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Writing School Dean I interviewed for a job as a writing teacher while I was still working as a journalist. My eye watered all during the interview. It had started to water after I got a bad sty in South America and the tear duct scarred over when it healed. The dean who interviewed me said that Catherine Hepburn had a watery eye that she developed during filming of the African Queen. He asked me why I wanted to teach and I said, “I need the money.” My freelance magazine job owed me thousands and I was desperate for a steady paycheck. He chuckled and hired me. The school had a holiday party at the end of my first term and I wore a hot pink angora sweater while most of the staff wore beatnik black. The dean talked to me all night and asked me out. He wrote young adult mystery novels but he was shot down when he proposed young adult spy novels. He also wrote plays and worked odd jobs to support his writing like bail bondsman and building manager. His old girlfriend left a message on his answering machine on New Year’s Eve while I was in his apartment. “I love you,” she said. He used to work straight through the weekends and weeks would go by before I saw him. I grew tired of waiting and got back online to find someone new. When I wrote a play about internet dating, I had a reading at a bar on the Lower East Side. I invited the dean and he asked, “Am I in it.” “No,” I said. A Fevers of the Mind Quick-9 Interview with Karol Nielsen Bio: Karol Nielsen is the author of the memoirs Black Elephants (Bison Books, 2011) and Walking A&P (Mascot Books, 2018) and the chapbooks This Woman I Thought I’d Be (Finishing Line Press, 2012) and Vietnam Made Me Who I Am (Finishing Line Press, 2020). Her first memoir was shortlisted for the William Saroyan International Prize for Writing in nonfiction in 2012. Excerpts were honored as notable essays in The Best American Essays in 2010 and 2005. Her full poetry collection was longlisted for the Terry J. Cox Poetry Award in 2021 and was a finalist for the Colorado Prize for Poetry in 2007. One poem was a finalist for the Ruth Stone Poetry Prize in 2021. Her work has appeared in Epiphany, Guernica, Lumina, North Dakota Quarterly, Permafrost, RiverSedge, and elsewhere. She teaches creative nonfiction and memoir writing with New York Writers Workshop.