buzzing city
I have grown skinny, skinnier every day
with this beard always itching.
The room feels like it's a melting paste.
And I sketch all the martyrs, my family, and founding fathers
And I pray to a wisp of light that shatters against the lamp post.

In all of its fury, I meditate through this path
I confess to a mass of angels lifting away the flames from my soul.
I want salvation 
as I see the jetlines of Leonard Cohen's ghost. 

Smoke Halos in Endless Winters

The infatuation with you was immediate
You complimented me on my shirt
Your tanned skin danced with the sunlight for the Summer
As I sit in admiration for you in the crackling dirt.
I infected myself,  
haunt myself with your routine.
Day after day
the ring on your finger seemed to be on display.
How you cried in your loneliness and longing.
And I wanted to be the shadow that meditates in your soul.

In coffeehouses we roamed
The same crowd of people we knew
I wanted to draw you closer
Your heart belonged frozen to a soldier's march in a sick hue of blue.
Even when he screams
You sat as the trophy on his shelf.

There was a line of men like me
some had love in their mind, others were just bawdy
Many admirers left blushing
at the parties and in the silence
And in the New Year's trips 
I was hanging on to my sanity
from the tip of your lips I wish mine were.

And I would cry for your nomadic footprints
That I lost and battled myself to find
And every time I thought you have found clarity
The green pebbles from the red,
Then you became a borderline aurora
My body thrown in the piles of dead,
just another audit for the cemetery.

You would come home in tears, a distance
My arms still open many months for your embrace.
After months of your endless nights and dark mornings
The smoke halos above an Alaskan bay.
I'd hope for the energy of my heart to be revived 
I wanted to charm your broken one from the ashes in your shoes.

I would hint annoyingly trying to drag out a smile.
And you would hide behind a mask of newspaper
I would write you poetry, and I bled out my blues
I would ask for a dance though I didn't know how
I would gladly try even if my legs were be broken.
If at the end you were the ultimate prize.

I would've danced my tears to a drought
I would've lifted you up above the clouds
And touched the wings of the angels
to revive us from the Earth's shutting crust
And the younger years become a dusting.
And full of those hearts stuck paralyzed.

The strings of years form on my forehead
A husband and a father
And I know you are around
I still feel the fighting of those ghosts
I feel you are battling them also
though the nomads walk begins to slow.
The footprints of Winter now have a home.

The Shrinks and Street Heroin

From the morgue you seem restful, finally
Your blonde hair, blue eye German swirls became languished
From the battles of Berlin and Cologne
You walk like the death of magic.

The rain dissolves in your palms and fades
Fall in the puddles of your narcissism and hatred
your reflection as withered as your health
the death of the superego and the icy stared pupils.

The needles came from everywhere
and you collected them all as if they had value
and all your shrinks kept pushign you closer to the brink.
Your fashion became flooded
like the blood in the plunger.

They inject the dye and lies
And you swim in a coma through the streets -
of this dying city.
While all the boys would watch you like a sunset
You quietly regress as the opium drips from the tap.

Soon you befriend the devil
But you say you hugged Jesus
You've brought flowers for the enemies
And you dreamt up an artistic sewer.

There are weird, wicked & wonderful snails
That lay on the concrete in  your heart
And they just want  you to feed them the freedom
From the points of lust in needles
With their many injections and ejections.

So let us travel to your voyage
The withdrawals and we surround you like all the pneumonia
Pounds, pounds your lungs
Pounds, pounds your breath
baby, baby, baby
the palpitations, the scarring, the stench
Living life like the jagged nails on a bench.
become dispensable.

Not bathing in oils anymore
sleeping naked on the bathroom floor
Your shrink now has an unlisted number
No longer the fresh breeze
in your decay of all art and poetry
the mortality surrendered
Permanently in my doorway is your dark shadow.

An Ode to Tessa While in New York

The juveniles gathered around your blinds
They studied your silhouette to memory
Dancing like Ann-Margret around the room
The candles burning around a 1985 waterbed.

On New York city nights
one of the college boys in the alley
Looking for a clue and a view
You'd walk out slightly drunk,
smiling at crowds of boys
with eyes that were up to no good.

Riding a green bicycle to the Jackson Hole
your scent of sweet cigarette smoke and perfume,
leads the path to a perfect follow
Maybe I will come down and have a drink
While you chat about the news to some hipster folks
I see you flirting with them all. 

