A Poetry Showcase: Adrian Ernesto Cepeda inspired by Dylan, Miles, Plath, Sexton, Marilyn

Within the palm of Miles Davis
 From a 1986 photograph by Irving Penn

You can feel the grooves
all the notes created from
exhausted breaths, of his 
lips chapped gold on his 
glowing instrument, gripping 
sounds trying to capture music—
by coloring the air canvas 
with new notes he creates
in the gust of improvisation,
always chasing the rhythm that
eludes him— under the sweat 
of spotlight, overcoming 
calluses, he reaches for
creations exhale, when 
he blows, Davis loves 
the taste of inspiration 
inside his mouth, making 
out with masterpieces
in the middle of his solo—
with so many miles to go 
his trumpet never sleeps.

Midnight at Newnham Gardens

Sylvia loved speaking poetry
to the sculpted boy and dolphin,
splashing in Cambridge winter 
silence, as she moved her shivered
lips speaking to something who 
could listen without accents.  She
loved to daydream within the snow
globe shadows. Plath would make
up naturally blessed Ariel verses
and the boy would glow statuesque—
frozen marble eyes would attract
her night after night, not saying
much ears open waiting to hear 
her sneaker footsteps, standing 
in front of her quiet friend was
her favorite solitude, conversations
sharing December breaths alone, when 
she spoke in whispered Winthrop, 
Massachusetts rhymes, Plath
would beautifully melt icicles. 
Chewing midnight sojurn, 
Sylvia loved listening 
Trying to decipher all 
the frozen London voices— 
buried in the moonlit snow.   
 
Driving us, Floating Uptown

Bluntly passing joints 
watching the street
car, car stereo loudly
imagines Bob Dylan 
between us, almost floating
on the grassy median
while on this short 
mind trip, you drove us 
Uptown on St. Charles
Avenue, the trees
are colorful carnival
umbrellas, scattered
with Mardi Gras beads
hanging on every
branch. As I reach
from the car window,
wishing I could grab
one but as you signal
to turn the car onto
your street. I can feel
my munchies kick in,
remembering the laughter
when we smoked out,
it was not just getting high,
passing me the joint,
there was this unspoken
joy of two buddies
lifted, sitting on his
couch listening to Dylan’s
Man of Constant Sorrow,
two po boys munching 
down on our favorite 
Magazine St. sandwiches, 
minds stoned sharing
so many silence of moments—
although I’ve forgotten 
so many NOLA nights, 
shows at Tipitinas, State 
Palace Theatre raves, 
free movie passes at
Canal Place Prytania, 
pizza slices/ SIN discount 
drinks at Club Decatur—
I always remember 
cotton mouth contagious, 
like howlin’ wolves 
lifting our spirits, 
joyfully, sipping 
bottled beers next
to a buddy in a smoky
room, with minds in
the clouds, always 
missing the jubilant 
uptown banter, bongs
of remembrances 
parking grins—
spinning CD’s
imagining Dylan
between us, lyrically
lighting one up, 
in an afternoon daze,
with my buddy Keefer 
the high always transcends. 

Only the wind can truly kiss meI was coming apart. / They loved me until/ I was gone” 
—  Anne Sexton 

Some nights, I sleepwalk
on the beach, waking up
quivering, knowing this
is where my often maltreated
body loves to feel the chills
rippling against my robe,
titillating underneath, 
my naked skin. My face loves 
the way the gust could reach
deeper, each breeze against
my cheeks, the gale kisses
wildly like no man’s lips 
never dared to reach—
the wind never takes me,
she blows inviting thoughts
so cool, revealing the only
time I feel naturally blushing 
without make up, just me—  
my eyes closed loving how 
much the tempest winds match
each storming burst tempting
so beautifully disrobing me 
from my inside.


(If I had) Five Minutes with Marilyn Monroe
From a 1955 photograph by Ed Feingersh at Costello’s Restaurant, NYC

 I would light up more than her cigarette,
and her soft inquisitives smile. I would 
sit across the booth and encourage her 
not to only focus on silver dreams, attractions
becoming only on theatre screens. Instead 
of centerfold, photoshoots, exposing more 
than skin, show all your body, volumes
printed from the spine. Remember Sandburg, 
Miller, Capote’s gift? You too can expose sharing
every imperfect scar, have your legacy so brave
on the page, each line you bare engraved like
a lyrical kiss. So many dreaming to touch 
you, why not reach out with words from afar? 
Reflecting your verses connecting so much 
closer, circulating each of your most secret 
fragments, pieces, crumpled ink stains
see through markings; underneath your flashing 
beauty reveals the most captivating poetry 
a voice of siren, that star is you.  


At Marilyn's grave

Still everblooming 
like the roses glowing

on your wall, despite 
everyone who doubted 

you, those who could 
never see beyond your 

beauty, your life, a poem, 
like the most perfect 

rhyme, in eternity’s 
spotlight, Norma Jeane even 

my shuttering camera knows 
you will outlive us all. 


Bio: Adrian Ernesto Cepeda is the author of Flashes & Verses… Becoming Attractions from Unsolicited Press, Between the Spine from Picture Show Press, Speaking con su Sombra with Alegría Publishing,  La Belle Ajar & We Are the Ones Possessed from CLASH Books and his 6th poetry collection La Lengua Inside Me will be published by FlowerSong Press in 2023. 
Adrian lives with his wife in Los Angeles with their adorably spoiled cat Woody Gold.


By davidlonan1

David writes poetry, short stories, and writings that'll make you think or laugh, provoking you to examine images in your mind. To submit poetry, photography, art, please send to feversofthemind@gmail.com. Twitter: @davidLOnan1 + @feversof Facebook: DavidLONan1

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