photo by Zoe (unsplash)
Articulate Sashes Spurred by a long night's rasping breath Window-sashes flutter the call To arms, songs of glory and death The world answers. Shadows grow tall About the unsleeping head that lies Untranquil in the mist. Patches of moon-cut darkness scan Its stark eyes for ways to set free The flightless bird under the ban Of ice, the joy its frozen sea Still holds close. Mosquitoes become flies Flies demons, in the mist. Each dawn's grey-coated light must mourn A loss: the beauty of the night It slew. Each Joy bears an ice-thorn Thrust by the axed sea which will fight Life to lure it back, unless it dies Or dissolves in the mist. Dissertation I am crawling through the maze in the mud On three limbs, hauling a square lead orange Up rocky slopes. It laps up the blood And erases the traces of my feet, Making its roads enticingly even To a child's eager gaze Others shall come seeking the promised gold Fruit, round and rolling, ripe for falling, strange But true guide in the race to have and hold The fount of all knowledge that yearns to greet Them at the heart of the maze. And I, then, Shall waken from this daze - No. I shall tell no truth, scream no warning; The lead orange with bit and curb has made A bridle for me out of the noose. Sing My praises, it commands, and I do. Staid, Smiling traitor, I help lure fresh children Into the cackling maze. Il fait beau, n’est-ce pas? Like the twitching twig of the wildflower Floating in seeming stillness on the rim, I kick at vase-walls beyond my power To breach or break. I yearn to dim, To drown the glory of the day. No shutters will fight off its invasions, No curtains quite resist that bumptious sun, That barges like well-meaning relations Into houses of grief. I run To drown the glory of the day In a feeble smile, as I quite agree The weather’s lovely, all the while dreaming Of the rain, the cool pattering rain, my One friend in my frantic scheming To drown the glory of the day Karantina Şarkısı Weave your silk webs in the dusk, Arachne As the lemon-trees wed light, you shall see Your work twirled to ruin on a broom. Glitter Your hapless malice. It shall not wither The creepers of spite. You instruct the harp-strings of dark with glee In their sleep-piercing musics. But in three Strokes of dead bark I am avenged. Bitter, Welcome foe, you could end this, but dither; In each watchful night You furl your darting sting, for we both flee The same silence, the same beckoning sea Of death. Spite gives us something to live for, To plug in its gaping maw, to abhor With our ire-borne might. Peace Talks With The First Demon I miss this face of mine I never knew, That never once aged or grew Lined with the ugliness of exhaustion. The one that laughs out of these old photos Quite happy and almost pretty, In which love taken for granted still glows. Turn the page, and the evil shade, new-made Of my growing not-enoughness Sharpens its eternally marring blade, And in the crookening of smiles once full Signals its lifelong conquest. Rest In peace, face I never knew. I will pull Your nameless traces from these leaves and pour Into rigged memories sour With falsehoods and hindsight the faux embers Of a bitterness that never was there. For I could not know you then, though I miss you now. Story Without A Name Sliced from our story like the rind from cheese We wrinkle to shadows, skulking torments For this stained conscience straining to appease Us, first-tellers of the story she inks. Severed from the tale we brought with such hope To her untried pen that thirsted for truth, We stand fuming above pronouns that soap Off our grime, to please the East and the West. They ravaged her head and heart with their wars; We knew her diced, divided, doubting, This pen-holder, burning in ash that mars Oftener than it makes: but knew her true. We never dreamt she would erase our names, This creature who holds our pen. All to stop Her many Worlds from playing their old games Of 'The Miller, His Son, and Their Donkey'. Your Best Work In bulb-light, each solid opaque middle Has shadow-selves that you can only see With both eyes. One shut, light will not fiddle With the sharp lines to suit its own fancy. Like the poet-turned-editor writing ‘Send us your best work’ when she too must know The best is the despised, the scrunched-up thing Cast aside for saplings harder to grow; Like the four deserted stove-top burners Lying forlorn beside the chosen one: Shadows vanish for resolute churners With heads fixed until the butter is done. Does the old law of the light distinguish The one-eyed poet from the wallower? Can the sun-squinting, the scribbled anguish Serve to ransom a shadow-swallower? Bio: Hibah Shabkhez is a writer of the half-yo literary tradition, an erratic language-learning enthusiast, and a happily eccentric blogger from Lahore, Pakistan. Her work has previously appeared in Fevers of the Mind, Black Bough, Zin Daily, London Grip, The Madrigal, Acropolis Journal, Lucent Dreaming, and a number of other literary magazines. Studying life, languages, and literature from a comparative perspective across linguistic and cultural boundaries holds a particular fascination for her. Linktree: https://linktr.ee/HibahShabkhez
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