Writing, Poetry, Short Stories, Reviews, Art Contests
A Poetry Showcase: Adrian Ernesto Cepeda inspired by Dylan, Miles, Plath, Sexton, Marilyn
Within the palm of Miles DavisFrom a 1986 photograph by Irving Penn
You can feel the grooves
all the notes created from
exhausted breaths, of his
lips chapped gold on his
glowing instrument, gripping
sounds trying to capture music—
by coloring the air canvas
with new notes he creates
in the gust of improvisation,
always chasing the rhythm that
eludes him— under the sweat
of spotlight, overcoming
calluses, he reaches for
creations exhale, when
he blows, Davis loves
the taste of inspiration
inside his mouth, making
out with masterpieces
in the middle of his solo—
with so many miles to go
his trumpet never sleeps.
Midnight at Newnham Gardens
Sylvia loved speaking poetry
to the sculpted boy and dolphin,
splashing in Cambridge winter
silence, as she moved her shivered
lips speaking to something who
could listen without accents. She
loved to daydream within the snow
globe shadows. Plath would make
up naturally blessed Ariel verses
and the boy would glow statuesque—
frozen marble eyes would attract
her night after night, not saying
much ears open waiting to hear
her sneaker footsteps, standing
in front of her quiet friend was
her favorite solitude, conversations
sharing December breaths alone, when
she spoke in whispered Winthrop,
Massachusetts rhymes, Plath
would beautifully melt icicles.
Chewing midnight sojurn,
Sylvia loved listening
Trying to decipher all
the frozen London voices—
buried in the moonlit snow.
Driving us, Floating Uptown
Bluntly passing joints
watching the street
car, car stereo loudly
imagines Bob Dylan
between us, almost floating
on the grassy median
while on this short
mind trip, you drove us
Uptown on St. Charles
Avenue, the trees
are colorful carnival
umbrellas, scattered
with Mardi Gras beads
hanging on every
branch. As I reach
from the car window,
wishing I could grab
one but as you signal
to turn the car onto
your street. I can feel
my munchies kick in,
remembering the laughter
when we smoked out,
it was not just getting high,
passing me the joint,
there was this unspoken
joy of two buddies
lifted, sitting on his
couch listening to Dylan’s
Man of Constant Sorrow,
two po boys munching
down on our favorite
Magazine St. sandwiches,
minds stoned sharing
so many silence of moments—
although I’ve forgotten
so many NOLA nights,
shows at Tipitinas, State
Palace Theatre raves,
free movie passes at
Canal Place Prytania,
pizza slices/ SIN discount
drinks at Club Decatur—
I always remember
cotton mouth contagious,
like howlin’ wolves
lifting our spirits,
joyfully, sipping
bottled beers next
to a buddy in a smoky
room, with minds in
the clouds, always
missing the jubilant
uptown banter, bongs
of remembrances
parking grins—
spinning CD’s
imagining Dylan
between us, lyrically
lighting one up,
in an afternoon daze,
with my buddy Keefer
the high always transcends.
Only the wind can truly kiss me
“I was coming apart. / They loved me until/ I was gone”
— Anne Sexton
Some nights, I sleepwalk
on the beach, waking up
quivering, knowing this
is where my often maltreated
body loves to feel the chills
rippling against my robe,
titillating underneath,
my naked skin. My face loves
the way the gust could reach
deeper, each breeze against
my cheeks, the gale kisses
wildly like no man’s lips
never dared to reach—
the wind never takes me,
she blows inviting thoughts
so cool, revealing the only
time I feel naturally blushing
without make up, just me—
my eyes closed loving how
much the tempest winds match
each storming burst tempting
so beautifully disrobing me
from my inside.
(If I had) Five Minutes with Marilyn MonroeFrom a 1955 photograph by Ed Feingersh at Costello’s Restaurant, NYCI would light up more than her cigarette,
and her soft inquisitives smile. I would
sit across the booth and encourage her
not to only focus on silver dreams, attractions
becoming only on theatre screens. Instead
of centerfold, photoshoots, exposing more
than skin, show all your body, volumes
printed from the spine. Remember Sandburg,
Miller, Capote’s gift? You too can expose sharing
every imperfect scar, have your legacy so brave
on the page, each line you bare engraved like
a lyrical kiss. So many dreaming to touch
you, why not reach out with words from afar?
Reflecting your verses connecting so much
closer, circulating each of your most secret
fragments, pieces, crumpled ink stains
see through markings; underneath your flashing
beauty reveals the most captivating poetry
a voice of siren, that star is you.
At Marilyn's grave
Still everblooming
like the roses glowing
on your wall, despite
everyone who doubted
you, those who could
never see beyond your
beauty, your life, a poem,
like the most perfect
rhyme, in eternity’s
spotlight, Norma Jeane even
my shuttering camera knows
you will outlive us all.
Bio: Adrian Ernesto Cepeda is the author of Flashes & Verses… Becoming Attractions from Unsolicited Press, Between the Spine from Picture Show Press, Speaking con su Sombra with Alegría Publishing, La Belle Ajar & We Are the Ones Possessed from CLASH Books and his 6th poetry collection La Lengua Inside Me will be published by FlowerSong Press in 2023.
Adrian lives with his wife in Los Angeles with their adorably spoiled cat Woody Gold.
David writes poetry, short stories, and writings that'll make you think or laugh, provoking you to examine images in your mind. To submit poetry, photography, art, please send to feversofthemind@gmail.com.
Twitter: @davidLOnan1 + @feversof
Facebook: DavidLONan1
Reblogged this on The Wombwell Rainbow.
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