Everyone laughs until we bruise
my heart just jumps like a petrified fish.
I have to walk by and say a hello
Although, there were more handsome faces in the shadows.
I hope to at least be more hypnotic than the stained spoons -
in this diner.

You say "I am Tessa, but I believe you already know that"
I introduced myself, she said "I've always liked your artsy hat"
We drank coffee 'til our stomachs bled.
And I was as shy as a detached bubble.

You carried the conversations, lead my hand
Picking flowers out of the cracked sidewalks near Brooklyn
Lead my hand, as we joined silhouettes
As the other jealous hustlers sat in the rain.
Lead my hand, through other diners with scent of burnt coffee.
Drinking our time away we would be catty, flirty & bitchy
Tessa,  you really enhanced my greed and need 

In nights I swayed with you
Nights we cried into each other's chest
Nights we drugged ourselves to nightmares
Nights we laughed until the extra strangers left
Now, in New York here I am
Long distances between the walks in all the burroughs
All the pigeons, drink at cold waters
the Statue of Liberty looks plagued.

Since my needs are old
When you lead my hand, to the bars
You lead my hand, by all the Harlem diamondbacks
You lead my hand, to you breathing your last breath -
on the back of my neck.
You lived your life for many,
but to yourself you hid away all your suicides.

Featured photo/art  by Geoffrey Wren 

Poetry Showcase from Kushal Poddar

Braids of The Short Dreams

Mamma braids her daughter’s thoughts.
The cuckoo cooing in the back of the brain
sounds shallow and floating between
the weathered Coca-Cola sign and the dog barking.

And the dog barks for hours in this short dream
the way the watchmaker grandpa winds
a long spiral ribbon into a tiny coiled spring.

During the noontime the houses, lanes, half naked
men working on a cancelled project and the trees, all
become the Sun. Mamma has a small and big hand
that screens the eyes of her daughter, and they’re
the Sun; ropes of their entwined hair bounds toward
the hole of the burning maws of awakening.

Flesh of the Republic

Body and flesh float away.
Rivulets. Entire sky
seeks an address, finds
my vein instead.
Where will you lose
the threads that sew a quilt,
patchwork, tales?

Winter comes and goes;
frost never melts;
you know what I mean.
Body and flesh float into
my vein, and I ask them for their permits;
they can inside, but can not permeate;
I won’t let them be the citizens
of this rotten republic.


He records his chitchats

with the cab drivers, not all,

those with the ones

he kills.

There exist avenues

and lanes of cabs taxiing


and recordings replayed

over and again in his id,

and then

he finds his son working

for an app-cab using

a forged license.

He records his son, as if

his ears metamorphose themselves

into two answering machines,


These annals are better

than any psychiatrist’s,

the father of everything

listening to his killer instinct.


Deluge, the bitching mistress on our backs,

bites our earlobes as

I sent your claim – I can

efface life memorized.

I can. Only mine. The process

involves adding more, not less,

the same way you do most of the days,

except those when it rains

in the excuse of this balcony or

when it shines and you stare downwards,

see the hissing serpent of the traffic

looking up at you, out of reach.

I do not rerun the tapes, listen

to the protest pops from the Nam times.

Rain writhes to arrest my mind,

albeit an antiquated man has his disinterests.

I say, “Just forget.”

I Was as Cold as a Razorblade

In the late autumn winter

whimpers in her oxygen tent,

and we nurse this premature child,

see her wither, bloom, sear, brown, exsiccate.

Hence December surprises us

when she arrives for a date

wearing white sleeveless

and drinks from someone else’s chalet.

The potion was red. The poison bears no effect.

We toss our fedoras, shuffle to dance,

tire out and stroll outside,

our feet disappearing inside

the heart of crushed water.

Our hands in the pockets of warmth

seeks for a tinge of Yes

and finds some forlorn gums

we keep for protection’s sake.

*The title is wordplay on Leonard Cohen’s So Long, Marianne


We sit there, oracling,

drinking for ages; we

chat about different drinking-ages

and different countries;

sun sets in liver tinge;

pigment of the stream cooling,

fibers of our thoughts unreeling,

we sit there, eyes on nil.

We sit there, nothing,

and water pegs down our shadows

as if those will be its

Maypoles and wheel – time will swing by.

Raising The Time

The torn dress from

the fundraising dance

taps some memory cells;

half of you desire to

make a mop out of its residue,

but since you cannot wipe

enough memories

your hands force it down

against your thighs.

I suggest –

“Let’s raise the time again.

Time and again.”


