Thinking of Lou Reed. and New York City
that was and is /now gone…gone….so
still …the fragile shards of some unreasonable flower from half empty pockets torn from old coats ….entwines and blooms so there still this vibrant pulse ….the fleeting skein of some dense architectonic memory….always leaving, yet inside the vein beneath my skin and at twilight you are still there too and leave a card beside the wall on a scattered table….the pulse, the pulse….that I think is….though also ….gone….
For Lou Reed (1978)
fragile unreasonable flower
old full-length black autumn coat with pockets
dogeared post card against a wall
drifts from a scattered table
books letters notebooks
bloom inside the entwined half-full
shards inside this midtown Manhattan
In the cold
In the cold vibrant twilight
In the cold vibrant
In the twilight
In cold twilight
5 poems inspired by Leonard Cohen by Robert Frede Kenter (Before I Turn Into Gold Day)
Poem for a Russian Grandmother in Exile by Robert Frede Kenter w/ A Painting by Moira J. Saucer
4 poems from Robert Frede Kenter in Avalanches in Poetry
An Interview with Robert Frede Kenter of Icefloe Press
4 poems by Robert Frede Kenter published in Fevers of the Mind Press Presents the Poets of 2020
Wolfpack Contributor: Robert Frede Kenter
Robert Frede Kenter is a 2020 pushcart nominee, poet, visual artist, editor and the publisher of Ice FloePress. Currently living in Toronto, work is published widely, incl. Floodlight Editions, Cypress, Burning House Press, Anthropocene, New Quarterly, Grain, Prairie Fire, Going Down Swinging, Fascist Panties, Cough, Fevers Of. The hybrid, Audacity of Form (2019), is available from Ice Floe Press. Check out Robert’s latest book “Eden” with Floodlight Editions.
Eden is a selection of hybrid pareidolia poetry which glides within abstract visions. Robert Frede Kenter’s mirrored shards dangle inside sensory gardens. Smoke encircles words communicating raw politics and myth through jazzy vibrations twinkling in the shadows. Kenter’s poetry contorts paint, collage, drawn figures, photos, and found text. This imaginative collection, along with his other works and collaborations spanning more than three decades, solidify his place in the experimental poetry scene.
— Margaret Viboolsittiseri
He was an original!