The eye in the pink sky
denies any foresight.
“We have a glacier melting
Himalaya.” Says pop folding his freewill.

This means it will be
the rush-hour of depression
in his ecosystem,
and the day remains naïve native
accepting gifts from our invasions.

A coin decides
whether my sister
will enter in her classroom
shoot everyone or waive this.

“Don’t!” I whisper.
“Yes.” Pop says
on a topic irrelevant.

A crow on the ceiling fan
caws a dream
melting as my pop’s coral reef
corrodes away within.

Love Thy Father

You still love your father,
and do the one thing
that destroys him every day

and rebuild him again
as if he is naphtha or plastic.
His quick silver hand quavers with

the weight of your
nocturnal telephone calls-
“Hello! How are you?”

You always say,
“Talking to you dad,
is a remembrance of my mom’s winter.”

The State of Being During An Autumn Day

Autumnal gloaming, chill-filtered,
retains most of the darkness.
I stare at the pecans a hit-and-run
windy incident has crashed into the yard
I can always trespass leaving no evidence.

The rolled newspaper, asleep, on my table
wets its staple. A shiver walks my spine as if
my backbone recovers from a wheelchair
worthy trauma. Ticks, the Casio clock.

All these state the state of being.
Sometimes, since the outbreak, I hallucinate
my being shrugging off my body and staring,
first, at the mass of flesh, and then, at distance
ever vague and ever everything.

Death And Desire

That night you towel wrapped
the thirst of your partner.
You both died. The butterflies
in a painting behind your head
tried to escape, but the flight was cancelled.

The panes paved a shortcut to winter.
You picked up the towel dropped
around the ankles still wearing black
metal anklets you bought for her,
and wrapped her flesh. You both grieved
the death in the family. One craved for
flesh and the otherness in you sought for
the space where darkness garden blue agave.

An October Murder

“Did you see who shot you?”
“It was October. I opened a door
the size of a bullet hole.”
I whisper from a distance a whisper
can cross in its lifetime
to reach you almost dead. You hear,
and it withers. Withering seems
a garden, silent, and I on my bare feet,
grass appeasing one sensation
to swell me up with another.
“It was October. I opened the door.
It was a muzzle and a flash.”

Intimate, Unknown

The way one cleanses his October refrigerator,
without any provocation, without his partner’s hints,
almost as if that moment has been scheduled
or seen in the past, as if his muscle reaction
picks up the bottles and vegetables, packets and tubs,
casseroles and bowls full of forgotten experiments
with vegetables, and the contents of those packets and tubs
and a dram from the bottles’ nozzles, places them on the floor,
dismantles the shelves, sponges them gently and puts all together
I find me in intimacy with you, unknown.
Your hair unlocked by my hands, whisked back by my reflexive fingers
reveals the unknown in the unknown. I disassemble
your chrome and beige dress and unlock the sweat beads.
We could have been talking about the pestilence
or war or patience or the dire dearth of the same.
We could have been pondering over a jigsaw puzzle.
It does not matter. We are intimately unfamiliar.
Famously alone. The quagmire of cold water on the floor,
or our bodily fluids puddled around us evaporate. October.
The mellow songs are served at room temperature.

An Interview with Kushal Poddar

  1. Please describe your latest book, what about your book will intrigue the readers the most, and what is the theme, mood?

Kushal – This Christmas, my book ‘Postmarked – Quarantined’ shall be published by IceFloe Press, Canada. The highlight of the book is the plague, human reaction, my daughter’s birth, and how a person, vulnerable the way I am, may interact with the rules of the universe he must abide.

  1. What frame of mind & ideas lead to you writing your current book?

Kushal – As I said, the book encases my own vulnerability, albeit I always endeavor to scriven in a universal tongue. The idea is – write from personal experience, blend with news, and then read and rewrite the poem from a neutral perspective.

  1. How old were you when you first have become serious about your writing, do you feel your work is always adapting
    Kushal – I was fifteen, and although I imitated writing rhymes since I was a six years old child, it was during a summer holyday of my sixteenth year in this world I began to adopt my only identity as a writer.
  2. What authors, poets, musicians have helped shape your work, or who do you find yourself being drawn to the most?
    Kushal – The list may lengthen itself but the salient influence, I must say, oozes from Wilfred Owen, Frank O’Hara, Charles Simic, Franz Wright, Billy Collins, Ted Kooser, Mary Oliver, Graham Greene, Gabriel Garcia Marquez, Borges, Milan Kundera, Hemingway, Raymond Carver, Raymond Chandler, Philip Roth, John le Carré, and Neil Gaiman and the music of Dylan, Simon & Garfunkel, Jethro Tull, Billi Holiday, Louis Armstrong and Nina Simone (as of tryst, and the list drifts).
  3. What other activities do you enjoy doing creatively, or recreationally outside of being a writer, and do you find any of these outside writing activities merge into your mind and often become parts of a poem?
    Kushal – Sketching and painting often clear the cobweb of my mind. I used to take photographs. I often write whisky criticism. These activities add curves to the flesh of my writing (writing includes, poetry, short stories, and now a fragmentary novel).
  4. Tell us a little about your process with writing. Is it more a controlled or a spontaneous/ freewriting style?
    Kushal – Writing is a continuous process. I write in my mind when I am not on paper or computer. I mumble an entire poem or short fiction sometimes to my daughter or to my wife, and then when time permits scribe it down. Is it free-writing? Not actually. The process is curated by years of reading and syllable counting presently made into a reflex.
  5. Are there any other people/environments/hometowns/vacations that have helped influence your writing?
    Kushal – There are all my fellow poets I met online and offline. There are my wife, daughter and a difficult relationship with my parents. There is political news and the news of sports. I deliberately created a fictional hometown for my poems or other kinds of writings. This town consists of elements of East and West, and can be felt as the reader’s own one.
  6. What is the most rewarding part of the writing process, and in turn the most frustrating part of the writing process?
    Kushal – The rewarding part is mental peace attained after writing it down as if I have cleansed a part of my memory, and also whenever a piece is published I receive the thrill of a junkie. The frustrating part is not having enough time to write everything I desire to write.
  7. How has this past year impacted you emotionally, how has it impacted you creatively if it all?
    Kushal – I had many premonitions about this past year. I was living a tale written by Stephen King or Camus. The part that took me by surprise and that made me defenseless was the news of my wife’s pregnancy during this pestilence. I was deeply worried about the safety of my wife and my daughter. I began to write a poetry-journal about the day-to-day emotion that surged inside out.
    Author Page Amazon –
    Author Facebook-
    An author and a father, Kushal Poddar, edited a magazine – ‘Words Surfacing’, authored seven volumes including ‘The Circus Came To My Island’, ‘A Place For Your Ghost Animals’, ‘Eternity Restoration Project- Selected and New Poems’ and ‘Herding My Thoughts To The Slaughterhouse-A Prequel’.
    Find and follow him at

Holiday Interlude by Ankh Spice from Avalanches in Poetry Writings & Art Inspired by Leonard Cohen

Every morning she’s down there
on the verge, barefoot and swaying her weight
like her holy soles are slow-burning

The light here is an old violin, cracked
varnish music
scratching bars through the watcher’s window
and her grey head bows angel time while she dances
if that’s what this is

By the eighth morning I’ve composed her life
from scraps, quilting her song
with real wild bright minors
I toast her with coffee
and sing her down ribbons

The day I leave she treadles the gutter
stormwater, kicks up sticks and feathers
cursing the rain
cursing the pigeons, the windows, the watcher
wearing a whole different heart
and the light is more hammer than strings

Photo by (c) Ankh Spice

@seagoatscreams on Twitter

2020 Pushcart Nominee

Ankh Spice is a poet from Aotearoa (New Zealand), who has an abiding love of the sea, and story-songs that include small mysteries. His poetry has been recently published in Black Bough Poetry, Burning House Press, and Pixel Heart Magazine, and has recently completed his first chapbook.  @SeaGoatWhoScreamsPoetry on Facebook.




Re-post:Poetry by Neel Trivedi from Fevers of the Mind Press Anthologies

Why the Hate?

I ask a stranger how s/he was born?

From a mother’s womb they say.

Just like I once was.

So why the hate?

I ask a baby what religion is.

To the best of my ability to decipher baby talk,

s/he appears not to know.

Just like when I was a baby,

blissfully unaware of grown-up talk.

So why the hate?

I ask a stranger how s/he communicates?

With a tongue just like mine, they say.

The birthplace of every language, I think.

So why the hate?

I once spilled paint on my arm.

A palette of various colors made habitats on my skin

before leaving during my next shower.

Yet my heart, personality & identity

remained the same throughout.

So why the hate?

I try to form a collective hypothesis of my conversations:

We’re all born the same way & die someday.

Skin color & religion prove to be highly incompetent

to help a heartbeat, lungs breathe & brain cells grow.

So why the hate?

Beauty: A New Definition

For generations the wise ones have said

That beauty is in the eye of the beholder

But time passes, generations evolve

Some simple, some a lot bolder

Some proverbs die

Some new are born

Left to all to choose

Which are progress, which are scorn

Perhaps a similar time has come

To give beauty a new definition

Leaving the beholder out & say

beauty is in the heart of the pious one!

Beyond the Obvious

How the naive think

What abuse means

Perhaps some blue bruises

And a shattered spleen

Such evidence & signs

Are no doubt a fear

But is there no value

Of an isolated tear?

Everyone sees the obvious

Without a look inside

Curse this bloody flesh that makes

The wounded heart hide!

The Invisible Aura

Step into the vortex of my soul

To decode the language

I often speak to myself

Every night when I peel off my mirage

That the sea of gazes around me

surmises to be nonchalance

This is my universe where:

Depression is not a mere mood swing

It’s an actual chemical imbalance

My facial expressions are not always

Gateways to the feelings of my heart

Sometimes they are merely decor

My silence is not a symbol

Of any kind of equanimity

Listen to the aura who’s decibels

Don’t roar like a lion

But squeal like a mouse

Observe the aura that’s the

shy one in the corner

Acknowledge the unfelt emotions

For you may not feel them

But just a moment of your cognizance

Could determine their fate for eons

Soul Whisperer

I come with no ostentation

No glory or cavalcade

For I creep upon this junction

Not to arouse a racket

But to dismember the status quo

I make no proclamations to be

Your knight in shining armor

Or to dry your tears

But to bequeath equity of them

To feast on the salt with thee

I come not to sheath your malformations

But to stand in their gallery

And be a zealot for ages

Of what my heart senses to be

Not wounds but victors of endurance

Think not of me as a paladin

In a quaint fable

But a commoner just to proclaim :

I once bore what you did


And hearken the language of your soul

That others have stained as an enigma!


The Midas Scratch


Lay your fingers on the canvas of my flesh

And scratch till what you carve

Becomes the cynosure attire of my body

Never to be removed

Till the mind in its entirety

Is severed from the bones

Take no heed of any provisional brood

Or waterfalls of blood

For the blemishes will eventually mitigate

But the fable your fingers nurture with love

Will give me an immortal prevalence

To any and all around me!

Playing Along 

After Leonard Cohen’s “Waiting for the Miracle”

When the heart drowns in total despair

I soothe it by telling tall tales

Of an intoxication known as hope

A miracle is coming, says the heart

The mind just plays along

I dance in the name off faith

Even when my feet are numb

Lest I reveal the inner abyss

A miracle is coming, says the soul

The body just plays along

Stay in the slaughterhouse

So, my wounds can blend in

Lie in the rain so tears seem small

A miracle is coming, say the tears

The eyes just play along

So far not a sign

Not even a mere shadow

Or the calm before the storm

A miracle is coming, I say

The miracle just plays along

Neel photo(c) Neel Trivedi

Neel Trivedi is a freelance journalist & in the advertising business in Dallas, TX. He writes poetry & fiction. His work has been featured in Rhythm & Bones Magazine, Drabblez Magazine, Paragraph Planet, Dodging The Rain, Mojave Heart Review, Elephants Never, Chronos Anthology, Rising From The Ashes Anthology and Purpose Magazine. As well as  He can be reached on Twitter @Neelt2001   

Re-post Poetry: The Healer by Robert Frede Kenter (in Avalanches in Poetry)

I am a healer

I have healed many wounds in my time

with a magic wand

and a black Stetson hat

I healed

the wounds of poets and statesmen

with dark amber potions and herbs

I healed the painters of houses

with canvas bags of secret wines

I healed the scars of hatred

on the back of Montgomery street

with a needle and thread and scissors

I starved the healer

whose cane was crooked

and dropped him into a pit

I filled the abyss with dirt

and stitched it up with rain

I walked along the avenue

and was prayed to

Robert Frede Kenter is a writer, visual artist, editor and publisher. Recently guest editor of Burning House Press (July, 2019). Work also in Anti Heroin Chic, Mookychick, New Quarterly, Grain, cough, Dandelion etc. His new book,  Audacity of Form, is available at Ice Floe Press (2019). Tweets at @frede_kenter

@icefloep for IceFloe Press

*This was first published in Avalanches in Poetry: Writings & Art Inspired by Leonard Cohen*